SOH BEJENG NDIKUNG, Bonaventure
Mawali-Taqsim: Improvisation as a Space and Technology of Humanity

Mawali—Taqsim: Improvisation as a Space and Technology of Humanity focuses on the rich cultural dynamics of taarab, which, beyond a musical rhythm, is understood as a framework of encounters and exchanges shaped by the confluence of influences in Tanzania and the Indian Ocean. This publication, which centers on the third Invocation for the 36th Bienal de São Paulo held in Zanzibar, examines how these interactions have fostered a vibrant cultural landscape, offering insights into the ways artistic practices and historical exchanges intertwine to create a tapestry of shared heritage and creativity. Echoing the complexities of Zanzibar’s history—a crossroads of African, Arabic, Asian, and European influences—this volume offers the possibility of reflecting on nuances and accents of humanity on an island that is a point of intersection of multiple cultures, philosophies, and sciences. [publishers' note]
Contributions by Halda Mohamed Alkanaan, Mohamed Ameir Muombwa, Aisha Bakary (Hijab DJ), DCMA Young Stars Band, Keyna Eleison, Tryphon Evarist, Tanka Fonta, Anna Roberta Goetz, Bi Mariam Hamdani, Mohamed Ilyas, Khamis Muhamed Juma, Siti Muharam, Thabit Omar Kiringe, Bonaventure Soh Bejeng Ndikung, Bernard Ntahondi, Thania Petersen, Rukia Ramadhani, Ajítẹnà Marco Scarassatti, Alya Sebti, Allan da Rosa, and Uwaridi Female Band.

Published by Center for Art / Research and Alliances, 2025
Design by Studio Yukiko
Curatorial Studies