{"title":"Theatre","description":null,"products":[{"product_id":"the-convent-of-pleasure","title":"The Convent of Pleasure","description":"\u003cp\u003e\u003cem\u003eThe Convent of Pleasure\u003c\/em\u003e is a play written by Margaret Cavendish in 1668. The play is a comedy about noblewomen who choose to retreat to a convent to create their own community in order to avoid the constraints and pains of marriage and men. Lady Happy, the main protagonist, ponders the question of a radical alternative to marriage: “But why may not I love a woman with the same affection I could a man?” This book is a close reproduction of the first printed edition of the play, which was supervised and edited by hand by Cavendish.\u003c\/p\u003e","brand":"ness books","offers":[{"title":"Default Title","offer_id":57357595115860,"sku":"A8B-28502","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20201222_135337_001.jpg?v=1790812361"},{"product_id":"reverberation-machines-the-later-plays-and-essays","title":"Reverberation Machines. The Later Plays and Essays of Richard Foreman","description":"\u003cp\u003eOne of the most original minds ever to grace the American theater, Richard Foreman is one of the few artists today whose inimitable style of presentation has retained its authentic status and momentum within the spirited trajectories of the avant-garde. Foreman describes his own work as a “polyphonic theater in which all elements work to fragment each other so that the spectator is relatively free from empathy and identification and instead may savor the full ‘playfulness’ of theatrical elements, even though the subject matter of these plays is anguished and aggressive in the extreme. My goal has always been to transcend very ‘painful’ material with the dance of manic theatricality.” [publisher's note]\u003c\/p\u003e","brand":"Station Hill Press","offers":[{"title":"Default Title","offer_id":57357650657620,"sku":"A8B-29237","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_2035_8db2857d-496d-4188-9aa6-e42a69cac936.jpg?v=1790812571"},{"product_id":"the-well-dressed-wound","title":"The Well-Dressed Wound","description":"\u003cp\u003eA gleeful grotesquerie and savage satire, featuring Abraham and Mary Todd Lincoln and the Devil, along with Civil War dead, deconstructed couture, and gay ghosts.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Well-Dressed Wound\u003c\/em\u003e is Derek McCormack’s play script “séance”: a fashion show by the dead for the living. In the depths of the Civil War, in a theater in P. T. Barnum’s American Museum on Broadway, Abraham and Mary Todd Lincoln participate in a staged spiritualistic rite. But the medium conducting them has invited along another being: the Devil, disguised as twentieth-century French fashionista Martin Margiela (aka “King Faggot”). What follows is the most fiendish runway show ever mounted, complete with war dead, deconstructed couture, and gay ghosts infected with all manner of infectious agents, including oozy AIDS.\u003c\/p\u003e\n\u003cp\u003eWhile his previous fictions have explored the darker corners of country music, high fashion, and camp, \u003cem\u003eThe Well-Dressed Wound\u003c\/em\u003e is McCormack’s most radical work yet, occultishly evoking the evil-twin muses of transgressive literature, Kathy Acker and Pierre Guyotat. The creation thus conjured is a gleeful grotesquerie, a savage satire not so much of fashion as of death, a work that, as Bruce Hainley observes in \u003cem\u003eArtforum\u003c\/em\u003e, puts “the ‘pus’ back in opus.” Here death and life spin on a viral double helix of contamination and couture, blistering and bandages, history and hysteria, semen and seams. “Being dead is so very now,” Hainley opines. “This tiny tome (a time bomb, a tomb) is to die for and radically alive.” [publishers’ note]\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":57357835534676,"sku":"A8B-31026","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_2019_cb3b8e10-7deb-4867-a234-30e5b219999b.jpg?v=1790813075"},{"product_id":"the-mystery-of-irma-vep-a-penny-dreadful","title":"The Mystery of Irma Vep. A Penny Dreadful","description":"\u003cp\u003eThis definitive spoof of Gothic melodramas, recently revived off-Broadway to raves, is a quick-change marathon in which two actors play all the roles, including a sympathetic werewolf, a vampire, and an Egyptian princess brought to life when her tomb is opened. [publisher's note]\u003c\/p\u003e","brand":"Samuel French","offers":[{"title":"Default Title","offer_id":57357994164564,"sku":"A8B-33424","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/irma.jpg?v=1790813728"},{"product_id":"camille","title":"Camille","description":"\u003cp\u003eThe landmark Ridiculous Theatre Company production of the classic 19th century melodrama! Tubercular courtesan Marguerite Gautier abjures her rich lover, Baron De Varville, and sells all her jewels and furnishings to live in the country with her true love, poor young Armand Duval. Her heart is broken when he agrees to his father's request to abandon him, and returning to her unhealthful life in Paris, she declines rapidly, but is reunited with Armand in a deathbed scene that provokes both laughter and tears. Originally performed with Charles Ludlam in the title role. [publisher's note]\u003c\/p\u003e","brand":"Samuel French","offers":[{"title":"Default Title","offer_id":57357994131796,"sku":"A8B-33423","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/camille_aa5a55ce-b38d-4cda-aad4-ea887024aa8b.jpg?v=1790813728"},{"product_id":"andy-warhol-s-ridiculous-screenplays","title":"Andy Warhol’s Ridiculous Screenplays","description":"\u003cp\u003eRonald Tavel’s piquant memoir of making films with Andy Warhol in the mid-1960s offers fresh insights into the pop artist’s unique personality and working methods and will entertain anyone interested in the art and sociology of the period. Tavel (1936–2009) worked with Warhol from the winter of 1964 through the summer of 1967, writing seventeen screenplays at his request, including \u003cem\u003eScreen Test #2,\u003c\/em\u003e \u003cem\u003eThe Life of Juanita Castro,\u003c\/em\u003e \u003cem\u003eHorse,\u003c\/em\u003e \u003cem\u003eVinyl,\u003c\/em\u003e \u003cem\u003eKitchen,\u003c\/em\u003e \u003cem\u003eHedy,\u003c\/em\u003e and two sections of \u003cem\u003eThe Chelsea Girls.\u003c\/em\u003e Tavel’s sharply engaged, opinionated account of the genesis and frequently chaotic realization of these iconic 1960s experimental films revisits the unique creative atmosphere at Warhol’s famous Factory on East 47th Street, the artist’s unpredictable interventions, and the far-out Factory denizens and superstars. In Tavel’s inimitable prose, Factory regulars Billy Name, Gerard Malanga, Edie Sedgwick, Ondine, and countless others make their personalities felt as Warhol relentlessly absorbs them into his oeuvre. When Edie Sedgwick refused to act in \u003cem\u003eShower,\u003c\/em\u003e which Tavel had written for her, Warhol suggested the author do it as a stage play. An Appendix traces the subsequent emergence of the Theatre of the Ridiculous and Tavel’s developing career as an award-winning playwright.\u003c\/p\u003e","brand":"Fast Books Press","offers":[{"title":"Default Title","offer_id":57358004388180,"sku":"A8B-33577","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ridiculous.jpg?v=1790813774"},{"product_id":"heliogabale-drame-en-quatre-actes","title":"Héliogabale. Drame en quatre actes","description":"\u003cp\u003eJuin 1942. Jean Genet est incarcéré à la prison de Fresnes, condamné à huit mois de réclusion pour vol de livres. À trente et un ans, le détenu n’a encore rien publié ; mais la cellule est un lieu propice à l’éclosion de son talent littéraire. Il y écrit son premier roman, \u003cem\u003eNotre-Dame-des-Fleurs\u003c\/em\u003e, et le long poème \u003cem\u003eLe Condamné à mort\u003c\/em\u003e. L’attrait du théâtre se fait déjà sentir, comme en témoigne \u003cem\u003eHéliogabale\u003c\/em\u003e, ce drame à l’antique dont un manuscrit a été enfin retrouvé à la Houghton Library. L’existence de cette pièce était attestée, Genet l’ayant fait lire à quelques proches et ayant exprimé le souhait qu’elle soit publiée et créée — avec Jean Marais dans le rôle-titre. Rien de cela n’eut lieu et l’écrivain n’y revint plus.\u003c\/p\u003e\n\u003cp\u003eVoilà donc, plus de quatre-vingts ans plus tard, la mise en scène des dernières heures d’Héliogabale, jeune prince romain assassiné, telles que Genet les a rêvées et méditées. Au travers de cette figure solaire, hautement transgressive et sacrificielle, à laquelle Antonin Artaud avait consacré un essai flamboyant en 1934, Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu : le travestissement et l’homosexualité, la sainteté par la déchéance, la beauté par l’abjection. Un envers du monde social où l’auteur, apprenti dramaturge, entend déjà trouver ses vérités, situer son œuvre à venir et inventer sa propre légende. [note de l’éditeur]\u003c\/p\u003e","brand":"Gallimard","offers":[{"title":"Default Title","offer_id":57358069629268,"sku":"A8B-34269","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/heliogenet.jpg?v=1790813958"},{"product_id":"confidences-production","title":"Confidences \/ Production","description":"\u003cp\u003e\u003cem\u003eActing like an academic endpoint, cuneiform everything.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConlan Eliseu is a vampire and an out-of-vogue fashion stylist who takes a job as an advisor at the Gatlin Finishing School, a three-year vocational program for talented teens in a theatre town. Human teen Doeke Schreyer wants to be a star and isn’t afraid of hard work. He just can’t seem to get it. Will his corporeal charms help him exceed the curse on his name, inherited from his adoptive parents?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Production\u003c\/em\u003e deals with the process of keeping the past alive, whether as image or restaging. It is the fourth instalment in Ivan Cheng’s Confidences series, which uses the figure of the vampire as shorthand for cultural movement. Following \u003ca href=\"\/products\/ivan-cheng-confidences-baseline\"\u003eConfidences \/ Baseline\u003c\/a\u003e, \u003ca href=\"\/products\/confidences-majority\"\u003eConfidences \/ Majority\u003c\/a\u003e, and \u003ca href=\"\/products\/confidences-oracle\"\u003eConfidences \/ Oracle\u003c\/a\u003e, this new episode contains excerpts or elements from scripts by the artist, as well as documents and reflections on the tradition and transmission of theatre. \u003c\/p\u003e\n\u003cp\u003eIvan Cheng (b. 1991, Sydney) produces films, objects, paintings and publications as anchors for the staging of complex and precarious spectacles. His background as a performer and musician form the basis for his using performance as a critical medium and questioning publics and accessibility. He holds an MFA in Critical Studies from Sandberg Instituut. His performances, works and writings have been recently presented at Hartwig Art Foundation, Amsterdam; Lafayette Anticipations, Paris; galerie Édouard Montassut, Paris; Villa Imperiale, Pesaro; OCTO, Marseille; Volksbühne Roter Salon, Berlin; gta Exhibitions, Zurich; and Mind Eater Festival, Oslo. In 2017 he initiated the project space bologna.cc in Amsterdam.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Production\u003c\/em\u003e is published in collaboration with Monash University Museum of Art | MUMA, Naarm\/Melbourne, in conjunction with the presentation of the project, \u003ca href=\"https:\/\/www.monash.edu\/muma\/exhibitions\/upcoming\/upcoming\/ivan-cheng,-np\"\u003eIvan Cheng: NP\u003c\/a\u003e in September 2024.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Production\u003cbr\u003e\u003c\/em\u003e13 x 18 cm, 360 pages, English\u003cbr\u003eCover illustration: Jaakko Pallasvuo \u003cbr\u003eISBN: 978-2-492650-13-0\u003c\/p\u003e","brand":"After 8 Books,MUMA","offers":[{"title":"Default Title","offer_id":57358074282324,"sku":"A8B-34369","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ivan4-1b.jpg?v=1790813987"},{"product_id":"the-haitian-chroniclas","title":"The Haitian Chronicles","description":"\u003cp\u003e\u003cem\u003eThe Haitian Chronicles\u003c\/em\u003e is a graphic and brutal history of the Haitian Revolution told across three plays. It is the final work by the influential and groundbreaking playwright Douglas Turner Ward (1930-2021) and the first play of his to be published in several decades. Though much of his earlier work has been short one-act satires, \u003cem\u003eThe Haitian Chronicles\u003c\/em\u003e takes place across three long plays: \u003cem\u003eThe Rise of Toussaint L’Ouverture\u003c\/em\u003e, \u003cem\u003eThe Fall of Toussaint L’Ouverture\u003c\/em\u003e, and the one-man drama, \u003cem\u003eDessalines\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Haitian Chronicles\u003c\/em\u003e is an example of Ward’s political commitment to satirizing, dramatizing, and revealing the structures of white supremacy throughout the history of this so-called civilization. His first play, \u003cem\u003eStar of Liberty\u003c\/em\u003e, written at 19 years of age, was based the life of Nat Turner and the slave revolt he led. With \u003cem\u003eThe Haitian Chronicles\u003c\/em\u003e, Ward returns to armed Black rebellion, taking as its subject matter the first and only slave revolt to successfully establish a free state. It is a self-consciously ambitious work of astounding narrative and theatrical scope, featuring over 80 speaking roles and logistically demanding production design. The narrative onslaught chronicling the disgusting brutality of colonial French society and the bloody force it took to overthrow it overwhelms the reader and challenges one to question the structures on which society is built and the violence it continues to perpetuate.\u003c\/p\u003e\n\u003cp\u003eWard was one of the central, driving forces of the Black Theater movement in the United States. After moving to New York in 1948, he became immersed in the radical political scene in Harlem, writing for\u003cem\u003e The Daily Worker\u003c\/em\u003e, and studying as an actor. He served as understudy to Sidney Poitier in \u003cem\u003eA Raisin in the Sun\u003c\/em\u003e, and began a long friendship with fellow actor Robert Hooks. In 1966, Hooks helped produce Ward’s double bill \u003cem\u003eHappy Ending \/ Day of Absence\u003c\/em\u003e. Following the success of these plays, Ward was asked to write an editorial for the \u003cem\u003eNew York Times\u003c\/em\u003e in 1966. His article, titled “American Theatre: For Whites Only?,” surveyed the ubiquitous, stifling racism of the American theatre and was widely circulated, earning Ward further recognition for his political and theatrical work. With funding from the Ford Foundation, Ward and Hooks, together with Gerald Krone, founded the Negro Ensemble Company (NEC) in 1967. Writing and directing for the NEC over the next several decades, Ward worked with icons such as Paul Carter Harrison, Gus Edwards, Leslie Lee, Errol Hill, Charles Fuller, Derek Walcott and Wole Soyinka. He directed dozens of plays throughout his career including \u003cem\u003eSong of the Lusitanian Bogey\u003c\/em\u003e, \u003cem\u003eThe River Niger\u003c\/em\u003e and Pulitzer Prize-winning\u003cem\u003e A Soldier’s Play\u003c\/em\u003e. Ward continued to write until his death in 2021. \u003cem\u003eThe Haitian Chronicles\u003c\/em\u003e is the result of over four decades of work, a superb series of plays by an inimitable writer and artist. [publishers’ note]\u003c\/p\u003e","brand":"Boo-Hooray","offers":[{"title":"Default Title","offer_id":57358078542164,"sku":"A8B-34483","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/haitianward.jpg?v=1790814020"},{"product_id":"cold-heaven","title":"Cold Heaven","description":"\u003cp\u003e\u003cem\u003eCold Heaven\u003c\/em\u003e joins two plays, \u003cem\u003eSometimes Dead is Better\u003c\/em\u003e and \u003cem\u003eBye Bye Brunhilde\u003c\/em\u003e, that have the dissonant, radical beauty of poetry. As Roy writes in her Introduction to the book: “Plays are porous, written to be entered… Plays provide a frame for studying collisions… Language can be an (uncontrollable) character, moving in on the others, creating a stir… [I]n a play… the private self disappears. Writing can move out into the dead zone between any two people and test what is there.”\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eBye Bye Brunhilde \u003c\/em\u003eis a gorgeously perverse valentine about dykes, Fear and Technique.”\u003cbr\u003e“\u003cem\u003eSometimes Dead is Better \u003c\/em\u003eis a subversive family drama.”\u003cbr\u003e—Robert Glück\u003c\/p\u003e","brand":"Litmus Press","offers":[{"title":"Default Title","offer_id":57358117011796,"sku":"A8B-34894","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/roytheatre.jpg?v=1790814134"},{"product_id":"this-causes-consciousness-to-fracture","title":"This Causes Consciousness to Fracture","description":"\u003cp\u003eIn her sensitive photographs, Estelle Hanania captures highly charged, violent moments in the works of artist and choreographer Gisèle Vienne, moments that are at the same time both fragile and poetic. In her complex oeuvre, Vienne develops systems of signs, new languages in which perceptual frames are called into question. The images of the props, scenes, stage sets, and protagonists are condensed into tense, concentrated snapshots of the groundbreaking stage plays \u003cem\u003eCrowd\u003c\/em\u003e, \u003cem\u003eExtra\u003c\/em\u003e \u003cem\u003eLife\u003c\/em\u003e, and\u003cem\u003e L’Étang\u003c\/em\u003e as well as the puppets created by Vienne for many of her productions. Together, Vienne and Hanania present the photographic documentation as artistic material in and of itself and allow the medium of the book to be experienced as a choreographic space. The semiotics of both the bodies and photographs transform into a common language.\u003c\/p\u003e\n\u003cp\u003eAn introductory text by curator Anna Gritz and a new extensive essay by philosopher Elsa Dorlin are dedicated to Vienne’s progressive and multifaceted work in the context of her exhibition at Haus am Waldsee, Berlin. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003e·· English \/ Français \/ Deutsch ··\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":57358123270484,"sku":"A8B-34922","price":76.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/giselehananai.jpg?v=1790814142"},{"product_id":"bruch-1-klittern-aesopica","title":",Bruch‘- 1: KLITTERN (aesopica)","description":"\u003cp\u003e\u003cem\u003eKLITTERN (aesopica)\u003c\/em\u003e works through the fable “A Wolf and a Kid,” ascribed to the ancient poet and slave Aesop. Borrowing from and dressing up in the idioms of others, the play assembles tactics and gestures of resistance for situations where no recourse to institutionalised forms of power seems advisable. Figurations of non-participation and withdrawal appear on the scene: strategies of camouflage, practices of friendship, promises of radical change, aestheticist compensations, apocalyptic fantasies and mystical transformations.\u003c\/p\u003e\n\u003cp\u003eThis publication is a work of the theatre entity and research group ,Bruch‘. \u003cem\u003eKLITTERN (aesopica)\u003c\/em\u003e was first performed at Münchner Kammerspiele in March 2022. Starring Stanislav Iordanov, Luis Garay and Elena Wolff. With contributions by Achinoam Alon, Nora Kapfer, Flora Klein and Carla Renée Loose. [publishers’ note].\u003c\/p\u003e","brand":", Bruch‘-","offers":[{"title":"Default Title","offer_id":57358151319892,"sku":"A8B-35054","price":9.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/bruch1.jpg?v=1790814181"},{"product_id":"joan-of-arkansas","title":"Joan of Arkansas","description":"\u003cp\u003e\u003cem\u003eJoan of Arkansas\u003c\/em\u003e is an election-season closet drama about climate catastrophe, divine gender expression, the instructions of angels, and heavenly revelation relayed via viral video. Fifteen-year-old Joan has been tasked by God (They\/Them) to ensure that Charles VII (R–Arkansas) adopts radical climate policy and wins his bid as the Lord’s candidate to become the president of the United States. Arkansas is flooding, the West is burning, and borders are closed: “Heaven or \/ internet—it’s \/ hard to be \/ good.”\u003c\/p\u003e\n\u003cp\u003eWinner of the 2023 Whiting Award for Drama!\u003c\/p\u003e\n\u003cp\u003e[publishers’ note]\u003c\/p\u003e","brand":"Ugly Duckling Presse","offers":[{"title":"Default Title","offer_id":57358169276756,"sku":"A8B-35454","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/joanarkansas.jpg?v=1790814292"},{"product_id":"the-manifestos-and-essays","title":"The Manifestos and Essays","description":"\u003cp\u003eDuring the 45 years Richard Foreman has been staging his wildly inventive work, he has been wrestling with the basic question of “What is art?” This book collects his writings on the subject, from his early \u003cem\u003eOntological-Hysteric Manifestos\u003c\/em\u003e through his transition to film, and provides a fascinating window into this singular artist's mind and creative process. 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