{"title":"Folk Art","description":null,"products":[{"product_id":"garson-fabricant-dimages","title":"Garson, fabricant d'images","description":"\u003cp\u003eLa vie et l'oeuvre de Garson, graveur sur bois qui réalisa d'extraordinaires illustrations pour des «canards» parisiens, feuilles d'information vendues à la criée à l'occasion des faits divers: naufrages, incendies, viols, passage d'une comète, assassinats... Des gravures à la composition remarquable et aux contrastes saisissants, où la violence n'empêche ni la délicatesse ni l'humour. Ce beau livre présente une centaine de ces images rares. Le texte fait revivre le monde des imprimeurs populaires, souvent clandestins, sous la Monarchie de Juillet en proie à l'agitation républicaine, et retrace le parcours de cet artiste populaire mort au bagne de Brest à 45 ans, suite à sa condamnation pour fausse monnaie [note de la maison d'édition]\u003c\/p\u003e","brand":"Mexico","offers":[{"title":"Default Title","offer_id":57357976994132,"sku":"A8B-33000","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/garson_1.jpg?v=1790813612"},{"product_id":"montagne-che-vide-elefante","title":"La montagna che vide l’elefante \/ The Mountain that Saw the Elephant","description":"\u003cp\u003eIn late 2022, Helena Hladilová was invited to a research-based residency promoted by Pinacoteca G.A. Lev is and curated by ARTECO and CRIPTA 747, to realise a project that dialogues with the territory of the Susa Valley. Interested in the world of handicrafts, from weaving techniques to stone cutting, Hladilová has approached the traditions of popular folklore and the intangible narratives that – through history – hand down legends and mythologies – from Hannibal’s elephants to the exploitation of gneiss and ancient embroidery. [publishers’ note]\u003c\/p\u003e\n\u003cp\u003eBilingual Italiano \/ English\u003c\/p\u003e","brand":"Viaindustriae publishing","offers":[{"title":"Default Title","offer_id":57358086996308,"sku":"A8B-34707","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/hladivo.jpg?v=1790814074"},{"product_id":"loubok-imagerie-populaire-russe","title":"Loubok. Imagerie populaire russe","description":"\u003cp\u003eUn « loubok » est une gravure populaire russe. Les souris enterrent le Chat, lʼours joue de la balalaïka, des jeunes filles chantent lʼamour, la Baba Yaga picole, un monstre marin surgit... Ce livre richement illustré dʼimages rares des XVIIe, XVIIIe et XIXe siècles retrace lʼhistoire du loubok, et sa place singulière dans lʼimagerie populaire internationale. Car le loubok se démarque par ses thèmes folkloriques, par sa langue burlesque, mais aussi par ses couleurs vives, apposées de manière abstraite et osée. Une audace qui a été une source dʼinspiration revendiquée par les peintres dʼavant-garde: Chagall, Kandinsky, Larionov... Cʼest aussi ce pan méconnu de lʼhistoire de lʼart, lié aux « primitivismes » du début du XXe siècle, que raconte ce livre. 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Through his photographs, Jean Vincent Simonet captures the vibrant yet fragmented narrative of this place, revealing its intimate origins, its artistic ambitions, and the sociocultural landscape it reflects, drawing an equivalence between the stained glass walls and the surface of the page.\u003c\/p\u003e\n\u003cp\u003eSimonet portrays Croze's house in its social uses as simultaneously a workplace, a childhood home, and a life-size bestiary where animals mingle with their sculpture-garden alter egos in stone. This book works as a visual inquiry into the fate of privatized utopias. It also resonates as an exercise against oblivion, but one that is stripped of any nostalgia, where memories are vivid, pulsating. [publisher's note]\u003c\/p\u003e","brand":"Mousse Publishing","offers":[{"title":"Default Title","offer_id":57358160232788,"sku":"A8B-35253","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/kitengela.jpg?v=1790814236"},{"product_id":"pilgrim-badges-of-the-middle-ages","title":"Pilgrim Badges of the Middle Ages","description":"\u003cp\u003ePilgrimage was a highly important ritual in the Middle Ages. It was seen as an opportunity to connect with the divine and strengthen faith, and was encouraged by both the church and the authorities. Pilgrims would travel far and wide to see the sites where saints had been martyred, holy miracles had happened, or where saintly relics were kept and displayed.\u003c\/p\u003e\n\u003cp\u003eMany pilgrims would look to take home a souvenir from their trip, including earth or small stones, but in order to protect the sacred sites churches commissioned artisans to produce pilgrim souvenirs in the form of pewter badges.\u003c\/p\u003e\n\u003cp\u003eBadges were sold to pilgrims all across Europe in their millions. A souvenir associated with each holy place offered proof that the wearer had completed the difficult journey, as well as providing continued protection from the Saint on the return home. The medieval equivalent of hitting the gift shop on your way out!\u003c\/p\u003e\n\u003cp\u003eThis book includes an introductory text, 200+ images of pilgrim badges, and examples of pilgrim badges in paintings and manuscripts from the Medieval era.\u003c\/p\u003e\n\u003cp\u003eThere are four different colour variations, and each cover is foiled with an array of real badge designs - every one is different and unique! A reference booklet is included in the back of the book on a 100% silk cord. [author's note]\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":57358182809940,"sku":"A8B-35763","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/pilgrim_20badges.jpg?v=1790814384"},{"product_id":"front-lawn-funerals-and-cemeteries-1984-2014","title":"Front Lawn Funerals and Cemeteries 1984–2014","description":"\u003cp\u003eIn 1984, American artist Cameron Jamie started photographing the front exteriors in his old neighborhood in a suburban area of Los Angeles at Halloween time. 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For the artist, the practice of transforming the suburban home into a cemetery or chamber of horror is a metaphor and form of vernacular art, which he calls “The American Grand Guignol.” The exteriors of these Los Angeles suburban front lawns become theatrical stages which show how death is expressed and perceived in America by the people and, in effect, for the amusement of the people. When real social themes and villains are mixed, merging with the fictionalized worlds of Hollywood horror monsters and real life, the world becomes an even stranger place in which to live. 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