Film & Video

October Files 27: Hollis Frampton

FRAMPTON, Hollis; ZRYD, Michael (ed.)

The Author as Producer of Nothing

GIDAL, Peter

LÄRM #2

LÄRM (ed.)

LÄRM #1

LÄRM (ed.)

Pasolini: The Apocalyptic Anarchist

RECK, Hans Ulrich

Icônes

VAN SANT, Gus; ORLÉAN, Matthieu (ed.)

Au-delà du plaisir visuel: féminisme, énigmes, cinéphilie

MULVEY, Laura

Agir le cinéma – Écrits sur le cinéma expérimental (1979-2020)

BEAUVAIS, Yann

Peggy Ahwesh. Vision Machines

AHWESH, Peggy; BALSOM, Erika (ed.); LECKIE, Robert (ed.)

Cooking with Scorsese: The Cookbook

HATO (ed.)

Film Talks: 15 Conversations on Experimental Cinema

PAYNE, Simon; VALLANCE, Andrew (eds.)

Goodbye, Dragon Inn

PINKERTON, Nick

Another Gaze #5

SHREIR, Daniella; WILLIAMS, Missouri; MAKARY, J; DA COSTA, Cassie (eds.)

Nosferasta

KHALIL, Adam; SWEITZER, Bayley

Ed Atkins: Get Life/Love’s Work

ATKINS, Ed

Little Joe #6

ASHBY, Sam; DAVIES, Jon (eds.)

Godard / Machines

DE BAECQUE, Antoine; MOUELLIC, Gilles (eds.)

Incantation, Wendy

SCOTT, Frances

Introduction à l’esthétique

MASAZAKU, Nakai

On the Anarchic Organization of Cinematic Spaces

BARBA, Rosa

Mogolia - Mexico - Europa

OTTINGER, Ulrike

TV 70: Francesco Vezzoli Guarda la Rai

COSTA, Chiara; AMMIRATI, Maria Pia (eds)

Henry Brandt. Cinéaste et Photographe

BRANDT, Henry; JAQUES, Pierre-Emmanuel (ed.); LUGON, Olivier (ed.)

Letters from NYC

HUDEK, Antony

fieldnotes #2 dog days

MARRIN, Bella; COX, Natasha; MALLET, Isabel; HAMOU, Joachim

Roger Blin

KARAGHEUZ, Hermine

M/W

LONGABUCCO, Matt

Harun Farocki: Hard Selling, Reframed by Elske Rosenfeld

FAROCKI, Harun; ROSENFELD, Elske

Tell It to the Stones. Encounters with the Films of Danièle Huillet and Jean-Marie Straub

BUSCH, Annett; HERING, Tobias (eds.)

Feminist Takes – “Early Works” by Želimir Žilnik

MAJACA, Antonia; O'REILLY, Rachel; VESIĆ, Jelena (eds.)

Tacita Dean Antigone

DEAN, Tacita

Paranoia TV

DEGOT, Ekaterina; RIFF, David (eds.)

Blade Runner Landmark : Le Bradbury Building au Cinéma

LARBEY, Camille

1970–2018: Interviews with Med Hondo

HONDO, Med; GUTBERLET, Marie-Hélène (ed.); KUSTER, Brigitta (ed.)

The Earth Dies Streaming

HAMRAH, A. S.

Skin Shows. Gothic Horror and the Technology of Monsters

HALBERSTAM, Judith

Letters as Films

ORTEGA, Garbiñe

THRESHOLDS. Interwar Lens Media Cultures 1919-1939

JÖNSSON, Mats; WOLTHERS, Louise; ÖSTLIND, Niclas (eds.)

The Bigness of Things: New Narrative and Visual Culture

BENJAMIN, Daniel; SNEATHEN, Eric (eds.)

Les saisons #3

JOPECK, Baptiste; RIGAL, Pauline (eds.)

My Mother Laughs [Silver Press]

ACKERMAN, Chantal

Propos filmiques

LEBENSZTEJN, Jean-Claude

I will survive (en/fr)

STEYERL, Hito; EBNER, Florian (ed.); GAENSHEIMER, Susanne (ed.); KRYSTOF, Doris (ed.); LISTA, Marcella (ed.)

How Does The World Breathe Now? – Film as Witness, Archive, and Political Tool

CHAKRAVERTI-WURTHWEIN, Pia; FOUNTEDAKI, Eirini (eds.)

Harun Farocki: On the History of Labor

PANTENBURG, Volker (ed.)

Kino/Atelier — Program

BAUER, Leslie; Eß, Richard (eds.)

The Walking Eye

BING, Wang

Girl Head. Feminism and Film Materiality

YUE, Genevieve

Film's Ghost

BARBER, Stephen

Pity and Terror: Jack Kerouac on Nosferatu

KEROUAC, Jack; STEPHENSON, Gregory

Rebel Video

NIGG, Heinz (ed.)

The Ghastly One. The 42nd Street Netherworld of Director Andy Milligan

MCDONOUGH, Jimmy

Stills from AC37

DUFFIN, Eleanor

Allegories of the end of capitalism

SWEEDLER, Milo

Musas insumisas

PETRESIN-BACHELEZ, Natasa; ZAPPERI, Giovanna (eds.)

On Distance

LEVIN, Boaz

Art Isn’t Fair

SEKULA, Allan

The Struggle is Not Over Yet. An Archive in Relation

FARIA, Nuno; CÉSAR, Filipa; HERING, Tobias (eds.)

Japanese Expanded Cinema and Intermedia. Critical Texts of the 1960s

ADACHI-TASCH, Ann; HIRASAWA, Go; ROSS, Julian (eds.)

I will survive (en/de)

STEYERL, Hito; EBNER, Florian (ed.); GAENSHEIMER, Susanne (ed.); KRYSTOF, Doris (ed.); LISTA, Marcella (ed.)