Published on the occasion of her Aspen Art Museum exhibition, the artist’s first solo presentation in an American museum, this catalogue focuses on Amelie von Wulffen’s recent work, including paintings created during her time as the AAM’s 2012 Jane and Marc Nathanson Distinguished Artist in Residence.

The artist deploys a host of painterly techniques that—while departing from the photographic collage practice for which she is best known—remain deeply referential, wryly revisiting and reprocessing tactics and tropes of modern painting from European Romanticism onward. The lavishly illustrated publication features an essay by AAM CEO and Director Heidi Zuckerman as well as a foreword by Cay Sophie Rabinowitz.