Post Punk Then and Now

What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? [publisher's note]

Contributors include Sue Clayton, Dominic Johnson, Lydia Lunch, Agata Pyzik, Tom Vague, Gee Vaucher …