This catalogue offers new insights into Lassnig’s engagement with the experimental film and feminist communities of 1970’s New York, animation as a vehicle for comedy, and American culture and mass media. In addition to a scholarly essay on Lassnig’s animated films it contains an contribution by novelist, poet, and essayist Melissa Broder, and a reprint of Nora Ephron’s 1968 article “Makeover: The Short, Unglamorous Saga of a New Glamorous Me” as well as two essays written by Lassnig herself in the 1970’s.