{"title":"Recent Deliveries","description":null,"products":[{"product_id":"songs-my-mother-taught-me-why-the-artist-must-take-sides","title":"Songs my mother taught me: Why the artist must take sides","description":"\u003cp\u003e\u003cem\u003eSongs My Mother Taught Me\u003c\/em\u003e is Williams’ clear-eyed exploration of the role of the artist in these times by answering the question: what radicalized you? He answers by examining how his role models—writers and artists, from Amiri Baraka to local musicians in Brazilian bars to Palestinian hip-hop heads—have responded to imperialist violence, oppression, and genocide. Riffing on Paul Robeson’s famous declaration, Williams builds a provocative case for why today’s artists cannot remain neutral in the face of injustice. “We need songs that crumble empires,” he writes, “films that teach, remind, and inspire, poems that would make a despot revoke your citizenship.”\u003c\/p\u003e\n\u003cp\u003e[publisher's note]\u003c\/p\u003e","brand":"Haymarket Books","offers":[{"title":"Default Title","offer_id":57358369423700,"sku":"A8B-37955","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/song_20my_20mother_20taught_20me.jpg?v=1790814999"},{"product_id":"hot-type","title":"Hot Type","description":"\u003cp\u003eThe Linotype mechanized the 400-year-old process of setting type one laborious letter at a time, and thus ignited an explosion of newspaper, book, and magazine empires. The technology helped transform Mark Twain into a premier literary celebrity, but also cost him his fortune – as well as his sense of humor and optimism. The Linotype's era was a bridge between Twain's Gilded Age with its tycoons of steam, steel, and wire and today's Gilded Age with its barons of bits and AI. \u003cbr\u003e\u003cbr\u003eThis is a tale populated with wondrous characters: tragic inventors, malign media moguls, hand-typesetters called the Swifts who turned their craft into a spectator sport, and authors and journalists who chronicled the turmoil of their time, their every word molded into metal type by what some viewed as a thinking machine. The Linotype would die at the hands of the computer, taking down with it printers' unions and many a newspaper. Its history provides an opportunity to examine the impact of technology on culture just as new technologies – the internet and artificial intelligence – manufacture their endless streams of words today. [publisher's note]\u003c\/p\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":57443898360148,"sku":"9798765123959","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/9798765123959-cover-244a6f90acafceb8a629.jpg?v=1791274421"},{"product_id":"atta-semiotexte-native-agents","title":"ATTA","description":"\u003cp\u003eOn September 11, 2001, Mohamed Atta piloted American Airlines Flight 11 into the North Tower of the World Trade Center. Two years before the explosion, Atta defended a master’s thesis that critiqued the introduction of Western-style skyscrapers in the Middle East.\u003c\/p\u003e\n\n\u003cp\u003eUsing this as a departure point, Jarett Kobek’s novel ATTA offers a psychedelic biography that circles around one question: What if the ideological roots of 9\/11 were as much a matter of architectural criticism as religious terrorism? Following the development of a socially awkward boy into one of history’s great villains, Kobek dissects our assumptions about the root causes of stochastic violence. Are all of us, perpetrators and victims alike, seeking an explanation that is not there?\u003c\/p\u003e\n\n\u003cp\u003ePresented in a new edition with an introduction by Alan Moore, ATTAreads less like a novel of its moment and more like an autopsy performed on our century of fear. [publisher's note]\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":57444465279316,"sku":"9781635902921","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Atta_3ab3b760-6df7-4bb5-98e1-a0bebf839f2c.jpg?v=1791280577"},{"product_id":"foam","title":"Foam","description":"\u003cp\u003e\u003cem\u003eI am still transitioning, but I am unsure into what.\u003c\/em\u003e Who are all these Evas? They puncture and disrupt the domestic space and equilibrium of the narrator, who alternately relies upon them or administers their care. Foam is the latest boundary-blurring, genre-resistant, strange and speculative new fiction from Kate Zambreno, the inimitable and relentless literary stylist and conceptualist. Inspired by the absurdities of Eva Hesse and other soft sculpture, these are speculative art essays and textures, a document of precarity and slippery time—mischievous, moody, estranged—a masterwork of tone and atmosphere. [publisher's note]\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":57444542546260,"sku":"9781635902846","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/FOAM.jpg?v=1791281160"},{"product_id":"i-liked-rex","title":"I liked Rex","description":"\u003cp\u003e\"Diane Williams is one of the great masters of the American short story: her tiny, coruscating tales are among the most tender, funny, peculiar, and searching works in all of contemporary literature. I Liked Rex is Williams's newest collection, which explores sex, love, marriage, and all that comes after; it is a book about living, but more importantly, about how to be alive. In these stories, a woman sees her soon-to-be ex-husband on the street, walking patiently at the end of a line of geese; a mother implores a total stranger to watch over her small child at the beach; a guest arrives at an orgy uninvited, and takes a nap beneath a dusty carpet; a woman reflects on her life with a man who used to belong to another, but is hers now--though can anyone really possess anyone else, truly?\"\u003c\/p\u003e","brand":"New York Review Books","offers":[{"title":"Default Title","offer_id":57444684497236,"sku":"9798896230816","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/9798896230816_93532d92-e310-474e-a139-71015b16d7f8.jpg?v=1791282209"},{"product_id":"noopiming-the-cure-for-white-ladies","title":"Noopiming. The Cure for White Ladies","description":"\u003cp\u003eAkiwenzii is the old man and their will. Ninaatig is the maple tree; they are their lungs. Mindimooyenh is the old woman who holds it all together; she is their conscience. Sabe, the honest sasquatch, is the marrow in their bones. Adik is the caribou and their nervous system. Asin, human, is their eyes and ears; Lucy, human, their mind. Together they are Mashkawaji, our narrator, who may be frozen stiff but still remembers a time of connection everywhere.\u003c\/p\u003e\n\u003cp\u003eWhen Mashkawaji’s parts attempt to commune with the world around them, they find it’s a strange place, full of SpongeBob Band-Aids and branded coffee mugs. Exposing the unnatural solitude at the heart of settler-capitalism and fully grounded in Indigenous ways of being, \u003cem\u003eNoopiming\u003c\/em\u003e offers a moving and wickedly funny vision of what modern togetherness might look like – even as it breaks open the self to a world still alive with people, animals, ancestors, and spirits.\u003c\/p\u003e\n\u003cp\u003e[publisher's note]\u003c\/p\u003e","brand":"And Other Stories","offers":[{"title":"Default Title","offer_id":57463275585876,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/noopiming_e6d01c8e-c8e7-4895-8682-3aa02c685f3f.jpg?v=1791463630"},{"product_id":"learning-to-count","title":"LEARNING TO COUNT","description":"\u003cdiv class=\"product-block mt-product-block\"\u003e\n\u003cem\u003eNew Year's resolution:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003efinally pop the question, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhy is art history always \u003c\/em\u003e\u003cbr\u003e\u003cem\u003etaught in school from past \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eto present and not the other \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eway around, meaning \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebackwards, step by step, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhich would make things \u003c\/em\u003e\u003cbr\u003e\u003cem\u003emore logically understandable \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebecause closer and relatable \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eto one's lived experience, \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhich is shared and thus \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecan be debated, instead \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof having to accept top-down \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhat is what?\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-block mt-product-block\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eStarting from the trivial or rooted into fantasy, the poems and short stories collected in “Learning to Count” – Michael Van den Abeele’s second book of this kind – veer into the grotesque or the bizarre, revealing the glitches of a reality that is just waiting to hallucinate. In the eponymous text, “Learning to Count,” Van den Abeele reflects on an iconic photograph of the Ramones, standing against a wall, all dressed in identical jeans. Is this forest of legs ornament, or crime? Do ripped trousers still hold any political significance? What social beliefs make a community? \u003cbr xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003eMarked by anxiety and detachment, the “I” in Van den Abeele’s stories find himself in situations that drift toward unspeakable truths, bittersweet awakenings, or darker insights. Yet Van den Abeele’s prose also tackles the exuberance of Baroque church, or reflects on the ubiquity of burrata on restaurant menus— not to mention the connections between romantic love and making sandwiches.\u003cbr xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003eOften written to be read and performed, Van den Abeele’s texts stand out for the originality of their style, their unique humor, their distinctive sense of detail, and the author’s ability to make unexpected connections between Cézanne and Matrix, Wile E. Coyote and Roland Barthes, or motherhood and landscape gardening.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis book is published in conjunction with Michael Van den Abeele’s exhibition \u003cem\u003eOuija\u003c\/em\u003e at CRAC Alsace (Fall–Winter 2026\/2027) and is also available \u003ca href=\"https:\/\/after8books.com\/products\/apprendre-a-compter\/\"\u003ein French\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCo-published with CRAC Alsace\u003c\/p\u003e\n\u003cp\u003e11 x 18 cm, 116 pages, English\u003cbr\u003eISBN: 9782492650253\u003c\/p\u003e\n\u003c\/div\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57494384836948,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/abeeleEN1_6d737e76-5511-4ab7-b3fa-a4702d289f35.jpg?v=1791550881"},{"product_id":"apprendre-a-compter","title":"APPRENDRE À COMPTER","description":"\u003cdiv class=\"product-block mt-product-block\"\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\n\u003cspan style=\"color: rgb(0, 204, 109);\"\u003e\u003cem\u003eUn poulet traverse la rue et marche vers moi. Il m'annonce que les dinosaures n'ont jamais vraiment disparu.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(0, 204, 109);\"\u003e\u003cem\u003eC'est un vieux poulet. Ça se voit. Je vois l'âge autour de ses petits yeux perçants. \u003c\/em\u003e\u003cem\u003e« Regarde bien mes jambes, dit le poulet, mes trois orteils, regarde la peau, le cuir - tu les reconnais ? \u003cspan data-v-80b58652=\"\"\u003e»\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003eUn recueil de poèmes et courts récits de l’artiste et écrivain bruxellois Michael Van den Abeele – textes de performances ou de vidéos, récits écrits pour d’autres artistes, affirmant un ton singulier, drôle, grinçant, entre angoisse et absurde.\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003eDans le texte qui donne son titre à ce recueil, \u003cem\u003eApprendre à compter\u003c\/em\u003e, Van den Abeele s’attarde sur une photographie iconique des Ramones, debout contre un mur, habillés de jeans identiques, créant comme une inextricable forêt de jambes. Une architecture humaine est-elle un ornement, ou un crime ? Les pantalons troués ont-ils encore une valeur politique ? Combien de membres peut compter une famille de punks ?\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003eÀ partir de points de départs anecdotiques voire triviaux, les textes rassemblés dans \u003cem\u003eApprendre à compter\u003c\/em\u003e basculent dans le grotesque ou l’inquiétant, révélant les glitches d’un réel qui ne demande qu’à halluciner. Marqués par une forme d’anxiété et de distance à soi, les narrateurs des récits de Van den Abeele sont mis en scène dans des situations dérivant vers des vérités inavouables, prises de conscience douces-amères ou parfois plus sombres… Mais il est aussi ici question des bouleversements provoqués par les chérubins d’une église baroque et de l’omniprésence de la burrata dans les menus de restaurants – quand ne nous invitent pas à réfléchir à la philosophie de Bip-Bip et Coyote et aux liens entre sentiment amoureux et confection de sandwiches.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003eCe livre est publié à l’occasion de l’exposition \u003cem\u003eOuija\u003c\/em\u003e de Michael Van den Abeele au CRAC Alsace (Automne-Hiver 2026\/2027). Traduit en français par Aron Barbier, il est également publié \u003ca href=\"https:\/\/after8books.com\/products\/learning-to-count\"\u003een version anglaise\u003c\/a\u003e.\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv xmlns=\"http:\/\/www.w3.org\/1999\/xhtml\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eCo-édité avec le CRAC Alsace\u003c\/p\u003e\n\u003cp\u003e11 x 18 cm, 116 pages, Français\u003c\/p\u003e\n\u003cp\u003eTraduction : Aron Barbier, Antonia Carrara (texte \u003cem\u003eBienvenue aux soucis de reproduction\u003c\/em\u003e)\u003cbr\u003eISBN: 9782492650260\u003c\/p\u003e\n\u003c\/div\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57494558409044,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/abeeleFR1.jpg?v=1791551810"},{"product_id":"falastiniyyat-a-century-of-palestinian-feminisms","title":"Falastiniyyat: A Century of Palestinian Feminisms","description":"\u003cp\u003eWomen have been central to every phase of Palestinian resistance. Here Nada Elia recovers the long-suppressed story of Palestinian women’s organizing from 1929 to the present. Far from being a Western import, local feminism consistently linked personal empowerment with collective liberation, anticolonial struggle with social transformation. In the time of the Mandate, Matiel Mogannam confronted British imperialism through the Arab Women’s Congress. In the following decades, Camille Odeh built Arab American solidarity networks. Their legacy continues today in the work of contemporary activists fighting femicide and pinkwashing throughout the world.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eFalastiniyyat \u003c\/i\u003erescues Palestinian feminism from obscurity. Furthermore, Elia argues that these activists were pioneers of a uniquely intersectional, antiimperial feminist politics.\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":57495806116180,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/falastiniyyat_206b6f0e-d761-4af1-8557-b880122cc983.jpg?v=1791555576"},{"product_id":"forms-of-non-belonging-sternberg-press-e-flux-journal","title":"Forms of Non-Belonging","description":"\u003cp\u003eAccording to Pelin Tan, there are forms of belonging that do not quite belong. In this collection of essays and conversations with artists and practitioners across twenty years of research and fieldwork, she sets out to situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society relative to the production of space, structural violence, shifting landscapes, and desecration of the environment. She also engages methodological questions integral to critical practice, including radical pedagogy, forms of commoning, non-hegemonic instituting practices, and the imagination of survival.\u003c\/p\u003e\n\u003cp\u003eHow can the experience of art reveal and embody the voice of apocalyptic landscapes? How can the effects of large-scale disasters be memorialized through artistic and architectural methodologies? In addressing such questions, the book aims to advance collective critical thinking by inviting the reader to engage with particular artifacts and architectures as traces of an apocalyptic era, lands as strata of violence, cycles as Earth’s navigation, and exile as a form of semi-voluntary collectivity.\u003c\/p\u003e\n\u003cp\u003eCo-published by e-flux journal [publisher's note]\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":57861986419028,"sku":"9781915609755","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/FormsofNon-Belonging.jpg?v=1792849877"},{"product_id":"handmade-utopia-back-to-the-land-architecture-in-northern-california","title":"Handmade Utopia: Back-to-the-Land Architecture in Northern California","description":"\u003cp\u003eHalf a century ago, young idealists dropped out of society and went “back to the land,” one of the largest urban-to-rural migrations in American history. Northern California became the movement’s epicenter, where utopian communes gave rise to radical, handbuilt, sometimes otherworldly homes. \u003cem\u003eHandmade Utopia: Back-to-the-Land Architecture in Northern California\u003c\/em\u003e traces those still committed to this way of life, capturing their buildings and the stories behind them at the tail end of a generation’s social experiment. Handmade Utopia travels through Northern California, along hidden dirt roads and into redwood forests, uncovering handmade homes concealed for decades. Schmelling’s photography documents these structures today, while Kramer’s oral histories with 38 back-to-the-landers recount how they came to be, complemented by archival materials, historical texts, and locally produced publications from the movement’s heyday. These pioneers taught themselves to farm, embraced alternative lifestyles, and developed architectural approaches that influenced broader building practices― through imaginative design, ecological materials, and energy efficiency. In pursuit of a different way of living, they rethought what a home could be. Only a few remained after the Summer of Love. Now in their seventies and eighties, they raise the question of what will remain. These homes were never constructed for their resale promise, anti-capitalistic to their foundations, and they are rapidly disappearing. \u003cem\u003eHandmade Utopia\u003c\/em\u003e presents them as artworks in their own right―captured before they are lost. [publisher's note]\u003c\/p\u003e","brand":"Edition Patrick Frey","offers":[{"title":"Default Title","offer_id":58007875584340,"sku":"9783907236963","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/handmade.jpg?v=1793116699"},{"product_id":"scene-city-verso-fiction","title":"Scene City","description":"\u003cp\u003eThis irreverent debut novel from a startling new talent explores hedonism and heritage among the cold glitz of London’s commercial art world. Romy, an art history student, is committed to a headlong and accelerating pursuit of pleasure in the rarefied air of the capital’s art scene. Her sense of self fraying in this whirligig of decadence, she discovers in writing a way to keep her feet on the ground. Soon, Romy and her merry band of gays discover they are immersed in, of all unlikely things, the maelstrom of a developing novel. Tapping into Laurence Sterne as much as it does Eve Babitz and Truman Capote, this infectious debut explores authorship and identity. It asks whether the pursuit of meaning can (or should) ever get in the way of a good time. [publisher's note]\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":58008450269524,"sku":"9781836742647","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/scenecity.jpg?v=1793119716"},{"product_id":"sense-unknown-art-science-eprouver-linconnu-art-science","title":"Sense Unknown – Art \u0026 Science \/ Éprouver l'inconnu – Art \u0026 Science","description":"\u003cdiv class=\"citation\"\u003e\n\u003cem\u003eBilingual Edition. Sense Unknown\u003c\/em\u003e brings together nearly a hundred works and scientific artefacts by some thirty artists from the Renaissance to the present day, offering a fluid, interdisciplinary journey across subjects, experiments, disciplines and eras, to test reality—or what we think we know of it. \u003cbr\u003eThe book draws on Montpellier's history, a city that has been a major centre for education and the dissemination of knowledge since the 12th century, thanks to its University of Medicine and Life Sciences. The Université de Montpellier's collections underscore the power of cross-disciplinary exchange between knowledge and artistic forms, as well as the importance of historical milestones (discoveries, concepts, and objects) that, too, can become obsolete.\u003cbr\u003eLike the scientist, the artist observes, analyses, interprets, and experiments, often venturing into the unknown without any guarantee of success, embracing failure and cultivating doubt. In the research process, serendipity, chance discoveries, accidents, and the acceptance of unpredictability reveal new paths that defy our predictions. Thus, we transition from the known to the unknown. \u003cbr\u003eThrough interviews, essays, a recipe, and dual commentaries on each artist's works, \"Sense Unknown\" amplifies the voices of about 40 contributors: members of the scientific committee, the exhibition's curators, students of science and art, and artists—particularly Joey Holder, Roy Köhnke, and Morgan Courtois—as they discuss the works they created for the exhibition. \u003cbr\u003eThe book traces the exhibition route room by room, featuring numerous views of the exhibition and close-ups of the works. Like the exhibition, it delves into the sensitive and intuitive dimensions of the research process, as well as biohacking and practices that seek to escape institutional constraints or challenge the hegemony of Western scientism.\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003eWorks by \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=4849\"\u003eIsabelle Andriessen\u003c\/a\u003e, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/ouvrage.php?id=3065\"\u003eArt Orienté Objet\u003c\/a\u003e, Louis Auzoux, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=1335\"\u003eBerdaguer \u0026amp; Péjus\u003c\/a\u003e, Hicham Berrada, Morgan Courtois, Entreprise Ziegler \u0026amp; Ernst Haeckel, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=1653\"\u003eHR Giger\u003c\/a\u003e, Paul Gilis with Édouard Marsal \u0026amp; Évariste Sounac, Joey Holder, Tishan Hsu, Cooper Jacoby, Yunchul Kim, Josh Kline, Roy Köhnke, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=6726\"\u003eKinke Kooi\u003c\/a\u003e, Tetsumi Kudo, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=4283\"\u003eEmma Kunz\u003c\/a\u003e, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=5224\"\u003eCandice Lin\u003c\/a\u003e, Pei-Ying Lin with Špela Petrič, Dimitris Stamatis \u0026amp; Jasmina Weiss, Mary Maggic, Guadalupe Maravilla, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=1573\"\u003eNam June Paik\u003c\/a\u003e, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=4759\"\u003eJean Painlevé\u003c\/a\u003e, Bernard Palissy, Eduardo Paolozzi, Luboš Plný, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=4259\"\u003eLea Porsager\u003c\/a\u003e, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=1909\"\u003eJosephine Pryde\u003c\/a\u003e, Victorien Sardou, Jeremy Shaw, \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/auteur.php?id=6508\"\u003eKiki Smith\u003c\/a\u003e, Alina Szapocznikow, Haena Yoo, Anna Zemánková.\u003c\/div\u003e","brand":"MO.CO. Montpellier Contemporain","offers":[{"title":"Default Title","offer_id":58008917705044,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/senseunknown_891d6d68-d66e-406f-833e-ddc68873d003.jpg?v=1793122492"},{"product_id":"tapeworks-art-design-of-80s-experimental-electronic-music","title":"Tapeworks. Art \u0026 Design of 80s Experimental Electronic Music","description":"\u003cp\u003eSelected cassette tape and vinyl artwork from experimental electronic music of the 1980s. Touching on industrial, noise, new wave, minimal, drone, sound art, ambient and more. A visual survey of the xerox scanned imagery, disorderly type and hand illustration used to present the decade's boundary-pushing music and abstract compositions. [publisher's note]\u003c\/p\u003e","brand":"Resampled","offers":[{"title":"Default Title","offer_id":58022291603796,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Tapeworks.Art_Designof80sExperimentalElectronicMusic.jpg?v=1793195527"},{"product_id":"an-ontology-of-verbs","title":"An ontology of verbs","description":"\u003cp\u003eThe history of philosophy is the history of a specific relationship to language. This relationship is one that, in matters of thought, has given priority to names. Names are what embody the truth of what we think, what we do and what we are. Names are the bricks of thought, best encapsulated into concepts. But what if that were false? What if thinking in terms of names has led us to a dead end – the dead end of closed things, of finished entities and of determinate realities? In this radically original philosophical essay, Zhao Tingyang proposes opening us up to a metaphysics of verbs – to a relationship with language that no longer forces us to confine ourselves to things but opens us up to creation and action. For philosophy, this would be nothing less than a new beginning.\u003c\/p\u003e\n\u003cp\u003eZhao Tingyang is one of the world’s greatest thinkers. He is professor at the Institute of Philosophy of the Chinese Academy of Social Sciences. His last book in English is The Whirlpool That Produced China (SUNY Press, 2024).\u003c\/p\u003e","brand":"Berggruen Press","offers":[{"title":"Default Title","offer_id":58022830539092,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ontologyofverbs.jpg?v=1793197426"},{"product_id":"kicking-the-pricks-the-last-of-england","title":"Kicking the Pricks : The Last of England","description":"\u003cp\u003eOriginally published in 1987, and out of print for many years, \u003ci\u003eKicking the Pricks\u003c\/i\u003e is a key work in Derek Jarman’s oeuvre, documenting the making of one of his most important and politically-charged films, \u003ci\u003eThe Last of England\u003c\/i\u003e. \u003c\/p\u003e\n\u003cp\u003eFeaturing diary entries, interviews and notes from the script of the film alongside writing about his childhood, his father, the process through which he came to terms with his sexuality, his early work as a painter and designer, and his debut as a film director, it is one of Jarman’s most radical publications, reflecting unsparingly on what he saw as the corruption of the cinema industry, the moral and personal consequences of AIDS, and Thatcher’s Britain.\u003c\/p\u003e\n\u003cp\u003eThis expanded edition features numerous archive photographs, a preface by Jarman’s companion the late Keith Collins, a new suite of poems by Richard Scott, and an extended essay by Jarman scholar Declan Wiffen. It also includes the first-ever publication of an interview with Jarman from 1988, conducted and contextualised by film producer and researcher James Norton. [publisher's note]\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":58024386560340,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/pricks.jpg?v=1793204777"},{"product_id":"arrows-of-desire-selected-writings-1963-2002","title":"Arrows of Desire. Selected Writings 1963–2002","description":"\u003cp\u003eThis collection, the first of three new volumes, brings together unpublished and inaccessible writings on counter-cinema, anti-imperialist politics and revolutionary Mexican art. Playful, theoretically rigorous and historically precise, Peter Wollen’s writing reinvented criticism as a formally experimental practice indexing the intellectual, political and artistic histories of the twentieth century.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eArrows of Desire\u003c\/i\u003e presents texts on Eisenstein and Godard alongside essays and interviews tracing developments in film and video from the 1970s to the 1990s. It tracks the political energies running through Wollen’s filmmaking and writing on global politics and culture in relation to Iran, Indonesia, Palestine, Aden and Zanzibar. Wollen’s rereading of the avant-garde extends into expansive projects linking Mexican muralism, Native American abstraction and US abstract expressionism. These essays and proposals demonstrate his commitment to contesting the dominant histories and geographies of modernism and modernity. [publisher's note]\u003c\/p\u003e","brand":"Verso","offers":[{"title":"Default Title","offer_id":58024533098836,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/arrowsofdesire.jpg?v=1793204565"},{"product_id":"language-of-the-night","title":"Language of the night","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn \u003ci\u003eLanguage of the Night,\u003c\/i\u003e Ursula K. Le Guin reflects on genre and the ethical work of writing, championing the imagination as a vital instrument of freedom. Illuminating the making of major works such as \u003ci\u003eA Wizard of Earthsea\u003c\/i\u003e and \u003ci\u003eThe Left Hand of Darkness\u003c\/i\u003e, Le Guin argues for science fiction and fantasy as literary modes that sustain philosophical, political and emotional inquiry. \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis wide-ranging collection considers artistic responsibility, the uses of myth, the craft of storytelling, and the role of the writer as teacher and public intellectual. It charts Le Guin’s emergence as one of the defining literary voices of the twentieth century, while also considering what she calls the ‘journey of self-knowledge’ – a psychic and moral journey into the unconscious, whose perils and rewards are best expressed through the symbolic language of dreams, fantasy and fairy tales.\u003c\/span\u003e\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":58024639988052,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/night_2468ff2d-a91a-41b3-bff7-5736ee1733a1.jpg?v=1793204967"},{"product_id":"written-down-written-up-selected-writings-of-john-hilliard","title":"Written Down \/ Written Up: Selected Writings of John Hilliard","description":"\u003cp\u003eWhy do we trust the accuracy of the black-and-white photograph? Why do certain forms of art lend themselves to particular visual hierarchies, and what can be learned from inverting them? How can image and text be understood as co-conspirators and antagonists, amplifying and destabilising the meaning-making potential of the other? Conceptual artist John Hilliard takes up these questions of art theory and practice with a rigorous yet nimble critical stance in texts spanning the mid-1960s to 2025. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWritten Down \/ Written Up \u003c\/em\u003eoffers the first comprehensive collection of writings by John Hilliard, one of the most inventive artists working in the photographic form. Exploring the medium of photography and its role within art, language, and representation, the themes emerging across these texts echo and expand on those of Hilliard’s practice. The publication draws on a wide range of Hilliard’s writing, from previously unpublished texts to notes, published essays, and reviews. This extensively illustrated volume elaborates his critical contributions to how we understand the relationship between the image and its production. \u003c\/p\u003e\n\u003cp\u003eWith an introduction and contextualising texts by editor Duncan Wooldridge.\u003c\/p\u003e\n\u003cp\u003e[publishers’ note]\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":58033556750676,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/hilliard.jpg?v=1793276986"},{"product_id":"field-to-form","title":"Field to form","description":"\u003cp\u003e\u003cspan\u003e‘Field to Form’ is the first comprehensive overview of Irene Kopelman’s expansive practice, bringing together a wealth of documentation on seventeen projects that the artist, in close collaboration with researchers, scientists, and other specialists, has developed over the last 25 years. The book features a conversation between the artist and Susana González, director at Centro de Arte Fundación María José Jove, where Kopelman had a residency and exhibition in 2023, as well as contributions by former MAMAC director Hélène Guenin, William T. Wcislo of the Smithsonian Tropical Institute, curator and art critic Adrienne Samos, and Spanish curator Agustín Pérez Rubio.\u003c\/span\u003e\u003c\/p\u003e","brand":"ROMA Publications","offers":[{"title":"Default Title","offer_id":58035787006292,"sku":null,"price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/fieldtoform.jpg?v=1793293641"},{"product_id":"tumbados-lowriding-memories-and-cruising-futures","title":"Tumbados. Lowriding Memories and Cruising Futures","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTumbados, or lowriders, are customized, intricately painted cars with a dropped suspension that pay tribute to Chicano pride, artistry, culture, and heritage. Originating in Southern California in the 1940s, lowriders are a vibrant symbol of Latinx street life and the politics of cruising—a term that refers to the cars parading slowly down streets. After a period of public rejection in the 1980s and 90s, lowriders gained recognition as an important form of cultural expression and as an art form.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cem\u003eTumbados\u003c\/em\u003e\u003cspan\u003e, artist Guadalupe Rosales and her national network of collaborators explore art, craft, collective memory, and displacement through the lens of Latinx and diasporic experience. The book contextualizes Rosales’ major public mural commission on lowriders with Lokey Calderon, commissioned by the Storefront for Art and Architecture, while tracing cultural narratives of marginalization and resilience across bodies, objects, walls, and public space.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough lowriders are celebrated in popular culture, little is understood about their social and historic significance. This will be the first book to examine Rosales’ comprehensive practice, known for fostering collective storytelling, and to surface a subject often overlooked in the public record and in official memory. With contributions by\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLeticia Alvarado, Rocío Aranda-Alvarado, Michael Chavez, Jose Esparza Chong Cuy, Natalie Diaz, rafa esparza, Rita Gonzalez, Raquel Gutiérrez, Estevan Oriol, Pilar Tompkins Rivas, Jovanna Venegas. Groundworks is \u003c\/span\u003e\u003cspan\u003ea co-publication series with the Storefront for Art and Architecture and the MIT Press. [publisher's note]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":58049199178068,"sku":null,"price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Tumbados.jpg?v=1793375008"},{"product_id":"monir-shahroudy-farmanfarmaian","title":"Monir Shahroudy Farmanfarmaian","description":"\u003cp\u003eLight and movement, abstraction and geometry lie at the heart of the oeuvre of Monir Shahroudy Farmanfarmaian (b. Qazvin, 1922–d. Tehran, 2019). From botanical drawings to mirror mosaics and three-dimensional assemblages, her body of work unfolds through a logic of repetition, reflection, and multiplicity.\u003c\/p\u003e\n\u003cp\u003eShe was equally shaped by the artistic movements that emerged in postwar New York and in Tehran during the 1960s and ’70s, as by the traditions of Iranian visual culture, including Islamic art and architecture, and craft practices. Together, these elements laid the foundation of a visual idiom that is as personal as it is boundary-crossing.\u003c\/p\u003e\n\u003cp\u003eThis publication offers a layered portrait of an artist whose practice bridges twentieth-century global modernisms and contemporary art. Across time, place, and political rupture, Shahroudy Farmanfarmaian’s work continues to unfold with remarkable formal clarity and inventive force.\u003c\/p\u003e\n\u003cp\u003eWith contributions by Sussan Babaie, Nairy Baghramian, Reza Daftarian, Asrin Haidari, Yasmijn Jarram, Azar Mahmoudian and Sam Samiee.\u003c\/p\u003e\n\u003cp\u003eThis publication is released on the occasion of the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMonir Shahroudy Farmanfarmaian: Tehran\/New York\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat Moderna Museet Stockholm, from 3 October 2026 to 28 February 2027. The exhibition will subsequently travel to Museo Reina Sofía in Madrid and Kunstmuseum Den Haag. [publisher's note]\u003c\/p\u003e","brand":"Hannibal Books","offers":[{"title":"Default Title","offer_id":58052395008340,"sku":null,"price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/monir.jpg?v=1793380450"},{"product_id":"listening-glossary","title":"Listening Glossary","description":"\u003cp class=\"product__title\" id=\"product-title-15469009338743\"\u003eEdited by Hannah Kemp-Welch, \u003cem\u003eListening Glossary\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003eexplores the many meanings and practices of listening. \u003c\/span\u003e\u003cspan\u003eIn an era shaped by climate crisis, war and deepening social inequalities,\u003c\/span\u003e\u003cspan\u003e listening is increasingly called upon to bear witness – to melting glaciers, disappearing species, militarised borders, extractive infrastructures and other forms of violence and loss\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"product__title\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003eThis glossary is a practical guide \u003c\/span\u003e\u003cspan\u003eto listening \u003c\/span\u003e\u003cspan\u003eas a social, political and imaginative practice. It gathers \u003c\/span\u003e\u003cspan\u003eover two hundred \u003c\/span\u003e\u003cspan\u003eterms from art, ecology, activism, psychology, education and philosophy across nine decades of thinking about listening as a way of relating to others, environments and structures of power. E\u003c\/span\u003e\u003cspan\u003entries invite listening through another’s ears or from specific perspectives, \u003c\/span\u003e\u003cspan\u003eencountering forms of listening that range from the non-cochlear to the interspecies\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eTogether, these entries reveal listening\u003c\/span\u003e\u003cspan\u003e as a critical method for \u003c\/span\u003e\u003cspan\u003eunderstanding and transforming the worlds we inhabit. [publisher's note]\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Press,Spiral House","offers":[{"title":"Default Title","offer_id":58065072095572,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/listeningglossary.jpg?v=1793460406"},{"product_id":"godzilla-and-the-temple-of-atomic-catastrophes","title":"Godzilla and the Temple of Atomic Catastrophes","description":"\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGodzilla and the Temple of Atomic Catastrophes,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ethe third volume in the Gumshoe series of “architectural detective stories,” architectural historian and critic Thomas Daniell investigates the mysteries of the Temple of Atomic Catastrophes, designed in 1955 by Japanese architect Seiichi Shirai (1905–83). Although never built, the memorial has become a touchstone in debates about monuments, tradition, and culture in Japan’s architectural world. Shirai’s temple design is one of the few architectural works to address the topic of nuclear power, while Japanese fiction, manga, visual arts, and photography largely avoid it. Shirai and his temple design are little known in the West, yet they represent an important and influential chapter in Japan’s architectural history. The 2011 Fukushima disaster once again made him, and the questions it raised, a central aspect of Japanese architectural discourse.\u003c\/p\u003e\n\u003cp\u003eThomas Daniell examines events and developments in Japan spanning more than a century, from World War I to the triple disaster of 2011—the earthquake, tsunami, and nuclear meltdown. He explores Japanese tradition and the relationships between Japanese architecture, art, and critical theory within a broader historical context. Written in the style of a “roman noir,” his book offers an unconventional and entertaining search for the solution to this architectural mystery. [publisher's note]\u003c\/p\u003e","brand":"Park Books","offers":[{"title":"Default Title","offer_id":58065593336148,"sku":null,"price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/godzilla.jpg?v=1793467410"},{"product_id":"dda-exchange","title":"DDA Exchange","description":"\u003cp\u003e\u003cem\u003eDDA Exchange\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecollects, for the first time in public print, the CIA's internal employee newsletter from the 1970s and 1980s. Created in the wake of Watergate and the revelations of the Church Committee,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDDA Exchange\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas the CIA's internal propaganda organ meant to boost employee morale and instill an esprit de corps among members of 'the Company.' The newsletter, featuring a contemporary avant-garde layout and style, kept employees informed of the vast array of Agency business such as remote-viewing health care options, prudent retirement strategies, the latest in terrorism signal processing, and how to use the Agency's brand-new Media Center.\u003cbr\u003e\u003cbr\u003eIncluded in this facsimile reprint is the original design document in which the Agency discusses font choices and graphic elements to be used for their newsletter. A metatextual art book as well as an institutional zine compilation and aesthetic reference,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDDA Exchange\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers a rare glimpse into the gears and cogs which turn the odious machinery of the shadow state. [publisher's note]\u003c\/p\u003e","brand":"Inpatient Press","offers":[{"title":"Default Title","offer_id":58065751769428,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ddaexchange.jpg?v=1793467693"},{"product_id":"mud-physics-theoretical-writings","title":"Mud Physics – Theoretical Writings","description":"\u003cp\u003e\u003cem\u003eApproximation, models, collage and inlay; dust, vectors, animals, snow, blood, and diagrams: compiled in this volume for the first time, the selected writings of Helen Marten probe the critical spaces between image and language, material subject and conceptual idea. Working across sculpture, painting, drawing, writing, and video, Marten has emerged as one of the leading voices of her generation. Driven by both informational logics and emotional heat, her work compels a peculiar engagement with language—its wounding or wailing power, its sly metamorphosis, its seduction. \u003c\/em\u003e\u003cspan\u003eMud Physics \u003c\/span\u003e\u003cem\u003eexplores this submerged side of materiality where dark intent lies, questioning the linguistic framework of theoretical doubt as the place where mistakes are embraced to become generative. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003eMarten envisages the artist to be like a busy dog, sticking its nose into the indexes of social or technological space and shuffling things about, coaxing or relegating artifacts to the peripheries like an aggravating archaeologist. This iterative flexibility holds great appeal but also a certain danger—to find exposed and sticky the granular indecency of material, its mechanistic hierarchies, its feral stink of policy or corruption. Exploring theories of the mercantile and the digital, her writing examines craft as syntax and touch as a rejection of heteronormativity; instead, pleasure in material promiscuity is felt as a \"fundamental itch.\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":58104465457492,"sku":null,"price":21.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/mudphysics.jpg?v=1793710853"},{"product_id":"god-emptied-my-glass","title":"God Emptied My Glass","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eThe first major poetry collection by Jesse Feinman, a graphic designer known for his work on numerous books and album covers, founder of the photography publishing house Pomegranate Press, and a remarkable poet.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cem\u003eGod Emptied My Glass\u003c\/em\u003e is the first expanded collection of poems by Jesse Feinman. Written over a five year period, the 44 pieces in the book explore the nature of forgiveness, togetherness, and separateness in adjacency to the graceless passing of time.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cbr\u003eTaking visible cues from the likes of Robert Creeley, Anne Waldman, and other poets of the New York School, the work serves as an elongated love-letter to \"searching,\" and speaks to how beautiful (or painful) it can be when the desperate quests to uncover a certain truth reveal an entirely new discovery altogether. Throughout \u003cem\u003eGod Emptied My Glass\u003c\/em\u003e, Feinman makes frequent references to various places across the American Landscape and the countless anonymous people that populate them. It is in this quiet culmination of settings that he attempts to create and embed a gentle universality-- one that suggests these unraveling, complicated emotions actually find all us at some point in our lives.\u003c\/div\u003e","brand":"Shelter Press","offers":[{"title":"Default Title","offer_id":58105671188820,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/godemptiedmyglass.jpg?v=1793710633"},{"product_id":"50-couplets","title":"50 Couplets","description":"\u003cdiv class=\"citation\"\u003e“Men of mirth are men of worth, wherever men are silly, anywhere from Athens, Greece, to Santiago, Chile.”\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003e3rd edition of the book first published in 2016.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eMoondog —born Louis Thomas Hardin (1916-1999)—stands as a visionary avant-garde icon, bridging the gap between classical composition, primal rhythms and the pulse of the New York streets. Also known as \"The Viking of 6th Avenue\", this timeless artist crafts a singular universe through his invention of instruments, mastery of counterpoint and rhythmic soundscapes… An apparent nonchalance, often underpinned by a complex musical architecture in a blend of cultures.\u003c\/div\u003e","brand":"Lenka Lente","offers":[{"title":"Default Title","offer_id":58106325664084,"sku":null,"price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/50couplets.jpg?v=1793710526"},{"product_id":"the-blood-libel-the-trial-against-the-jews-of-damascus-metamorphosis-of-the-vampire-in-germany","title":"The Blood Libel – The Trial against the Jews of Damascus; Metamorphosis of the Vampire in Germany","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eA heterodox and uniquely incisive model of ideology critique, Furio Jesi's work offers us a powerful insight into some of the deeper determinants of Western political rationality and its stigmatizing, inferiorizing, and racializing dynamics.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cem\u003eThe Blood Libel\u003c\/em\u003e, written in 1973 by the Italian scholar of myth and radical critic Furio Jesi, explores the archival traces of the 1840 Damascus affair, an anti-Semitic accusation of ritual murder. We follow in detail how the death of a Catholic missionary monk in Ottoman Syria is transformed into a racist myth that depends on the figure of the \"savage\"—more precisely, on the paranoid projection of the Jew as a masked inner enemy, who, as Jesi writes, \"has hypocritically and externally civilized himself—and who has thus been able to continue to satisfy his blood-thirsty instincts within the very fabric of 'civilized' societies.\" This study is contrasted by a profound analysis of modernity's fears articulated in the figure of the vampire that circulated through Germany's nineteenth century.\u003cbr\u003eWritten amidst the criminalization campaigns by the Italian state against anarchists and other \"inner enemies,\" \u003cem\u003eThe Blood Libel\u003c\/em\u003e deploys Jesi's conception of the \"mythological machine\" to anatomize the multiple entanglements of myth with the politics of exclusion and domination.\u003c\/div\u003e","brand":"Wirklichkeit Books","offers":[{"title":"Default Title","offer_id":58106497204564,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/thetrialagainst.jpg?v=1793710428"},{"product_id":"fables-and-forensics","title":"Fables and Forensics","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eResearch-based art has become one of the defining genres of the century. Taking the collective \u003ca href=\"https:\/\/www.lespressesdureel.com\/EN\/ouvrage.php?id=3406\"\u003eForensic Architecture\u003c\/a\u003e as a case study, Emily Watlington, senior editor at \u003cem\u003eArt in America\u003c\/em\u003e, argues against what she sees as the dangerous slippage between artistic research and alternative facts.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eTurning to the work of Walid Raad, Watlington nonetheless argues for the importance of possible other realities. Watlington describes Raad's work as a kind of \"surrealism for the information age,\" and persuasively argues that this is distinct from fake news. The differences in Watlington's two case studies are somewhat subtle, but the stakes of the distinctions are profound. As faith in facts declines rapidly and fascism and autocracy are on the rise, it is clear that shared realities are essential to democracy's future. And yet, imagining alternatives to our present is as important as ever. What's an image maker to do now that seeing has so little to do with believing?\u003cbr\u003e\u003cbr\u003e\"Artists have always created alternate realities. But what are the stakes of doing so at a time when a shared reality feels so hard to come by, and its stakes so urgent? [...] This is a book about the dangerous slippage between artistic research and alternative facts, and about the vital need for alternatives all the same.\"\u003c\/div\u003e","brand":"Floating Opera Press","offers":[{"title":"Default Title","offer_id":58106560840020,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/fables_a9ce79d5-61a4-4e7d-9212-37f112d4a08b.jpg?v=1793709129"},{"product_id":"jai-rencontre-nathalie-magnan-portrait-en-reseaux","title":"J'ai rencontré Nathalie Magnan – Portrait en réseaux","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eUne biographie collective explorant l'héritage de Nathalie Magnan, pionnière du cyberféminisme et de l'activisme médiatique.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eNathalie Magnan, qui êtes-vous ? Théoricienne des médias, réalisatrice, cyberféministe, hacktiviste, enseignante, navigatrice des mers et des internets, Nathalie Magnan (1956-2016) a marqué, de manière transdisciplinaire, l'histoire des pensées critiques, des médias et des technologies, du féminisme et des luttes LGBTQIA+. Ce livre retrace sa trajectoire à travers les voix de celles et ceux qui l'ont rencontrée, et auprès de qui son regard, son engagement et ses méthodologies continuent d'essaimer. Un portrait en réseaux, tendre et incisif, qui mêle archives orales, documents et textes inédits.\u003c\/div\u003e","brand":"Villa Arson","offers":[{"title":"Default Title","offer_id":58106594394452,"sku":null,"price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/j_airencontrenathaliemagnan_9f0ed37d-785a-4539-a85f-7b5f26634d56.jpg?v=1793710334"},{"product_id":"a-la-recherche-dune-modernite-arabe-1891-1991","title":"À la recherche d'une modernité arabe – 1891-1991","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eRéédition d'un ouvrage primordial dans l'histoire de l'art des pays de l'Afrique du Nord et de l'Asie de l'Ouest, réflexion majeure sur les courants artistiques du monde arabe au XXe siècle qui répond plus que jamais, trente ans après sa première parution, à la nécessité de décoloniser les savoirs.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eLe débat autour de la notion de « modernité » a été central dans le monde arabe, et l'évolution dans le domaine des arts visuels le montre de manière paradigmatique. En effet, entre 1880 et 1920, les formes d'expression artistique propres aux traditions islamiques, qu'elles soient savantes ou populaires, sont remplacées par la conception occidentale. Une infrastructure nouvelle est créée : académies, musées des Beaux-Arts, expositions officielles (« salons ») contribuent à introduire l'art académique dans la région. Jusqu'aux années 1950, celui-ci gagne sa place dans la vie intellectuelle et sociale des élites, mais aussi dans l'espace urbain, marqué désormais par un élément inconnu auparavant : les monuments.\u003cbr\u003eLa découverte des bouleversements survenus dans les arts plastiques européens depuis le début du XXe siècle, en concomitance avec la consolidation de la conscience nationaliste, conduit à un changement radical, portant sur deux axes parallèles : la modernité (hadatha) et l'authenticité (asala). Si la modernité est inspirée de l'Occident, l'authenticité va être puisée dans le patrimoine (turath), terme s'appliquant généralement aux arts visuels produits par l'ensemble des civilisations de cette aire avant l'irruption de la culture occidentale. Par l'ancienneté et l'importance de leur mouvement artistique, trois pays ont joué un rôle primordial : l'Égypte, le Liban et l'Irak, dont le présent ouvrage se propose d'étudier l'évolution.\u003c\/div\u003e","brand":"Zaman","offers":[{"title":"Default Title","offer_id":58107722236244,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/modernitearabe.jpg?v=1793717258"},{"product_id":"tekhne-sound-craft-usership","title":"Tekhnē – Sound, Craft, Usership","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eA collective reflection on the key role that creative uses (and appropriations) of new technological tools play in the evolution of musical and sound practices and cultures.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eThis publication focuses on the technologies, tools and techniques that form an important part of the apparatus of music-making. It is based on the observation that cultures are shaped more by the way in which technologies are used than by the intention behind their design. Although developed with specific purposes in mind and designed within particular socio-political contexts, these can be transcended through autonomous use, allowing new constellations and insights to emerge. Historically, new technologies have often opened up spaces in this way for marginalised or excluded artists to realise their music without the constraints of manuals or a canon.\u003cbr\u003eAlthough technology has always been an important determinant for the creation of music, the advent of electricity and electronic musical instruments brought about rapid change, giving rise to a wave of new formats, sounds, proceedings, or relations to the public. As new technologies have destabilised and pluralised traditional ideas of mastery, they have changed not only what music sounds like, but who it is produced by.\u003cbr\u003eThe contributions in this book came about during a four-year joint research project, and exploring aspects of this observation. They discuss the materiality of tools, their ecological impact and the emergence of artificial intelligence. They honour the possibilities of vernacular craft, of hacking and open-source cultures, and the role that spaces play in creating inclusive cultures. They unbox technologies with an aim to understand and demystify these technologies and to use them freely and in alternative ways.\u003c\/div\u003e","brand":"Q-O2","offers":[{"title":"Default Title","offer_id":58107744911700,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/tekne.jpg?v=1793717113"},{"product_id":"head-1","title":"Head","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eLos Angeles-based photographer Danielle Neu's debut monograph.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e\n\u003cem\u003eHead\u003c\/em\u003e brings together photographs taken by Danielle Neu over the past seven years. This body of work includes a diverse range of images: fish and other life forms captured in aquariums and cages; portraits of actors, performers, and artists, as well as fragments of their naked bodies; deserted interior spaces, among them a reconstruction of the bedroom from \u003cem\u003e2001: A Space Odyssey\u003c\/em\u003e, and Elvis Presley's airplane, the Lisa Marie, from which Neu isolates certain elements—bedroom, bathroom, cabin seats—their surfaces covered by a protective layer of plastic. Each image engages with postwar American cultural landscapes and discourses, particularly those of Hollywood, where the desire for fiction manifests within reality itself.\u003c\/div\u003e","brand":"Éditions Lutanie","offers":[{"title":"Default Title","offer_id":58108308816212,"sku":null,"price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/head.jpg?v=1793787711"},{"product_id":"isa-genzken-catalogue-raisonne-1961-1996-vol-1","title":"Isa Genzken. Catalogue Raisonné 1961–1996. Vol. 1","description":"\u003cp\u003eThe first volume of Isa Genzken’s catalogue raisonné documents works produced between 1961 and 1996, providing documentation of her oeuvre in chronological order and across all media (sculpture, painting, installation, works on paper, and film). Edited by Daniel Buchholz with Michael Sanchez, Katharina Forero de Mund and Christopher Müller. The book includes an introductory essay by Manfred Hermes, as well as a biographical timeline, exhibition history and bibliography.\u003c\/p\u003e\n\u003cp\u003e Introduction by Manfred Hermes. Text by Michael Sanchez, Katharina Forero de Mund, Christopher Müller.\u003c\/p\u003e","brand":"Galerie Buchholz","offers":[{"title":"Default Title","offer_id":58108594520404,"sku":null,"price":240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/isa-genzken-catalogue-raisonn-20.jpg?v=1793720010"},{"product_id":"labcc-du-cacb","title":"L'ABCC du CACB","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eLe bilan de 10 années de recherche graphique et typographique de Coline Sunier \u0026amp; Charles Mazé en résidence au CAC Brétigny, sous la forme d'un abécédaire composé de plus de 900 lettres et signes collectés.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eParmi les 91 versions de couvertures du livre \u003cem\u003eL'ABCC du CACB\u003c\/em\u003e, on peut voir : une lettre de l'enseigne du magasin Retouche Les 3 \"A\" à Brétigny-sur-Orge, une lettre peinte par Lucien Bertin sur une peinture murale à Juvisy-sur-Orge, une lettre en forme de Cool S graffitée dans le quartier de Grigny 2, un soleil souriant d'une illustration dans le magazine \u003cem\u003eBrétigny Notre Ville\u003c\/em\u003e de 1982, un phallus graffité sur les murs de l'Espace Jules Verne de Brétigny-sur-Orge, un chat dessiné par Valentine Schlegel sur une carte postale en 1981, une story Instagram de 2021 partageant des paroles de PNL, un pétroglyphe du Mésolithique dans les abris ornés de Boigneville…\u003cbr\u003eEn apparence disparates, ces signes font pourtant partie d'un ensemble : un abécédaire composé de 901 lettres et signes collectés, dessinant le paysage typographique du CAC Brétigny – un centre d'art contemporain situé dans l'Essonne – où Coline Sunier \u0026amp; Charles Mazé ont été en résidence de recherche et de création graphique de 2016 à 2025. \u003cem\u003eL'ABCC du CACB\u003c\/em\u003e tente d'éditer un contexte géographique, politique et artistique par les signes qui le composent. Il est un témoignage épigraphique du quotidien, un inventaire de « hiéroglyphes d'aujourd'hui ».\u003c\/div\u003e\n\u003cdiv class=\"note\"\u003eCet ouvrage paraît sous 91 couvertures différentes, distribuées aléatoirement.\u003c\/div\u003e","brand":"abcdefghijklmopqrstuvwxyz","offers":[{"title":"Default Title","offer_id":58108610543956,"sku":null,"price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/l_abccducacb.jpg?v=1793787889"},{"product_id":"5-works","title":"5 Works","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eLa première monographie de Lydia Ourahmane, documentant un projet développé en immersion lors d'une résidence de plusieurs mois à Venise, dans le cadre de la 61e Biennale di Venezia.\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eCet ouvrage accompagne \u003cem\u003e5 Works\u003c\/em\u003e, la première exposition individuelle institutionnelle de Lydia Ourahmane en Italie, organisée à la Fondation Nicoletta Fiorucci à Venise et dont le commissariat a été assuré par Polly Staple, dans le cadre de la 61e Biennale de Venise. Première publication de Lydia Ourahmane, cet ouvrage pose les bases de ses futurs projets éditoriaux. La police de caractères sur mesure « LL », créée par l'artiste en collaboration avec le graphiste Lorenzo Mason, occupe une place centrale dans sa conception. La nouvelle commande de Lydia Ourahmane, \u003cem\u003e5 Works\u003c\/em\u003e, fait suite à sa résidence à la Fondation, au cours de laquelle elle a vécu et travaillé à Venise de janvier à mai 2026.\u003cbr\u003eL'une des conditions préalables de l'exposition était que de nombreuses œuvres soient créées à Venise. Ourahmane a ainsi collaboré avec des artisans et des techniciens vénitiens, mais aussi avec des organisations de la ville et de la région de Vénétie environnante. \u003cem\u003e5 Works\u003c\/em\u003e associe un large éventail d'éléments sensibles – parmi lesquels des moules de sculptures anciennes, des luminaires d'église et du linge de lit mis au rebut – à des gestes conceptuels traditionnels tels que la recontextualisation d'objets trouvés et la présentation de processus documentaires. Plusieurs œuvres de l'exposition sont le résultat direct de négociations, de transactions et d'échanges spécifiques à des sites historiques et à des associations militantes de Venise : l'église de San Giovanni Crisostomo, Poveglia per tutti, Banco Lotto N.10 : Il Cerchio, Lavanderia LSG et TOCIA ! Cucina e Comunità.\u003cbr\u003eLa publication comprend : 282 photographies prises par Ourahmane lors de sa résidence à Venise pendant la préparation de \u003cem\u003e5 Works\u003c\/em\u003e ; une introduction à l'œuvre d'Ourahmane et à l'exposition, par Polly Staple ; une conversation entre Ourahmane et Polly Staple, structurée comme une visite guidée de l'exposition ; des vues d'installation, réalisées par le photographe Marco Cappelletti, classées dans l'ordre dans lequel les visiteurs découvraient les œuvres ; le plan de l'exposition – figurant sur la couverture du livre – accompagné de la liste des œuvres ; et une note de fin par Nicoletta Fiorucci.\u003c\/div\u003e","brand":"Lenz","offers":[{"title":"Default Title","offer_id":58110029267284,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/5works.jpg?v=1793787241"},{"product_id":"sol-calero-cuadernos-pica-pica","title":"Sol Calero Cuadernos Pica Pica","description":"\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\n\u003cem\u003eSol Calero – Cuadernos Pica Pica\u003c\/em\u003e est la première publication monographique exhaustive consacrée à l'œuvre de Sol Calero, artiste d'origine vénézuélienne installée à Berlin. Conçue comme une publication évolutive sous la forme d'un magazine périodique, elle rassemble cinq numéros distincts et offre un aperçu complet de la pratique artistique de l'artiste de 2013 à 2023.\u003c\/div\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003ePublié sous la forme d'un ensemble de cinq magazines, \u003cem\u003eCuadernos Pica Pica \u003c\/em\u003epropose des essais approfondis et de nombreuses photographies en couleur, retraçant l'évolution du langage artistique de Sol Calero à travers la peinture, l'installation et les environnements immersifs. Ensemble, ces cinq numéros offrent un aperçu des thèmes, des références visuelles et des récits culturels qui nourrissent son œuvre, tout en constituant un témoignage exhaustif d'une décennie de production artistique. Le titre \u003cem\u003ePica Pica\u003c\/em\u003e tire son nom d'un esprit vénézuélien et d'une chapelle située à Los Llanos, où l'on dit que les vœux des visiteurs sont exaucés.\u003c\/div\u003e","brand":"Bom Dia Boa Tarde Boa Noite","offers":[{"title":"Default Title","offer_id":58110156898644,"sku":null,"price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/picapica.jpg?v=1793787516"},{"product_id":"along-the-color-line-traces-of-a-transatlantic-modernism","title":"Along The Color Line Traces Of A Transatlantic Modernism","description":"\u003cp\u003e\u003cspan\u003eDrawing on the Museum Ludwig's collection, this catalogue examines how Black artists created new narratives through their works that challenge colonial and Eurocentric viewing habits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eParticularly in the field of modern art, the Museum Ludwig's collection still conveys a largely white narrative of international art history. This catalogue therefore turns its attention to what has been overlooked. It invites us to understand the concept of the 'color line' - coined by the African-American sociologist W.E.B. Du Bois to describe the social divide between white and non-white people - not merely as a boundary, but to learn together to navigate it differently and to see it as a place of encounter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Verlag der Buchhandlung Walther König","offers":[{"title":"Default Title","offer_id":58110774214996,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/alongthecolorline.jpg?v=1793788132"},{"product_id":"edouard-chapallaz-ceramiste-suisse","title":"Edouard Chapallaz Ceramiste Suisse","description":"\u003cp\u003eEdouard Chapallaz (1921–2016) is one Switzerland’s most important contemporary ceramic artists. This book is the first comprehensive survey of his life and oeuvre, which has had a lasting impact on ceramic art in Switzerland and beyond.\u003c\/p\u003e\n\u003cp\u003eChapallaz is famous in particular for the formal power of his works, his mastery of glazes, and the depth of the artistic research underpinning his approach. In his highly personal language, traditional craftsmanship, technical experiment, and sculptural ambition converge. His often monumental forms reflect a constant engagement with the properties of clay, the effects of fire, and the expressive possibilities of ceramic surfaces.\u003c\/p\u003e\n\u003cp\u003eThe essays in this volume shed light on the evolution and context of Chapallaz’s art as well as its aesthetic and technical challenges, richly illustrated with images of works, studio photographs, letters, and other documents from archives. An illustrated chronology traces the artist’s life. Previously unpublished texts by Edouard Chapallaz himself, offering insight into his thoughts on materials, glazes, and firing techniques, round out this beautiful volume.\u003c\/p\u003e","brand":"Scheidegger \u0026 Spiess","offers":[{"title":"Default Title","offer_id":58110912332116,"sku":null,"price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ceramistesuisse.jpg?v=1793788317"},{"product_id":"tongue-ring-2","title":"Tongue Ring #2","description":"\u003cp\u003e\u003cem\u003eI got the brakes removed from my car I got every brake ripped out and I’m waiting for you I’m waiting for you the end justifies the means the hunger justifies the means why not ask the tarot how to find you I shitted total transcendence I shitted all the reserves I shitted all that is dead can you hear me shitting\u003c\/em\u003e\u003cbr\u003e—Geneviève Pastre, excerpt from \u003cem\u003eBreathing Room\u003c\/em\u003e translated by Star Finch\u003c\/p\u003e\n\u003cp\u003eOMG! The 2d issue of the hottest ring is available in town – your favorite poetry \/ experimental writing \/ gossip journal = \u003cem\u003eTongue Ring\u003c\/em\u003e ! \u003cbr\u003eThis new issue features a new sticker, in 3 possible colors, but best of all, original texts and translations by HippolyNe NxNN, Geneviève Pastre, Leonora Dora Donovan, Wayne Kostenbaum, Benjamin Krusling, Jonathan Martin, Mawena Yehouessi, Brontez Purnell, Gorge, Anne-Sarah Huet ... and short contributions, reviews or other snippets by Jonathan Odden, Rosanna Puyol Boralevi, Lou Ellingson, Céline Bagault, Typhaine de Rilz, Baptiste Thery-Guilbert, and Tilda Ringworm. \u003c\/p\u003e","brand":"Tongue Ring","offers":[{"title":"Default Title","offer_id":58127591702868,"sku":null,"price":13.12,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/tonguering.jpg?v=1793791401"},{"product_id":"tricyclist","title":"Tricyclist","description":"\u003cp\u003eIt’s San Francisco in the early aughts, and Howie Song is floundering. His failed projects—as a professional ballet dancer, as a boyfriend, as a friend—have left him forever the “third wheel.” But maybe he likes it that way? Leaping wildly between lovers, centuries, and an ever-changing cultural landscape, Howie might just feel most himself in the fracture.\u003c\/p\u003e\n\u003cp\u003eDelicious, poetic, and delightfully pornographic, \u003cem\u003eTricyclist\u003c\/em\u003e is an ode to the “abnormal angles” of people and art. As Howie overcomes his own ambivalences—in large part thanks to two suitors, and a circle of supporters who happen to be lesbians—Joon Oluchi Lee portrays, with his signature flamboyance, all of life’s joys, pitfalls, and pirouettes.\u003c\/p\u003e","brand":"Nightboat","offers":[{"title":"Default Title","offer_id":58131662504276,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/tricycle.jpg?v=1793803323"},{"product_id":"maboule","title":"Maboule","description":"\u003cp\u003eMaboule a quitté Villedor, où l’ont élevée une bande de lesbiennes bricoleuses en cavale. Aujourd’hui trobairitz, porteuse de fables et jukebox ambulant, Maboule vadrouille de hameau en village et se nourrit de rumeurs.\u003c\/p\u003e\n\u003cp\u003eÀ la suite de sa rencontre avec une ânesse abandonnée chargée de sacoches postales, elle se donne pour mission de rapporter ces cartes tendres-amères à leurs destinataires. En chemin, sa propre histoire se mêle aux récits de chasse à l’arbalète dans une ville qui s’écroule, de sexes au goût de fruits dans les étages d’un parking et de rendez-vous anarchistes au pied d’un phare mélancolique… \u003c\/p\u003e\n\u003cp\u003e« J'apporte désormais à Joe des nouvelles pas fraîches.\u003cbr\u003eUn tas de nouvelles qui devraient probablement déjà être aux archives.\u003cbr\u003eMais des nouvelles quand même. »\u003c\/p\u003e\n\u003cp\u003eCe premier roman tisse la mémoire collective de communautés transpédégouines qui fendent les époques, de traversées clandestines en places fortes. L’amour, le désir et la famille se réinventent et grandissent sans limite connue.  [note de la maison d'édition]\u003c\/p\u003e","brand":"La Volte","offers":[{"title":"Default Title","offer_id":58184109982036,"sku":null,"price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/maboule.jpg?v=1793975645"},{"product_id":"encore-plus-de-sexe-encore-plus-d-abjection","title":"Encore plus de sexe, encore plus d’abjection","description":"\u003cp\u003eEtablie et introduite par Claire Star Finch, ce livre rassemble une suite dense \u0026amp; essentielle d’écrits de Dodie Bellamy traduits par Elsa Boyer, Camille Pageard et Lætitia Paviani, parmi lesquels les indispensables « Gerbe manifeste » et « Quand les malades dirigeront le monde ».\u003c\/p\u003e\n\u003cp\u003eCar oui enfin, ce recueil, on l’attendait toustes ! Enfin nous saurons si la langue française peut vomir aussi bien que l’anglais \u003cem\u003ebarfe\u003c\/em\u003e, et vous pourrez avoir des premiers éléments de comparaison entre la grandeur expérimentale du \u003cem\u003eNew Narrative \u003c\/em\u003ede la Bay Area et ce qu’on appelle parfois « autofiction »\u003c\/p\u003e","brand":"Même pas l'hiver","offers":[{"title":"Default Title","offer_id":58184473215316,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/dodieVF.jpg?v=1793978179"},{"product_id":"beverly-buchanan-ruination-and-regeneration","title":"Beverly Buchanan. Ruination and Regeneration","description":"\u003cp\u003e\u003cspan itemprop=\"description\"\u003eAt the heart of Beverly Buchanan’s (born 1940) work is a belief in transformation. Her art speaks to cycles of collapse and rebirth—of buildings, of landscapes, of lives. \u003ci\u003eRuination and Regeneration\u003c\/i\u003e examines Buchanan’s major bodies of work, including her abstract paintings of 1970s New York, her cast-concrete “frustula,” her site-specific installations such as \u003ci\u003eMarsh Ruins\u003c\/i\u003e and her acclaimed “shack” sculptures—tributes to the handmade homes of Black tenant farmers in the rural South. Featuring essays, interviews, poems, archival materials and Buchanan’s own writings, this volume offers a rich and multifaceted reflection of her deeply personal and politically charged oeuvre. \u003ci\u003eRuination and Regeneration\u003c\/i\u003e not only honors Buchanan’s legacy but also reframes how we see memory, place and the power of making art from what remains.\u003cstrong\u003e \u003c\/strong\u003ePublished with Andrew Edlin Gallery. [publisher's note]\u003c\/span\u003e\u003c\/p\u003e","brand":"Delmonico Books,D.A.P.","offers":[{"title":"Default Title","offer_id":58184561099092,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/buchanan.jpg?v=1793979044"},{"product_id":"destination-destiny-postcards-as-emblems-of-contemporary-art","title":"Destination \u0026 Destiny. Postcards as Emblems of Contemporary Art","description":"\u003cp\u003eThe reception of art without the postcard is inconceivable, whether one thinks of the art postcards that museums offer for sale, invitation postcards from galleries, or postcard editions by artists. Less commonly addressed is the fact that artists developed projects dealing with postcards that reveal a considered position on the art context. The present book focuses on artists’ postcard projects since the early 1960s, especially those of On Kawara, Lawrence Weiner, Susan Hiller, Marcel Broodthaers, Michael Asher, and Mathilde ter Heijne. In each of these projects, one can observe a self-institutionalization of an artistic practice and at the same time an impetus to reflect on it together with a virtual emblemizing of contemporaneity. [publisher's note]\u003c\/p\u003e","brand":"Hatje Cantz","offers":[{"title":"Default Title","offer_id":58185181495636,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Destination_Destiny.jpg?v=1793982092"},{"product_id":"the-eight-directions-of-the-wind","title":"the eight directions of the wind","description":"\u003cp\u003e\u003cspan itemprop=\"description\"\u003eBritish artist and writer Edmund de Waal (born 1964) is known for installing exquisite porcelain vessels in historic spaces. At The Huntington in Los Angeles, his interventions and artworks explore the movement of ideas, people and objects—what Chinese poet Bei Dao calls the “eight directions of the wind.” In this volume, de Waal writes of the interactive and contemplative spaces he has created in The Huntington’s Chinese and Japanese Gardens and The Huntington Art Gallery. Each installation incorporates text, natural materials and recent works by de Waal that create new perspectives and connections among The Huntington’s collecting areas. An in-depth conversation between de Waal and cultural historian Josh Kun offers context for the artist’s interventions, set against Los Angeles’ mix of cultures. To round out the volume, the pair curated a selection of poems on exile that speaks to global histories of migration.\u003c\/span\u003e Edited by Robert Hori. Text by Edmund de Waal, Josh Kun. Poems by Cynthia Guardado, Bei Dao, Casandra López, Chiwan Choi, Solmaz Sharif, Etel Adnan, et al. [publisher's note]\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":58186028745044,"sku":null,"price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/theeight.jpg?v=1793984737"},{"product_id":"will-we-be-beautiful-fashion-clothes-people-in-contemporary-capitalism","title":"Will We Be Beautiful? Fashion, Clothes \u0026 People in Contemporary Capitalism","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTo be human is to wake up, every morning, and don the costume that completes your identity, for better or for worse, by choice or by coercion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere is nothing on this planet quite like fashion; it is not simply art or design, it is not simply economics or production, and it is not simply capitalism. Huge swathes of reality as we know it have been structured by the demands of fashion, from how raw materials are harvested and developed, how all these materials circulate, to how this circulation and acquisition is financed; this is a world that has been \u003c\/span\u003e\u003ci\u003efashioned\u003c\/i\u003e\u003cspan\u003e — even Marx himself, in his critique of the world, could not get away from yards of linen and coats. As a potential “object of critique”, little holds a candle to fashion’s flame; there is little that is more worthy of thinking about critically, and yet, it is a subject that has been rendered invisible by theory and philosophy. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMeltdown Your Books, anonymous author extraordinaire of \u003c\/span\u003e\u003ci\u003eWhere Does A Body Begin?\u003c\/i\u003e\u003cspan\u003e returns with another question. It is a book that unravels from a specific claim: you cannot escape participating in fashion, and even the way that your most unstylish co-worker dresses is a part of the fashion ecosystem. There is no such thing as existing outside of fashion, you cannot signify \u003c\/span\u003e\u003ci\u003enothing\u003c\/i\u003e\u003cspan\u003e. So regardless of whether you want to or not, regardless of whether you intend it or not, fashion is the first thing we think about every day, the first decision to be made. Fashion contains the world, the good, the bad, the ugly, and — this cannot be stated enough — the beautiful. [publisher's note]\u003c\/span\u003e\u003c\/p\u003e","brand":"Becoming Press","offers":[{"title":"Default Title","offer_id":58194572181844,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/willwe.jpg?v=1794062780"},{"product_id":"dissolution-phenomena-positions-on-photographic-dis-appearance","title":"Dissolution phenomena. Positions on photographic dis\/appearance","description":"\u003cp\u003eFrom the very start, the history of photography has always also been a history of efforts to stem its disappearance, which takes countless forms. The essays in the new FUNDUS volume \u003cem\u003eAuflösungs\/erscheinungen. Positionen zum fotografischen Verschwinden\u003c\/em\u003e (\u003cem\u003eDissolution phenomena. Positions on photographic dis\/appearance\u003c\/em\u003e) turn the spotlight on a selection of striking examples. The instability of photographic images and their physical supports represents just one way in which photography as a material object, as a technical visual medium, as a vehicle of information, and as a metaphor has interacted, and continues to interact, with the semantic field of disappearance: in processes and states of interference and noise, for instance, of loss and absence, of censorship, erasure and the dissolution of meaning. These phenomena affect individual images, their motifs, and specific techniques; they occur, and we encounter them, in specific ways in everyday life, in the professional handling of photographs, and in the medium’s artistic uses. Edited by Dennis Jelonnek (German Center for Art History Paris) and Aïcha Revellat (University of Basel), the volume of essays is rounded out by creative contributions on the subject.\u003c\/p\u003e\n\u003cp\u003eAuthors: Estelle Blaschke (Universität Basel), David Bucheli (eikones – Universität Basel), Heather Diack (Toronto Metropolitan University), Eva Ehninger (Humboldt-Universität zu Berlin), Peter Geimer (Deutsches Forum für Kunstgeschichte Paris), Dennis Jelonnek (Deutsches Forum für Kunstgeschichte Paris), Markus Klammer (Universität Basel), Katerina Korola (University of California, Berkeley), Lila Lee-Morrison (Lunds Universitet), Megan Luke (Eberhard Karls Universität Tübingen), Daniel Mayr (Berlin), Katja Müller-Helle (Das Technische Bild – Humboldt-Universität zu Berlin), Aïcha Revellat (Universität Basel), Steffen Siegel (Folkwang Universität der Künste Essen), Kelley Wilder (eikones – Universität Basel)\u003c\/p\u003e\n\u003cp\u003eArtists: Noor Abed (Ramallah\/Amsterdam), Denise Bertschi (Luzern), Alexander Gehring (Berlin), Samuel Hodge (Sydney), Camille Kaiser (Genf), Basim Magdy (Basel), Jonas Weber Herrera (Berlin)\u003c\/p\u003e\n\u003cp\u003eTexts in German or English\u003c\/p\u003e","brand":"Distanz","offers":[{"title":"Default Title","offer_id":58230509175124,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Captured_ecran2026-11-09a17.40.00_e45d7f7c-80b3-4ac5-9390-eff682c753db.png?v=1794242434"},{"product_id":"time-also-will-make-it-interesting-selected-journals","title":"Time Also Will Make It Interesting: Selected Journals","description":"\u003cp\u003eBest known for his erotic lesbian fiction, Red Jordan Arobateau was also a prolific painter who maintained and self-published a journal for roughly twenty years, documenting his life on the \"abject bottom\" of life in the US. Edited and introduced by poet and scholar Cameron Awkward-Rich with a foreword by Michelle Tea and paintings by Arobateau, \u003cem\u003eTime Also Will Make It Interesting\u003c\/em\u003e captures Arobateau's life as a young dyke in the criminalized cultures of 1950s-60s gay bars of Chicago and New York; his transition from dyke to trans man in late 1990s San Francisco; and his return to painting and an unfolding spirituality within that rapidly gentrifying city.\u003c\/p\u003e\n\u003cp\u003eQueerly messy, ornery, and stuffed with Arobateau's wisdom, this volume is what he might have called, \"a novel combined with a journal--da novel\/journal! Taking all the liberty in the world! A domain where verse can be inserted, dreams recorded, my everyday political rants printed out, combined with my forté--fiction! All under one binding \u0026amp; title!\" [publisher's note]\u003c\/p\u003e","brand":"Nightboat","offers":[{"title":"Default Title","offer_id":58244973232468,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Arobateau_361e721a-b297-4c7f-8a54-8ed1c58a6105.jpg?v=1794314000"}],"url":"https:\/\/after8books.com\/collections\/recent-deliveries.oembed","provider":"After 8 Books","version":"1.0","type":"link"}