{"title":"Technology","description":null,"products":[{"product_id":"art-and-cosmotechnics","title":"Art and Cosmotechnics","description":"\u003cp\u003e\u003cem\u003eArt and Cosmotechnics\u003c\/em\u003e addresses the challenge of technology to the existence of art and traditional thought, especially in light of current discourses on artificial intelligence and robotics. It carries out an attempt on the cosmotechnics of Chinese landscape painting in order to address this question, and further asks: What is the significance of shanshui (mountain and water) in face of the new challenges brought about by the current technological transformation? Thinking art and cosmotechnics together is an attempt to look into the varieties of experiences of art and to ask what these experiences might contribute to the rethinking of technology today. 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Computer programming designed for taxonomic patterning, machine learning offers useful insights into racism and racist behavior, but its connection to the racial history of science and the Black lived experience has yet to be developed. In this book, Ramon Amaro explores how the history of data and statistical analysis informs the complex relationship between race and machine learning. He juxtaposes a practical analysis of this type of computerized learning with a theory of Black alienation in order to inspire alternative approaches to contemporary algorithmic practice. In doing so, Amaro contemplates the abstruse nature of programming and mathematics, as well as the deep incursion of racial hierarchies. 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Qu’il soit rattrapé par des logiques marchandes et autoritaires, ou qu’il constitue un levier d’émancipation, la question que pose en creux le mouvement low-tech est celle des chemins techniques à prendre pour refonder nos sociétés sur des bases viables, justes et désirables.\u003c\/p\u003e\n\u003cp\u003e[note de la maison d'édition]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Éditions Divergences","offers":[{"title":"Default Title","offer_id":57357894418772,"sku":"A8B-32023","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Nume_CC_81riser_202_7ce0271f-aaf4-4f5e-9397-5fdc508e7864.jpg?v=1790813346"},{"product_id":"essai-sur-la-poesie-numerique-ou-vers-un-elargissement-du-langage","title":"Essai sur la poésie numérique ou vers un élargissement du langage","description":"\u003cdiv class=\"citation\"\u003eLa Poésie numérique ou la littérature électronique a été à l'origine, à partir des années 1980, d'un nombre considérable de publications, notamment dans les universités américaines. Cet essai international sur la Poésie numérique (France, États-Unis, Brésil, Canada, Portugal, Autriche…), une première en France, comporte un historique des premières tentatives de génération de texte à l'ordinateur, et à travers son développement jusqu'à aujourd'hui, pose plus largement le problème du langage, de ses limites typographiques à l'époque du livre gutenbergien et de son élargissement aujourd'hui à l'image et au son. Mais aussi, avec la génération de texte – langage et machine – le problème de l'Intelligence Artificielle. La possibilité de produire du texte à l'ordinateur remet en cause la grammaire traditionnelle et les conceptions linguistiques d'un Noam Chomsky. 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Comment analyser, attribuer, juger de telles œuvres qui nous font entrer dans la vallée de l'étrangeté ? Quelles sont en retour les conséquences de telles innovations sur notre compréhension du champ artistique ? Comment la critique se doit-elle de réagir face à de telles créations, qui remettent radicalement en question l'ensemble des concepts et des valeurs esthétiques anciennes centrées sur l'humain ? Peut-on simplement les aimer et en être ému ? 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Drawing on new perspectives in postmodernism, feminist theory and science and technology studies, Judy Wajcman explores the ways in which technologies are gendered both in their design and use. At the same time, she shows how our very subjectivity is shaped by the technoscientific culture of the world we inhabit. 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L’intel­li­gence arti­fi­cielle pré­tend percer le mys­tère de l’intel­li­­gence, dont le secret se cache­rait dans l’esprit humain ou la phy­sio­lo­gie du cer­veau. À rebours de ce mythe, \u003cem\u003eL’Œil du maître\u003c\/em\u003e en pro­pose une généa­lo­gie maté­ria­lis­te : depuis les ori­gi­nes algo­rith­mi­ques des rites de mesure jusqu’aux dis­po­si­tifs contem­po­rains d’auto­ma­ti­sa­tion et de sur­veillance, l’IA appa­raît comme une tech­ni­que d’appro­pria­tion du tra­vail col­lec­tif.\u003c\/p\u003e\n\u003cp\u003eSon code n’imite pas l’intel­li­gence bio­lo­gi­que, mais la struc­ture du tra­vail, de l’auto­ma­ti­sa­tion et des rela­tions de pou­voir qui orga­ni­sent la pro­duc­tion depuis l’ère indus­trielle. Des machi­nes à cal­cu­ler de Babbage aux algo­rith­mes de reconnais­sance d’images, elle devient l’ins­tru­ment d’extrac­tion, de contrôle et d’orga­ni­sa­tion de l’acti­vité humaine.\u003c\/p\u003e\n\u003cp\u003eSe des­sine alors la figure du maî­tre : celui qui règle les ryth­mes, les caden­ces et les gestes, qui orga­nise le savoir et condi­tionne les condui­tes. Loin des fic­tions de cons­cience machi­ni­que, le « mys­tère » de l’IA n’est rien d’autre que l’auto­ma­ti­­sa­tion portée à son point extrême – c’est-à-dire l’appro­fon­­dis­se­ment de la domi­na­tion du capi­tal. [note de la maison d’édition]\u003c\/p\u003e\n\u003cp\u003eMatteo Pasquinelli est pro­fes­seur asso­cié en phi­lo­so­phie des scien­ces à l’Université Ca’ Foscari de Venise. Ce livre, publié par \u003ca href=\"\/products\/the-eye-of-the-master-a-social-history-of-artificial-intelligence\"\u003eVerso\u003c\/a\u003e en 2023, a reçu le Deutscher Memorial Prize en 2024.\u003c\/p\u003e\n\u003cp\u003eTraduit de l’anglais par Julien Guazzini. Préface de André Boetto.\u003c\/p\u003e","brand":"Éditions Entremonde","offers":[{"title":"Default Title","offer_id":57358324269396,"sku":"A8B-37298","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/pasquiFR.jpg?v=1790814812"},{"product_id":"ethique-fail","title":"Éthique Fail. Comment Google a liquidé la critique de l’IA","description":"\u003cp\u003eEn 2021, Timnit Gebru, coresponsable du laboratoire Ethic AI de Google, est licenciée pour avoir démontré les limitations des modèles de langage à grande échelle (LLM), à l’origine des récentes avancées de l’IA, et dénoncé leurs conséquences (racisme, dommages environnementaux). 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