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It reads as an ambitous alternative theory of typography and sign making as a  “craft”: the title tellingly refers to the freemasons and their symbolic system, where society is considered as a construction to be completed, and personal discovery as the objective of this process. \u003c\/p\u003e\n\u003cp\u003ePhilosopher and writer Dirk van Weelden serves as the guide to the \u003cem\u003ePalace \u003c\/em\u003ethroughout the book, while different contributors introduce to its 9 Departments: Sign, Symbol, Ornament, Construction, Poetics, Play, Order, Craft (with three Pavilions dedicated to Ed Fella, Niklaus Troxler, and Hendrik Wijdeveld), and Practice.\u003c\/p\u003e\n\u003cp\u003eThe book is structured by Niessen’s posters, specially designed for the occasion and printed in eight Pantone colours. 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