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OAKLEY, Be (ed.)
An Incessant Unknowability: An Archive of Protest Inspired Typography and it’s Open Source Uses

The 2nd in volume in the GenderFail, Anthology of Queer Typography ongoing series, this book centers on the open source uses of GenderFail fonts from 2018 (when the first font was made) to the present. It features 26 unique open source uses catagorized into four different sections: Personal, collective institutional, and protest.

This new anthology features a new commissioned essay by emily sara of Cripple, an extension of the practice of emily sara * a publishing initiative supporting disabled artists and designers * purposely non-linear. Sara presents their new protest inspired font 504 font where letters were pulled from posters of the 504 Protests. sara states: “Only ABCDEFGHIJKLMNOPQRSTUVWXYZ and 504 and ! are available. Z, missing from documentation, is an image of Judy Heumann—who continues to live on through the protests and the innate firey nature of our crippled community.” [publishers’ note]Open

Source use examples by: gender*Language, Queerd Zine Bibliotek, Adrien Crossman, Erin Moore, The Dom Press, Flo Parmentier, Pau Geis, Slits in the Monolith—a reading group about institutional critique, An Alarming Specificity / curated by Aubree Penny / Cantor Fitzgerald Gallery at Haverford College, Days of Rage curated by Andy CampbellONE Archives at the USC Libraries, Dia Teens workshop by Andreas Laszlo Konrath, The Anderson Gallery, Del Alexandros, Maire Lou, Zevvy Smith-Danford, Richie, Larry Wolf, Stephanie Kudisch, Florence Cheval, Claire Kovacs, Sister Serpents, Chase Petra, Cosmo Bauer, Samira Rehmert, Softhand, Courtney Bree and Women Strike Assembly.

Risograph printed.

 

Published by GenderFail Press, 2024
Design by Be Oakley
Typography / Graphic Design / Queer Culture

Price: 25€

OUT OF STOCK
OAKLEY, Be (ed.) - An Incessant Unknowability: An Archive of Protest Inspired Typography and it’s Open Source Uses