{"title":"Sculpture","description":null,"products":[{"product_id":"oeuvre-sculpte-travaux-pour-amateurs","title":"Œuvre sculpté, travaux pour amateurs","description":"\u003cp\u003eA light-hearted look at the traditions of sculpture and its permeation into design and everyday culture – through an idiosyncratically edited collection of pictures from books, magazines, etc. and photographs from Koenraad Deobbeleer’s own work.\u003c\/p\u003e","brand":"ROMA Publications","offers":[{"title":"Default Title","offer_id":57356408553812,"sku":"A8B-22681","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/DEDOBBELEER_Koenraad_Oeuvre_sculpt_C3_A9_travaux_pour_amateurs_0.jpg?v=1790810686"},{"product_id":"compensating-transient-pleasurable-excitations","title":"Compensating Transient Pleasurable Excitations","description":"\u003cp\u003eA book published in conjunction with exhibitions by Koenraad Dedobbeleer held in 2014 at Extra City Kunsthal, Antwerp, and GAK, Bremen. – though its initial spark was the \u003cem\u003eUp Close and Personal\u003c\/em\u003e exhibition at Cultuurcentrum Mechelen in 2013. 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But for me, there’s at least a beginning of a new kind of art for a society, not only just to do good so people can sit in a pleasant place but for some new kinds of environment. Especially in America, this idea of public art becomes important because we have no public life.\u003c\/em\u003e\u003cbr\u003e—Scott Burton, 1988\u003c\/p\u003e\n\u003cp\u003eOver the course of his more than three-decade career, Scott Burton (1939–1989) made groundbreaking contributions to sculpture, performance, public art, queer art, and criticism. Responding to what he identified as a gap between art and its potential audiences, Burton became a tireless advocate for accessible and popular artworks that everyday people could use and enjoy. In keeping with this principle, he also designed performances and “sculpture furniture” to explore and orchestrate social dynamics; he was particularly interested in intimacy, distance, collectivity, and isolation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eScott Burton: Shape Shift\u003c\/em\u003e provides a comprehensive overview of the artist’s biography and career with texts focusing on his public artworks, performance, and innovative use of materials. Featuring more than forty full-page images of Burton’s sculpture, which is rarely published, the book also includes numerous never-before-seen images of notes, photographs, and drawings from the artist’s extensive personal archive, housed at the Museum of Modern Art in New York. Scores and photographic documentation of newly commissioned performances on the occasion of the accompanying exhibition are also included. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003eWith contributions by David J. 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Reboot de sculpture publique XXL, ces \u003cem\u003emembra disjecta\u003c\/em\u003e postmodernes, voués à se dégrader face aux assauts de l’Atlantique, sont ici capturés en une suite d’images empreintes de mélancolie et de rires étouffés.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eLe pied, le pull-over et le système digestif \u003cem\u003eis a board book featuring photographs of the eponymous triptych of sculptures by artist duo Daniel Dewar and Grégory Gicquel, commissioned by Le Voyage à Nantes in 2021 and installed in Saint-Nazaire, France. The three monumental works—depicting a human foot, a knitted jumper, and a human digestive system—are cast in massive concrete blocks and rise nearly seven metres high, embedded among the sand and rocks of the shoreline.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eThe publication serves both as an object in its own right and as an intimate companion piece to the public works, capturing a moment in time for sculptures intended to evolve over decades, shaped by natural erosion and the unpredictable forces of the elements. Shot by the artists on 35mm film shortly after the installation, the images present both close-ups of the coarse, textured surfaces and wide contextual views of the sculptures within their coastal setting, on the edge of the harbour.\u003c\/em\u003e [publishers’ note]\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Triangle Books","offers":[{"title":"Default Title","offer_id":57358265385300,"sku":"A8B-36543","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/digestif.jpg?v=1790814600"},{"product_id":"studio-snapshots","title":"Studio Snapshots","description":"\u003cp\u003eA series of black-and-white photographs taken in the studio of Dutch artist Mark Manders, where finished and unfinished works reflect various stages of the creative process. 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This publication, \u003cem\u003eMelvin Edwards: Echoes of the Weld\u003c\/em\u003e, conceived by artist and founder of BlackMass Publishing, Yusuf Hassan, takes the form of an intimate exploration and meditation on Edwards’ work. Yusuf Hassan envisions this zine as a conversation between their respective mediums: sculpture and printed matter. He describes the poetic approach to Edwards’ work that guided his creative process as follows: “Over the summer, as I developed this publication, I immersed myself in his philosophy. I took quiet trips to see his sculptures in New York—especially those that live outside the walls of institutions. The ones that live among people. The ones that weather. That gather dust, rust, fingerprints, and time.”\u003c\/p\u003e\n\u003cp\u003e[publishers’ note]\u003c\/p\u003e","brand":"Black Mass Publishing,Palais de Tokyo","offers":[{"title":"Default Title","offer_id":57358273708372,"sku":"A8B-36720","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/echoes_20of.jpg?v=1790814651"},{"product_id":"into","title":"Into","description":"\u003cp\u003eInto is the first monograph on the work of Vera Kox, spanning over ten years of the artist's multidisciplinary practice. It is published on the occasion of her solo exhibition Sentient Soil at Konschthal Esch.\u003cbr\u003eKox reflects on the human impact on post-industrial ecologies and their tangible traces, envisioning a transition from a human-centered perspective to a multi-species worldview. Across her sculptural practice, she acknowledges the inherent agency of the material itself, with a specific emphasis on the ceramic medium.\u003cbr\u003eThis richly illustrated volume includes essays by Lisa Robertson, Alison Sperling and Charles Wennig, as well as a conversation between Sarah Ihler-Meyer, Marianne Derrien and Vera Kox.\u003cbr\u003eVera Kox (born 1984 in Frankfurt am Main) is a Luxembourgish-German artist who lives and works between Berlin and Luxembourg.\u003c\/p\u003e\n\u003cdiv class=\"citation\"\u003eInto\u003cem\u003e est la première monographie de Vera Kox, couvrant plus de 10 ans de pratique multidisciplinaire de l'artiste. Elle est publiée à l'occasion de son exposition personnelle Sentient Soil à la Konschthal Esch. Vera Kox réfléchit à l'impact humain sur les écologies post-industrielles et à leurs traces tangibles, envisageant une transition d'une perspective centrée sur l'homme à une vision du monde multi-espèces. Dans sa pratique sculpturale, elle reconnaît l'action inhérente au matériau lui-même, en mettant l'accent sur la céramique.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e Ce volume richement illustré comprend des essais de Lisa Robertson, Alison Sperling et Charles Wennig, ainsi qu'une conversation entre l'artiste, Sarah Ihler-Meyer et Marianne Derrien.\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cem\u003eVera Kox (née en 1984 à Francfort-sur-le-Main) est une artiste germano-luxembourgeoise qui vit et travaille entre Berlin et Luxembourg. \u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eTrilingual edition (English \/ German \/ French) [publishers' note]\u003c\/div\u003e","brand":"Mousse Publishing","offers":[{"title":"Default Title","offer_id":57358276067668,"sku":"A8B-36721","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/into.jpg?v=1790814668"},{"product_id":"kishio-suga-writings-volume-ii-1980-1989","title":"Kishio Suga. 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In particular, he embarks on a sustained investigation into the dynamics of “[periphery] surroundings” as the basis for an approach to artmaking in which subject and object are equalized and the marginal or unseen takes on as much significance as that which is centered or seen. Included here are the aphoristic fragments that Suga compiled for his retrospective monograph Kishio Suga, 1988–1968, short statements composed for exhibition catalogues, and long-form essays published in art journals and other magazines during the period, many of which appear in English for the first time. [publishers' note]\u003c\/p\u003e","brand":"Skira","offers":[{"title":"Default Title","offer_id":57358286160212,"sku":"A8B-36955","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/kishio.jpg?v=1790814714"},{"product_id":"liz-craft-a-monography","title":"Liz Craft! 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Two supplementing essays and a conversation with the artist explore and reflect on the diverse themes and techniques she applies. \u003cem\u003eLiz Craft! \u003c\/em\u003eoffers a better understanding of Craft’s unique style. [publishers' note]\u003c\/p\u003e","brand":"Scheidegger \u0026 Spiess,KBCB,Kunsthalle Appenzell","offers":[{"title":"Default Title","offer_id":57358286291284,"sku":"A8B-36957","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/liz_20craft.jpg?v=1790814715"},{"product_id":"fred-sandback-threading-space","title":"Fred Sandback: Threading Space","description":"\u003cp\u003eAmerican artist Fred Sandback’s (1943–2003) minimalist sculptural practice was singular in its consistent use of threads, wires and rods. These, he argued, were essential in delineating our “pedestrian space.” Bringing together installations made between 1967 and 2003, \u003cem\u003eThreading Space\u003c\/em\u003e traces the artist’s signature use of acrylic yarn to draw space itself, and outlines the complexity of the this deceptively simple oeuvre, as contextualized by his drawings, prints and writings.\u003c\/p\u003e\n\u003cp\u003eThis bilingual (English\/Portuguese) publication includes contributions by Nuria Enguita, Delfim Sardo, Philip Ursprung, Joan Simon and Sandback himself, as well as previously unpublished documentation.\u003c\/p\u003e\n\u003cp\u003e[publisher’s note]\u003c\/p\u003e","brand":"Verlag der Buchhandlung Walther König","offers":[{"title":"Default Title","offer_id":57358289568084,"sku":"A8B-37033","price":30.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"cue-the-cue","title":"Cue the Cue","description":"\u003cp\u003eThis publication accompanying his most comprehensive exhibition to date exhibition is Jack O’Brien’s first monograph. Conceived by the artist himself, it complements the exhibition in both form and content, documenting his practice from 2021–2025 and transfers it into a different medium. Developed as an artist’s book it stands in direct relation to the magazine collages in the exhibition. The torn book cover, perforated paper pages, and a shoelace sealed under cellophane make the publication itself a sculptural gesture.\u003c\/p\u003e\n\u003cp\u003eO’Brien negotiates themes such as staging, visibility, queer identity, and the circular dynamic between consumption, body, and performance. The title refers to the English “cue”—a theatrical cue—and at the same time to its repetition. This double meaning reflects O’Brien’s working method, in which material, form, and gesture continually oscillate between suggestion and withdrawal, presence and dissolution. O’Brien works with found and discarded objects, which he transforms through gestures of wrapping, binding, and perforation. His sculptures, installations, and collages use industrial materials such as cellophane, shrink wrap, and synthetic textiles.\u003c\/p\u003e\n\u003cp\u003eThe catalogue brings together the first substantial essays on O’Brien’s work. Alexander Wilmschen introduces the exhibition, in which chance becomes the driving force of reordering, and situates O’Brien’s work within the context of queer phenomenology. Kristian Vistrup Madsen examines the sadomasochistic dimensions of the work. Juliette Desorgues reads the sculptures as embodied punctuation. In conversation with Jeppe Ugelvig, O’Brien reflects on his artistic methodology and language.\u003c\/p\u003e\n\u003cp\u003eThe result is a monograph which also formally works with the moments of controlled instability that are so striking in the exhibition: floating, supported and warped.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e[publishers note]\u003c\/p\u003e","brand":"Bierke Verlag","offers":[{"title":"Default Title","offer_id":57358336295252,"sku":"A8B-37356","price":41.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/cuethecuee.jpg?v=1790814829"},{"product_id":"machins-machines","title":"Machins Machine","description":"\u003cp\u003eSylvie Auvray rêvait pour son catalogue que l’on écrive un roman policier. Je ne sais pas quel genre de polar elle imaginait. Peut-être un Léo Malet en vadrouille dans les marges du 14e arrondissement, une affaire à élucider entre les HBM, les puces de Vanves et les ateliers d’artistes? Peut-être un texte façon J.-P. Manchette – il a grandi à Malakoff, à deux pas de son atelier –, une nouvelle sombre parcourue de groupuscules politiques grenouillant le long des boulevards des Maréchaux? Sylvie Auvray pensait peut-être à un genre plus cérébral, une énigme en chambre close, en l’occurrence en atelier, avec un cadavre invisible et abstrait? Autre hypothèse: Sylvie Auvray ne rêvait peut-être pas d’une énigme à élucider, mais d’être elle-même l’héroïne d’une enquête, une enquêtrice-détective qui détiendrait la solution des énigmes qu’elle propose. N’avoue-t-elle pas avoir fait le voyage à Los Angeles habitée par le souvenir des pérégrinations en apparence erratiques de l’inspecteur Columbo?\u003c\/p\u003e\n\u003cp\u003eManuel Charpy, qui signe le texte de \u003cem\u003eMachin machines\u003c\/em\u003e, mène une enquête minutieuse dans l’atelier de Sylvie Auvray nous fait voir une image à la fois drôle et inquiétante de l’univers de l’artiste. Les photographies d’Annik Wetter, réalisées à l’occasion de cette publication, nous permettent d’entrer dans ce chantier artistique par des vues panoramiques autant que macroscopiques. [note de l'éditeur]\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA publication on Sylvie Auvray’s work, focusing on her work space through photographs by Annik Wetter – while a text by Manuel Charpy transforms the studio visit in a detective story… \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eÉdition de tête également disponible – Limited, numbered edition with a work by the artist also available – write to \u003ca href=\"mailto:orders@after8books.com\"\u003eorders@after8books.com\u003c\/a\u003e :) \u003c\/p\u003e","brand":"Macula","offers":[{"title":"Default Title","offer_id":57358353334612,"sku":"A8B-36995","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/machinsmachines.jpg?v=1790814895"}],"url":"https:\/\/after8books.com\/collections\/sculpture.oembed","provider":"After 8 Books","version":"1.0","type":"link"}