BRAINARD, Joe; KANE, Daniel (ed.)
Love, Joe. The Selected Letters of Joe Brainard

Hope you had a good Christmas. I did; played in the snow all morning, completely broke my glasses, went down in the subways & took 8 pictures of myself in a “4 for 25¢ machine,” worked on a self-portrait collage, went to a Chinese restaurant & had chow mein & 6 whisky sours, & then (as a result of this) wrote a 34 page story entitled “Self-portrait on Christmas Night Age 19 Almost 20; Homage to George Washington” all night & until 7:00 the next morning. …

An artist and writer whose charming and inventive works are at once modest and ambitious, Joe Brainard was one of the most distinctive figures on New York City’s vibrant cultural scene in the 1960s and 1970s. Widely known for his influential experimental memoir, I Remember, Brainard worked in a variety of forms, from New York School–aligned poetry to Pop Art–adjacent artworks, including wild riffs on the comic strip character Nancy. His art drew on the everyday and popular culture, exuding a sense of amiability, wit, and generosity.

Love, Joe presents a selection of Brainard’s letters stretching from 1959 to 1993, offering an intimate view of his personal and artistic life. They allow readers to witness an extraordinarily fertile moment in New York’s history, when literary and visual arts intersected with happenings, proto-punk and psychedelic rock concerts, and experimental music and dance performances. Brainard’s letters to his partner, Kenward Elmslie, and others also open a window onto the transformations of queer life during this period. His correspondents include poet and artist friends such as John Ashbery, Anne Waldman, Ted Berrigan, Alice Notley, Fairfield Porter, Ron Padgett, Bernadette Mayer, James Schuyler, Alex Katz, and Andy Warhol, as well as lovers, patrons, high school friends, and fans. At once an insider’s view of the art and literary worlds and a revelation of Brainard’s creative process, these letters invite readers to share in his radical but gentle candor, his open-mindedness, and a sophisticated naiveté that helped him erase the conventional barriers between art and life. [publishers’ note]

Published by Columbia University Press, 2024
Correspondence / Artists' Writings