Several Bellonas, Intervals, and Displacements

Taking his starting point from a famous Rubens painting from the Louvre of the Goddess of War, or “Bellona,” this volume surveys a number of bodies of work and shows that reveal the conceptual rigour and algorithmic play underpinning the painterly practice of New York-based Cheyney Thompson. [publisher's note]

Text by Jennifer Nelson, Benjamin D. Piekut, Cheyney Thompson.