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Otherwise you don’t say anything.” But in Love Me Tender, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.\u003c\/p\u003e\n\u003cp\u003e[publisher's note]\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":57357856637268,"sku":"A8B-31309","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/tender_7b431479-472a-4357-be24-36c8027f4c7c.jpg?v=1790813151"},{"product_id":"the-barefoot-promise","title":"The Barefoot Promise","description":"\u003cp\u003eA study on foot fetishism trough set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the \u003cem\u003ePromise of the Screen \u003c\/em\u003e[“La Promesse de l’Écran”] a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler! 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Pour leurs travaux de recherche, diplômes, licences et autres, ces demoiselles, après s'être vu refuser partout (car les rares organismes qui disposeraient de quelques vagues informations les cachent !), viennent me supplier chez moi, où elles trouvent, alors, absolument TOUT, et gratuit. Est-ce normal, dites-moi, qu'une vieille Pute des Pâquis doive fournir en matériel sociologique les étudiantes de toutes les écoles, Instituts et Universités de Suisse romande, matériel qu'elle a payé de son Cul ? Est-ce normal qu'ensuite ces jeunes personnes en retirent des décorations, des prix et des honneurs qui vont les propulser sur des sommets intellectuels et administratifs dits honnêtes ? C'est une pure insulte à la vertu ! »\u003cbr\u003e—Grisélidis Réal, 1992\u003c\/p\u003e\n\u003cp\u003ePremière publication sur le fonds d’archives constitué par l’écrivaine, peintre, militante et prostituée genevoise Grisélidis Réal (1929-2005) depuis les années 1970, regroupant plus de 10 000 documents qui retracent les mobilisations internationales pour les droits des travailleuses et travailleurs du sexe (TdS) et leurs luttes contre l'exclusion et la stigmatisation. 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Noting electronic music history’s exclusion of works created by women, people of color, women of color, and, in particular Black artists, Sofer then analyzes musical examples that depart from and disrupt the electroacoustic norms, showing how even those that resist the norms sometimes reinforce them. These examples are drawn from categories of music that developed in parallel with conventional electroacoustic music, separated—segregated—from it. Sofer demonstrates that electrosexual music is far more representative than the typically presented electroacoustic canon. 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Il programma ha visto protagonisti trentatré autori e si è svolto tra il 2019 e il 2021 presso Il Colorificio di Milano, al Teatrino Palazzo Grassi di Venezia e a Casa Testori di Novate Milanese.\u003c\/p\u003e\n\u003cp\u003eIl libro L’Ano Solare è un corpo collettivo, composto da saggi, lettere, racconti erotici, confessioni, poesie e archivi visivi dei collaboratori Lorenzo Bernini, Natalia Cabezas, Giulia Crispiani, Caterina De Nicola, Beatrice Favaretto, Giovanna Maina, Jacopo Miliani, Mariacarla Molè, Giorgia Ohanesian Nardin, Linda Porn Davis, Luca Scarlini, The School of the End of Time, Giovanni Testori, TOMBOYS DON’T CRY e Francesco Tola. L’ossatura del libro consiste in un denso saggio de Il Colorificio che introduce, contestualizza e amplia ogni contributo presente nel libro. Il testo traccia una storia narrativa che interseca mitologie locali con aneddoti personali, esperienze politiche e pratiche artistiche contemporanee: dal potere disciplinare della devozione cattolica dei Sacri Monti al potenziale performativo del linguaggio; dalle pratiche di autodifesa e terrorismo in relazione al corpo e alla sessualità.\u003c\/p\u003e","brand":"Axis Axis","offers":[{"title":"Default Title","offer_id":57357879214420,"sku":"A8B-31744","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ano.jpg?v=1790813269"},{"product_id":"playlist-musique-et-sexualite","title":"Playlist. Musique et Sexualité","description":"\u003cp\u003e\u003cem\u003ePlaylist. Musique et Sexualité\u003c\/em\u003e est constitué de seize essais autonomes, qui explorent tour à tour la musique dans les pratiques sexuelles, et le sexe dans les pratiques musicales. Il se déploie d’une thématique vers l’autre, comme un texte de sociologie de la musique qui virerait insensiblement au texte de musicologie. Quel est aujourd’hui le rôle de la musique dans la vie sexuelle des personnes, la réelle comme la fantasmée ? Quelles sont les représentations de la sexualité dans les œuvres musicales, celles du répertoire classique comme celles des genres populaires ? Quelle a été, de l’Antiquité à nos jours, la trajectoire historique de ces imbrications ? Comment cette histoire dialogue-t-elle, dans la période contemporaine, avec le devenir marchand de la musique, et avec sa numérisation ? Comment la musique s’insère-t-elle dans l’histoire sonore de la sexualité, ce territoire méconnu des \u003cem\u003esound studies\u003c\/em\u003e ? Quelles conséquences cette enquête peut-elle avoir pour repenser les pouvoirs de la musique ?\u003c\/p\u003e\n\u003cp\u003eTelles sont les questions que ce livre se propose d’explorer. Chaque chapitre aborde ce vaste domaine à partir d’une entrée singulière, comme une série de variations sur un thème musical, ou une playlist thématique. Ce choix formel fait écho à la diversité des œuvres concernées : \u003cem\u003eDon Giovanni\u003c\/em\u003e de Mozart, \u003cem\u003eTristan und Isolde\u003c\/em\u003e de Wagner, \u003cem\u003eLady MacBeth\u003c\/em\u003e de Chostakovitch sont ainsi revisités, entre autres classiques, tout comme \u003cem\u003eJe t’aime moi non plus\u003c\/em\u003e de Gainsbourg, \u003cem\u003eL’importante è finire\u003c\/em\u003e de Mina, ou \u003cem\u003eErotica\u003c\/em\u003e de Madonna, entre autres tubes. 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[publishers’ notes]\u003c\/p\u003e\n\u003cp\u003eParticipating artists: Aki Hassan, Bär Kittelmann, Barrack Rima, Bilge Emir, Joseph Kai, Michel Esselbrügge, Mloukhiyyé Al-Fil, Natyada Tawonsri, Nino Bulling, Nour Hifaoui, Nygel Panasco, Romy Matar.\u003c\/p\u003e\n\u003cp\u003eSamandal is a collective of artists dedicated to comics, based in Beirut and Paris. Samandal collects and publishes comics from the Arab region and beyond with the aim to provide a platform for alternative expressions of graphic storytelling in cultural and social issues. Nino Bulling works as a freelance cartoonist and author in Berlin. 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Mais maintenant je suis siiiiiii triste et seul·e, je n’ai pas baisé depuis siiiiiiiiii longtemps, au moins depuis hier, mon corps croule sous lui-même, au secours car je vais probablement mourir de ma propre imbaisance, de ma propre incapacité à transformer le monde comme je sais que je suis apte à le transformer : par la projection désirante de mes peaux et de mes fluides ! \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCrache dans ma bouche puis crache dans mon autre bouche\u003c\/em\u003e se lit comme une itération comique du Corps lesbien, transformé en sentimentale obscénité non binaire. Des fragments de littérature féministe, de tradition radicale Noire, de romans de cruising gay, de mémoires de révolutionnaires jaillissent les uns contre les autres et ruissellent sur les corps désirants des protagonistes. Ce livre demande: le sexe et la poésie peuvent-ils sauver le monde?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEmmène-moi où tu veux, dans ton grenier aménagé. Je m’ouvrirai volontairement la cuisse sur un ongle croûté et je te badigeonnerai de mon désir et tu me niqueras comme un·e chien·ne ou peut-être un·e chat·te et je regarderai les rats faire leur nid dans le toit et le jour se lèvera sur nous super frais comme du lait. Pourtant, je crois encore à la politique.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eClaire Star Finch est écrivain·e, traducteur·rice et performeur·euse expérimental·e, membre du collectif d’auteur·rices RER Q. \u003cem\u003eCrache dans ma bouche puis crache dans mon autre bouche est son premier livre\u003c\/em\u003e, directement écrit en français. 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