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Elles vivent respectivement à Londres et à Édimbourg.\u003c\/p\u003e\n\u003cp\u003eTraduction de Laetitia Bouhélier \u0026amp; Nelle Gevers.\u003c\/p\u003e","brand":"Hystériques \u0026 associéEs","offers":[{"title":"Default Title","offer_id":57358181171540,"sku":"A8B-35726","price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/coupsdepute.jpg?v=1790814371"},{"product_id":"wages-for-housework-la-campagne-du-salaire-au-travail-menager","title":"Wages for Housework, la campagne du salaire au travail ménager","description":"\u003cp\u003e« Nous voulons un salaire pour chaque toilette sale, pour chaque naissance difficile, pour chaque agression sexuelle, pour chaque tasse de café, et pour chaque sourire. »\u003c\/p\u003e\n\u003cp\u003eSi certains écrits de Selma James, de Mariarosa Dalla Costa et de Silvia Federici – instigatrices de la campagne Wages for Housework – ont été traduits en français, aucune anthologie réunissant les textes clés de cette « Internationale des femmes » n’avait jusqu’ici été publiée. C’est ce que propose l’autrice et chercheuse Louise Toupin, après avoir contribué à sauver de l’oubli cette pensée féministe révolutionnaire. Les textes de ces penseuses de premier plan, dont certains sont inédits en français, témoignent de l’originalité et de la force politique du courant de la reproduction sociale. Avant l’heure, ce mouvement proposait une grille d’analyse à l’intersection des questions de genre, de sexe, de race et de classe. 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This book challenges readers to enter the world of strip clubs not for voyeuristic purposes, but instead, in order to understand and appreciate the humanity within. In this work, Rivera compiles cultural critique, personal reflection, and ethical reasoning, as well as historical context, philosophy, and interviews with dancers, to illuminate Performance's moral complexities and debates surrounding power and autonomy. Rivera defines 'survival dancing' in juxtaposition with a society that monetizes sexuality while simultaneously condemning it. Stripping often straddles the thin line between exploitation and empowerment.\u003cbr\u003eThe fantasy of the dancer and the reality of the dancer are oftentimes irreconcilable. Why do we consume these services, yet shame the labor?\u003cbr\u003eSuch questions allow strata of exploration beyond the surface-dismissing the notion of objectification by offering the scantily clad women dignity, skill, and heart-wrenching narratives.\u003cbr\u003e\u003cem\u003eThe Facts, Ethics, and Culture of Strip Clubs\u003c\/em\u003e is for everyone, a labor activist, a curious mind, or even a mere consumer of sociological literature. Urban neon lights often disguise deeper, darker truths, and this book seeks to unveil them. The narrative tackles not sex, but rather work and the lack of it.\u003cbr\u003eVery Respectfully,\u003c\/p\u003e\n\u003cp\u003eJose Rivera\u003c\/p\u003e\n\u003cp\u003e[author's note]\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":57358256931156,"sku":"A8B-36297","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/strip_20clubs.jpg?v=1790814546"},{"product_id":"arts-of-the-working-class-38-choreography","title":"Arts of the Working Class #38: Choreography","description":"\u003cp\u003eTo move is to think, and to orient our bodies differently is to think otherwise. Since our political leaders put the Books of Laws at the service of the profit of a power-thirsty minority, ideology is now easily choreographed into propaganda. Acknowledging one’s position of dissent as an innate opposition to fascism becomes the first gesture toward opening spaces of possibility. We adapt Antonio Gramsci’s maxim—“pessimism of the intellect, optimism of the will”—into: “the pessimism of the model, the optimism of the street,” invoking forms of collectivity that refuse definition within hegemonic social scores, and of course, modes of redistribution of wealth to which we have remained committed since 2018.\u003c\/p\u003e\n\u003cp\u003eIssue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.\u003c\/p\u003e\n\u003cp\u003eHomogenizing forces remain powerful. Histories flatten differences. Memories are standardized. Laws enforce conformity. Habits reproduce the same gestures. Power maintains its choreography by repetition, making us forget other ways of moving. In contrast, we turn to particular, historical, and material forms of choreopoetics—their capacity to fracture inevitability, to make meaning in other ways, constellations that meander or pause, strategies that resist capture. The body is the site where we free one another, however briefly, from the script of inevitability.\u003c\/p\u003e\n\u003cp\u003eArtists induce these moments of exception. Alexandra Bachzetsis unsettles the pleasure of belonging, repeating gestures until power reveals itself beneath the skin. 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Specialists from the Amsterdam School of Law expose law’s intrinsic contradictions; it is slow and compromised, yet still capable of emancipatory turns. For Phenomena, Yon Natalie Mik composes the act of squatting as rhythmic critique, while Caterina Barbieri invokes music’s democratic relief from quotidian alienation. Our poster, realized with the Humboldt Forum, honors ancient weaving technologies across the Global South, knots of solidarity reclaiming cosmologies flattened by colonial choreographies.\u003c\/p\u003e\n\u003cp\u003eThe Model pessimistically reproduces repetition. The street optimistically makes a turn. This is our invitation: to find distinction in the universal, curiosity in the deviant, and strength in the body that refuses its assigned choreography. 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De la mise en concurrence des formations à l’atomisation de la condition étudiante, du développement de l’alternance à la multiplication des stages non rémunérés, les étudiant·es apprennent davantage à répondre aux attentes du marché du travail qu’à s’en émanciper, au sein d’une économie de la promesse qui incite à accepter aujourd’hui les bas salaires et le travail gratuit dans l’espoir d’obtenir demain l’emploi de ses rêves.\u003c\/p\u003e\n\u003cp\u003eÀ la fois essai critique, manifeste politique et boîte à outils pédagogique, cet ouvrage présente la traduction, inédite en français, d’un texte de la Precarious Workers Brigade. Elle s’enrichit des contributions de Maud Simonet et Laurène Le Cozanet. L’édition est préfacée par Silvia Federici. 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Permettant l’auto-représentation des personnes interrogées, les entretiens mettent en lumière la pluralité des pratiques du travail du sexe, mais aussi l’importance de construire des solidarités travailleuses, des outils pour défaire les stigmates, et des perspectives de luttes intersectionnelles. On y retrouve par exemple un entretien avec un·e dominateurice présentant ses roleplays, avec une TdS à Genève exerçant depuis l’adolescence, avec une travailleuse de l’association communautaire Aspasie, ou encore un autre avec le fils de Grisélidis Real (ancienne militante, autrice et TdS) partageant ce que représente le fait d’être l’enfant d’une TdS qui s’expose médiatiquement.\u003c\/p\u003e\n\u003cp\u003eLe Collectif Occasionnel est né en 2021 à Genève, le Collectif sous forme d'association portée par trois personnes : Charlotte, Oélia et Constance. Iels sont issu·es d’écoles d’arts et sont travailleureuses du sexe (TdS), ex-tra-vailleureuses du sexe ou allié·e·s. 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In \u003cem\u003eGlobal\u003c\/em\u003e \u003cem\u003eSex\u003c\/em\u003e she shares conversations with sex workers from Nigeria and Thailand living in Europe, and traces the routes that led them from their families. Unsparing in her analysis of the global sex trade and compassionate towards the women who work within it, she shows that behind every statistic there is a human story.\u003c\/p\u003e\n\u003cp\u003eTranslated from the Danish hy Michael Favala Goldman.\u003c\/p\u003e\n\u003cp\u003e[publishers’ note]\u003c\/p\u003e","brand":"Akoya Publishing","offers":[{"title":"Default Title","offer_id":57358352908628,"sku":"A8B-37582","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/sexworksine.jpg?v=1790814892"},{"product_id":"taf-a-la-recherche-du-proletariat-perdu","title":"Taf. À la recherche du prolétariat perdu","description":"\u003cp\u003eIl n’y a pas que les bourgeois qui échappent au travail, certains prolétaires en ont même fait une devise « Ne travaillez jamais ! » et c’est une toute autre aventure. Mais que se passe-t-il lorsqu’après des années à fuir l’exploitation par la marge et la débrouille, on se retrouve contraint de retourner taffer ? Chômeur à ses heures, ouvrier dès qu’il ne le peut plus, Paul Martel a enquêté.\u003c\/p\u003e\n\u003cp\u003eComment survivre dans un monde où l’on doit perdre sa vie à la gagner ? Le prolétariat n’est-il plus qu’un mythe ou encore une menace ? Quelles légendes nous faut-il raviver ou inventer pour toujours vivre et lutter ? \u003cem\u003eTaf\u003c\/em\u003e est le journal quotidien d’un manœuvre irrégulier, un recueil d’astuces pour résister à l’aliénation, un manuel de désertion ouvrière.\u003c\/p\u003e\n\u003cp\u003ePaul Martel est né en 1993. Après avoir méthodiquement déserté l’école puis le salariat, il a mené une carrière de semi-délinquant avant de se reconvertir dans le BTP et la littérature. Auteur de très nombreux et remarqués articles lundimatin, \u003cem\u003eTaf. À la recherche du prolétariat perdu\u003c\/em\u003e est le premier volet d’une prometteuse autobiographie.\u003c\/p\u003e\n\u003cp\u003e[note de la maison d’édition]\u003c\/p\u003e","brand":"lundimatin","offers":[{"title":"Default Title","offer_id":57358353203540,"sku":"A8B-37588","price":16.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"whoring-art-a-red-light-anthology","title":"Whoring Art: a Red Light Anthology","description":"\u003cp\u003eWhat happens when sex workers are in charge of their own image, labour laws, work places, and community spaces? Sex work everywhere is facing erasure from public life. In Amsterdam’s infamous Red Light District – De Wallen – the combined forces of gentrification, repression, hetero-cis sexism, and stigma are threatening its future. But sex workers have risen up, reclaiming the unconstrained genius and militancy of whores as the key to social transformation. This book weaves together the voices of sex workers, queer and trans cultural workers, and Amsterdam’s squatting movement, to offer a radical vision of whoring liberated. \u003cem\u003eWhoring Art\u003c\/em\u003e is an abundant reimagination of sex work in the city. [publishers’ note]\u003c\/p\u003e","brand":"Spookstad","offers":[{"title":"Default Title","offer_id":57358354579796,"sku":"A8B-37620","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/whoringart.jpg?v=1790814903"},{"product_id":"too-little-too-hard","title":"Too Little, Too Hard","description":"\u003cp dir=\"ltr\"\u003eIn recent years, countless arguments have been made for and against the enduring value of literature: reading improves mental health and offers refuge from the news cycle; the novel is dead, poetry obsolete, writers AI-replaceable. \u003cem\u003eToo Little, Too Hard\u003c\/em\u003e adds nuance to these discussions by asking professional writers what they actually think about literary value, and their underexplored working conditions.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhat does it mean to write under a neoliberal economy? What can writers afford to work on – and what are they not supposed to approach? What side work sustains them, and what does it cost? What does the publishing industry want, and what does it quietly refuse? And what has happened to literary criticism, to the university, and to the conditions that once made writing possible?\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn this wide-ranging collection of essays, fifteen of our most important writers reflect on their experiences of writing under – and against – capitalism. At once critical and hopeful, \u003cem\u003eToo Little, Too Hard\u003c\/em\u003e seeks to reckon with the material crises in the present state of literature, while proposing collective action as a way to secure a future in which a writing life becomes viable. 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