BECK, Martin
Martin Beck: ... for hours, days, or weeks
Martin Beck: ... for hours, days, or weeks at a time explores the methods and means through which environments are captured, compressed, and represented. Using drawing, sound, video, and installation, the exhibition presents a suite of works informed by Beck’s research into environments, a series of eleven vinyl records from the 1970s produced by the Syntonic Research Inc. label that registered the acoustics of nature and meditative sounds with high-fidelity recording technology. Marketed as psychoacoustic experiences with the potential to alter domestic and workspace atmospheres—for listeners to transcend the monotony of bureaucratic space and activity—the records laid the groundwork for an emerging industry catering to the care, efficiency, and control of the self. Beck’s interest in these records is their pioneering role as atmospheric tools for self-optimization within an ever more competitive capitalist setting. Dissecting the series promotional material, Beck highlights and cuts into the claims made for creating spaces of heightened productivity in which one supposedly feels at ease and is ever more functional.
Sculptural and installation-type interventions span the entirety of the Museum’s first floor galleries. His large-scale pencil drawings layer the vocabulary of self-care and self-control onto meticulously rendered immersive fern patches, a suite of wall works fragment images of sunsets and thunderstorms that adorn the records’ covers. Beck’s video, in place (environments), trace the atmospheric shifts made possible by sonic overlays and point to the paradoxes that institutional and private spaces—from spas to galleries to prisons—might have in common.
This exhibition is curated by Eduardo Andres Alfonso, Associate Curator. It will be accompanied by a catalogue, co-published by Gregory R. Miller & Co., which will include images of the works on view and an essay by the curator and Gabrielle Schaad.
Published by Gregory R. Miller & Co., 2025
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