{"title":"Specimen","description":null,"products":[{"product_id":"specimen","title":"Specimen","description":"\u003cp\u003eDespite the fact that our Thermidor typeface is the main topic of this book, it is not strictly a specialist book about typography. We invited artist Ève Chabanon to create editorial content of this book which includes texts from herself, artist Eva Barto, art historian Nicolas Exertier, art critic and curator Emily King, graphic design and typography historian Sébastien Morlighem, graphic design studio officeabc (Brice Domingues and Catherine Guiral), and curators Elodie Royer and Yoann Gourmel.\u003cbr\u003e— Thomas Bizzarri \u0026amp; Alain Rodriguez\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAu printemps 2012, Thomas Bizzarri et Alain Rodriguez conçoivent l'identité graphique de la maison d’édition Le Feu Sacré. Pour ce faire, le duo réalise deux caractères : le Feu, un alphabet au dessin géométrique original dont l'usage se limite aux couvertures des ouvrages, et le Thermidor, employé pour les textes courants des éditions. Différents auteurs issus des champs de l art ou du design se prêtent ainsi à l'exercice du Spécimen, permettant au caractère Thermidor de revêtir des formes diverses en fonction des domaines invoqués.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFrançais \/ English \u003c\/p\u003e","brand":"Le Feu Sacré","offers":[{"title":"Default Title","offer_id":57356923634004,"sku":"A8B-24215","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/after8_20200522_160852.jpg?v=1790811162"},{"product_id":"source-type-specimen-bundle-1","title":"Source Type Specimen Bundle #1","description":"\u003cdiv class=\"product__column-text\"\u003e\n\u003cp\u003eThe first Source Type Specimen Bundle features broadsheet type specimens of our first three fonts: Rapid, Karl, and Reform. Each 12-page newspaper compiles research, posters, and in-use examples of the typeface to hang in the studio or keep handy by your desk. Start your collection now and be on the lookout for new specimens as fonts are released. [publisher's note]\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Source Type","offers":[{"title":"Default Title","offer_id":57357980565844,"sku":"A8B-33088","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_2056_324d2542-eba9-4b97-9a47-32d3213d966d.jpg?v=1790813637"},{"product_id":"this-is-about-ruder","title":"This is about Ruder. A Lineto specimen","description":"\u003cp\u003eLineto invited Julie Peeters to work with Ruder Plakat, a typeface designed by Emil Ruder with students at Allgemeine Gewerbeschule Basel in the 1950s. Originally produced as a wooden poster font in various large sizes, it has recently been developed into a variable font by Lineto (\u003ca href=\"https:\/\/lineto.com\/?story=ruder-plakat\u0026amp;focus=information\"\u003eread more here\u003c\/a\u003e). On this occasion, Julie asked 51 friends to contribute a single word to be printed up with the original letters, and invited the artist and writer Angie Keefer to write a sentence each in response. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003eWords available: chargoggagoggmancha | incandescent | \u003cspan style=\"text-decoration: line-through;\"\u003estupefacente\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBeware: large format in a large cardboard envelope. Extra shipping costs may apply.\u003c\/p\u003e","brand":"Lineto","offers":[{"title":"Default Title","offer_id":57357992722772,"sku":"A8B-33386","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/lineto.jpg?v=1790813717"},{"product_id":"maxitype-ocr-x","title":"Maxitype | OCR-X","description":"\u003cp\u003eDesigned by Eurostandard and Maximage, OCR-X is both a homage to and an extension of the infamous OCR-A typeface from 1966. Taking its predecessor’s skeleton as a starting point, OCR-X reinterprets it and expands it in six weights. The Regular is a revival of the original cut of OCR-A offering lifted details and variations. For instance, aligned punctuation and alternative glyphs are available as stylistic sets. The Thin cut underlines the hexagonal and geometric construction of the OCR-A system, while the Bold and Black morph into a new, blocky variation.\u003c\/p\u003e\n\u003cp\u003eOCR-X has been calibrated to work perfectly on both screen and print. The versatility across the cuts means that you can now use it at very small sizes with maximum sharpness. Its extended character set makes it a highly functional typeface, fully aligned with today’s standards. A variable version of the typeface is also available. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003eThis specimen comprises an essay by Jonas Berthod, and a license for the Regular typeface.\u003c\/p\u003e","brand":"Maximage","offers":[{"title":"Default Title","offer_id":57358015201620,"sku":"A8B-33642","price":36.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ocr.jpg?v=1790813792"},{"product_id":"maxitype-selecta","title":"Maxitype | Selecta","description":"\u003cp\u003eSelecta is a highly legible sans-serif designed by Maximage (Daniel Haettenschwiller) after years of research into the “grotesque” genre. The designer selected the best details from a wide selection of historical and modern sans-serif typefaces and made them his own, focusing notably on the legibility and personality of the typeface. Selecta is composed of 6 weights ranging from Thin to Black with Italics and is also available as a variable font. The fixed width across all styles and its large range of icons make it perfect for both print and digital applications, such as interface and app design.\u003c\/p\u003e\n\u003cp\u003eThe printed Selecta type specimen—designed in 2022 by Giliane Cachin for Maxitype—contains an essay by Jonas Berthog, a study and visual diagrams of influential sans-serif typefaces by other designers and font retailers. [publishers’ note]\u003c\/p\u003e","brand":"Maximage","offers":[{"title":"Default Title","offer_id":57358015234388,"sku":"A8B-33641","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/selecta.jpg?v=1790813792"},{"product_id":"maxitype-modelo","title":"Maxitype | Modelo","description":"\u003cp\u003eThis specimen is overprinted in silver and red inks on the first 16-page signature of \u003cem\u003eThe Most Beautiful Swiss Books 2019\u003c\/em\u003e catalogue. Special thanks to Nicole Udry and Teo Schifferli [publishers’ note]\u003c\/p\u003e","brand":"Maximage","offers":[{"title":"Default Title","offer_id":57358067302740,"sku":"A8B-34206","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/maximagemodel.jpg?v=1790813942"},{"product_id":"type-and-context","title":"Type and Context","description":"\u003cp\u003eLearning from the inscription in the courtyard of the Ducal Palace of Urbino, Radim Peško, Jonathan Pierini and the students from ISIA Urbino consider different approaches based on the original letterforms from the renaissance to experiment with technologies, to not only show the result of the fonts but to give context to its origins. This specimen also includes texts by Francesco Delrosso, Stuart Bertolotti Bailey, James Langdon, Daniele Bursich, Radim Peško and Jonathan Pierini. [publishers’ note]\u003c\/p\u003e","brand":"ROMA Publications,ISIA Urbino","offers":[{"title":"Default Title","offer_id":57358155612500,"sku":"A8B-35120","price":18.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/urbinoradim.jpg?v=1790814203"},{"product_id":"maxitype-teletext","title":"Maxitype | Teletext","description":"\u003cp\u003eA specimen that showcases Teletext, a humanist pixel typeface designed by Adrian Frutiger in 1979 for the Paris Charles de Gaulle airport screens, and released by Maxitype in 2025, in collaboration with Museum für Gestaltung Zürich, Graphics Collection.\u003c\/p\u003e\n\u003cp\u003eIncludes a Font License.\u003c\/p\u003e","brand":"Maximage","offers":[{"title":"Default Title","offer_id":57358161543508,"sku":"A8B-35283","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/maxiteletext.jpg?v=1790814244"},{"product_id":"maxitype-signs","title":"Maxitype | SIGNS","description":"\u003cp\u003eThe specimen for Signs, a new modern and multipurpose typeface designed by Maximage between 2018 and 2021. It was inspired principally by mid-20th-century typefaces designed for signage and used in the architecture industry. Composed of 8 weights ranging from thin to black, it offers a fully functional family combining simplicity and visual impact. Signs is a legible typeface designed to be simultaneously eye-catching from afar and to look exceedingly sharp up close.\u003c\/p\u003e\n\u003cp\u003ePrölss’s publication \u003cem\u003eSchriften für Architekten\u003c\/em\u003e (1957) inspired a study of this typeface genre. It led to an exploration of the relation between form and counter-form which is at the core of the design. Angular counters respond to the letter’s external curves and do so differently for each weight. The forms and counter-forms of the Thin and Black versions are perfectly inverted. The Light and Ultra Light weights offer razor-sharp positive and negative forms. The width of the Medium and Regular weights is adapted, and both offer rounder counter-shapes that recall some aspects of Aldo Novarese’s Microgramma. This makes them just as suitable for text use and captions at smaller sizes. The Bold cut is a detailed exploration of the balance between square counters and organic curves. Finally, the Black is spaced and kerned tightly to create a masterful rhythmic interaction between glyph spacing and counter-shapes, which makes it perfect for typesetting in blocks to the strongest impact. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003ePrinted on Waste Paper! Thanks to WPP \u0026amp; Algae Press!\u003c\/p\u003e","brand":"Maximage","offers":[{"title":"Default Title","offer_id":57358161772884,"sku":"A8B-35284","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/maxisgns.jpg?v=1790814246"},{"product_id":"handwerk","title":"Handwerk","description":"\u003cp\u003eBerthold Wolpe’s (1905–1989) first typeface, originally cut in Germany in 1932, underwent numerous name changes, from Wolpe Rursiv to Hyperion. While other designs by the typographer, such as Albertus, found success early, Hyperion’s path remained obscure. A 1952 specimen seemed to be its debut, until earlier traces from 1936 emerged, including blackletter capitals and a different name – Matthias Claudius – a discovery that led to a revision and digital revival, honouring Wolpe’s original vision. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003e“Deviating from the 1952 approach, our digital iteration aims to restore the charmingly uneven rhythm of Wolpe’s hand-lettering style. ... We refined each glyph by avoiding straight lines whenever possible. Combined with capitals rooted in classic Roman alphabets, the typeface now morphs between rustic and elegant, creating a contemporary, at times mystical impression. At the same time we intended to make the complex history of these character shapes transparent, by adding two stylistic sets. One set refers to the streamlined 1952 iteration, and the other includes the blackletter capitals, which are part of a publicly available version of this typeface for the very first time. … As a nod to the earliest version of the typeface and a tribute to Wolpe’s hands-on approach, shaped by his background in metalworking, we take the liberty of adding another entry to the long list of names that have accompanied the typeface: Handwerk.”\u003cbr\u003e—David Schatz, Philipp Herrmann \u0026amp; Sereina Rothenberger\u003c\/p\u003e","brand":"Rollo Press","offers":[{"title":"Default Title","offer_id":57358187135316,"sku":"A8B-35872","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/hammerwolpe.jpg?v=1790814411"},{"product_id":"velvetyne-saved-my-life-typographie-libre-pour-tous-tes-depuis-2011-libre-fonts-for-everyone-since-2011","title":"Velvetyne Saved My Life. Typographie libre pour tous·tes depuis 2011 \/ Libre fonts for everyone since 2011","description":"\u003cp\u003eDepuis 2011, le collectif Velvetyne se consacre à la création et à la diffusion de polices de caractères sous licences libres. Ses membres défendent et partagent une pratique typo­graphique décomplexée, orientée par des principes politiques et des prises de risques esthétiques.\u003c\/p\u003e\n\u003cp\u003eCette monographie célèbre une généreuse création collective, pionnière et reconnue par la scène internationale, qui ne cesse de se questionner et de se renouveler.\u003cem\u003e Velvetyne Saved My Life\u003c\/em\u003e révèle le fonctionnement particulier de cette structure hors normes dans le paysage des fonderies typographiques contemporaines, son engagement dans le Libre et l’open source, sa politique éditoriale singulière et sa pratique pédagogique.\u003c\/p\u003e\n\u003cp\u003eL’ouvrage s’articule autour d’un entretien polyphonique mené par Sandra Chamaret avec les membres du collectif, d’une série d’articles de fond sur des caractères emblématiques de la fonderie, ainsi que du catalogue exhaustif des plus de 70 polices publiées par presque autant d’auteur·ices internationaux·les. À mi-chemin entre le texte et le spécimen typographique, ce livre est à la fois un récit à lire et un manifeste à voir. [note de la maison d’édition]\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince 2011, the Velvetyne collective has been dedicated to creating and distributing typefaces under open-source licenses. Its members advocate and promote an uninhibited typographic practice, guided by political principles and aesthetic risk-taking.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis monograph celebrates a generous collective creation—pioneering and recognized on the international scene—that continually questions and reinvents itself.\u003c\/em\u003e Velvetyne Saved My Life\u003cem\u003e reveals the distinctive workings of this unconventional structure within the contemporary type foundry landscape, its commitment to free-culture and open-source principles, its singular editorial policy, and its pedagogical practice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe book is structured around a polyphonic interview conducted by Sandra Chamaret with the members of the collective, a series of in-depth articles on emblematic typefaces from the foundry, as well as an exhaustive catalogue of the more than 70 fonts published by nearly as many international authors. [publishers’ note]\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText·es in français et English.\u003c\/p\u003e","brand":"Surfaces Utiles","offers":[{"title":"Default Title","offer_id":57358331314516,"sku":"A8B-37332","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/velvetynesavdmr.jpg?v=1790814822"},{"product_id":"baumer-a-specimen","title":"Baumer Type Specimen","description":"\u003cp\u003eThis edition is dedicated to the latest expansion of the Baumer typeface family, designed by Erkin Karamemet together with Gregor Maria Sahl. Developed for this release, the \u003cem\u003eBaumer Type Specimen\u003c\/em\u003e presents the typeface family as the visual identity of a fictional company called Baumer Group. Through its sub-brand Grotesk, the specimen unfolds into a comprehensive corporate universe—a hybrid between a brand manual and a technical guide, filled with applied examples, typographic details, and fictional use cases. Combined with AI-generated imagery, the project creates the impression of a fully developed and tangible corporate environment. \u003c\/p\u003e\n\u003cp\u003e[publisher's note]\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":57358365917524,"sku":"A8B-37885","price":12.0,"currency_code":"EUR","in_stock":false}]}],"url":"https:\/\/after8books.com\/collections\/specimen.oembed","provider":"After 8 Books","version":"1.0","type":"link"}