{"title":"Documents","description":null,"products":[{"product_id":"public-collectors","title":"Public Collectors","description":"\u003cp\u003e“Owning things isn’t all that interesting; it’s easy to own things. What we do with those things is what matters—we can use the to tell stories, gain new insights about our lives and the worlds of others, and inspire other people to make more interesting and meaningful things. This is the ambition of Public Collectors, established in 2007 by Marc Fischer, which encourages collectors of material culture—the kind that most museums won’t exhibit: tea bags, South African herbalist ads, QSL cards, homemade packaging, Black college yearbooks…—to “open” their collections to the public.\u003c\/p\u003e\n\u003cp\u003eExtending \u003ca href=\"http:\/\/www.publiccollectors.org\"\u003ethe popular website of the same name\u003c\/a\u003e, \u003cem\u003ePublic Collectors \u003c\/em\u003epresents a wide array of collections—some featured on the website, most newly assembled for publication—interspersed with commentary and essays exploring the problems and politics of collecting materials that may lack conventional monetary or cultural value. [publisher’s note]\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":57356363366740,"sku":"A8B-22294","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20201028_121908_001.jpg?v=1790810605"},{"product_id":"support-structures-2nd-ed","title":"Support Structures","description":"\u003cp\u003eA seminal publication on what it means for artists, curators, designers, institution- and alternative institution-makers, to invent, create, and sustain the material, intellectual, formal and temporal conditions for the making and the questioning of art, culture, and beyond.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSupport Structures\u003c\/em\u003e is a critical enquiry into what constitutes “support,” and documents the collaborative project “Support Structure” by Céline Condorelli and Gavin Wade. While registering and collecting reference projects in a new archive of \u003cem\u003eSupport Structures\u003c\/em\u003e alongside its ten-phase project, different writers, thinkers, and practitioners were invited from various fields to elaborate on frameworks and work on texts, which form the theoretical backbone of the publication.\u003c\/p\u003e\n\u003cp\u003eWith texts by Michael Asher, Artist Placement Group, Can Altay, Conrad Atkinson, Adam Broomberg \u0026amp; Oliver Chanarin, Lonnie van Brummelen \u0026amp; Siebren de Haan, Banu Cennetoglu, Christopher D'Arcangelo, Martin Beck, Cevdet Erek, Andrea Fraser, Buckminster Fuller, Ryan Gander, Ella Gibbs, Frederick Kiesler, Lucy Kimbell, James Langdon, El Lissitzky, Peter Nadin, “The offices of Peter Fend, Coleen Fitzgibbon, Jenny Holzer, Peter Nadin, Richard Prince \u0026amp; Robin Winters,” Gordon Matta-Clark, Antoni Muntadas, Lilly Reich, Support Structure, Rirkrit Tiravanija, Lawrence Weiner, Christopher Williams, Carey Young, and many more. \u003c\/p\u003e\n\u003cp\u003eSecond edition.\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":57356364906836,"sku":"A8B-22352","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Capture_20d_E2_80_99_C3_A9cran_202019-04-08_20_C3_A0_2015.27.20.png?v=1790810615"},{"product_id":"theatre-complet","title":"Guy de Cointet : Théâtre Complet","description":"\u003cp\u003eCet ouvrage est la première publication à comprendre l'intégralité des textes des œuvres théâtrales de l'artiste Guy de Cointet, écrites entre 1973 et 1983. 25 pièces, augmentées d'un appareil explicatif et de très nombreux documents issus des archives du Fonds de Cointet à la Bibliothèque Kandinsky du Centre Pompidou. [note de l’éditeur]\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/the-complete-plays\"\u003eAlso available in English.\u003c\/a\u003e\u003c\/p\u003e","brand":"Paraguay Press","offers":[{"title":"Default Title","offer_id":57356403212628,"sku":"A8B-22667","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Cointetface.jpg?v=1790810683"},{"product_id":"early-works","title":"Early Works- Isa Genzken","description":"\u003cp\u003ePublished on the occasion of Isa Genzken’s exhibition \u003cem\u003eEarly\u003c\/em\u003e \u003cem\u003eWorks\u003c\/em\u003e that took place at Galerie Buchholz, Berlin, in 2013, this book contains an essay by B.H.D. Buchloh, both in English and in German, as well as an extensive documentation on the artist’s early work starting in the late 1960s. [publishers’ note]\u003c\/p\u003e","brand":"Galerie Buchholz","offers":[{"title":"Default Title","offer_id":57356514754900,"sku":"A8B-22797","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/GENZKEN_Isa_Early_Works_0.jpg?v=1790810775"},{"product_id":"pep-talk-4","title":"Pep Talk #4: Stephen Kaltenbach","description":"\u003cp\u003eAn important resource on the mysterious and legendary, if under-recognized, conceptual artist. This issue of \u003cem\u003ePep Talk \u003c\/em\u003eincludes three interviews with Kaltenbach: one by Cindy Nemser (reprinted from its original 1970 appearance in \u003cem\u003eArtforum\u003c\/em\u003e); a discussion between the artist and curator Peter Eleey; and a conversation with a \u003cem\u003ePep Talk\u003c\/em\u003e listener. 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Like no one else, he knows the works in minute detail.\u003c\/p\u003e\n\u003cp\u003eLinde’s replicas and his early texts on Duchamp were essential to the international reception of the artist’s work and played a key role in such major exhibitions as Walter Hopps’s 1963 Duchamp retrospective at the Pasadena Art Museum, and the Centre Pompidou’s opening exhibition in 1977. Linde, who is still as active as ever, is the author of numerous books and essays on Duchamp. His as-yet unpublished manuscript scrutinizing the mathematical principles behind Duchamp’s art reveals what Linde claims to be the key to Marcel Duchamp's poetic universe. [publisher’s note]\u003c\/p\u003e\n\u003cp\u003eEdited by Jan Åman and Daniel Birnbaum; with contributions by Jan Åman, Daniel Birnbaum, Marcel Duchamp, Ulf Linde, Henrik Samuelsson, and Susanna Slöör.\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":57356636815700,"sku":"A8B-23118","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Capture_20d_E2_80_99_C3_A9cran_202019-04-08_20_C3_A0_2014.06.47.png?v=1790810846"},{"product_id":"imponderable-the-archives-of-tony-oursler","title":"Imponderable: The Archives of Tony Oursler","description":"\u003cdiv class=\"texte\"\u003e\n\u003cdiv class=\"citation\"\u003eStarted in the Nineties, Oursler’s vast personal archive functions as an open visual resource, historical inquiry, and—most intriguingly—a family history. 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[publisher’s note]\u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"citation\"\u003eEdited by Tom Eccles, Maja Hoffmann, Beatrix Ruf; with texts by Jordan Bear, Karen Beckman, Noam Elcott, Maja Hoffmann, Branden W. 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Michael Krebber found all Smith’s correspondence with Elisabeth Happe, who had invited him to take part in the side program of Art Cologne in 1977. Not easy task indeed. The reading of the reprinted documents and letters is somewhat hilarious, and you find yourself intensely sympathizing with the heroic hosts, for having to deal with the challenging organization of a surreal action that, retrospectively, seems was already running at full speed. And it is, yet another time, when unfolding the broadsheet poster.”—Stefano Cernuschi (\u003cem\u003eMousse Magazine\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003eWith text by Edit DeAk, and photographs by Birgit Hein and Annette Frick.\u003c\/p\u003e","brand":"Verlag der Buchhandlung Walther König","offers":[{"title":"Default Title","offer_id":57356765659476,"sku":"A8B-23466","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20200909_100903.jpg?v=1790810964"},{"product_id":"serving-compressed-energy-with-vacuum","title":"Serving Compressed Energy with Vacuum","description":"\u003cp\u003eCollection of graphic and textual work by Anne-Mie Van Kerckhoven, dating from the seventies up till 2015. Compiled and designed by Julie Peeters, enriched with translations of facsimile material and a large amount of personal comments from the artist on the selected work. 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[publisher’s terse note]\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/products\/theatre-complet\"\u003eDisponible en français.\u003c\/a\u003e\u003c\/p\u003e","brand":"Paraguay Press","offers":[{"title":"Default Title","offer_id":57357053034836,"sku":"A8B-22666","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Guy_20de_20Cointet._20The_CC_81a_CC_82tre_20complet_20_E2_80_93_20The_20Complete_20Plays.jpg?v=1790811418"},{"product_id":"private-book-2","title":"Private Book #2","description":"\u003cp\u003eSecond volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project, covering the days from April 13 to August 2, 1970. Some gossip about the NYC art scene of the time, but mostly an intense diary, so personal it feels a little like a profanation. \u003c\/p\u003e","brand":"Karma","offers":[{"title":"Default Title","offer_id":57357054902612,"sku":"A8B-25093","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/LOZANO_Lee_Private_Book_Karma_2017.jpg?v=1790811426"},{"product_id":"private-book-3","title":"Private Book #3","description":"\u003cp\u003eThird volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project; this one almost entirely dedicated to the meticulous recording, in a spreadsheet form (initiated in the \u003ca href=\"\/products\/private-book-1-2nd\"\u003ePrivate Book #1\u003c\/a\u003e), of every “call” and “visit” received and made each day, from May 15 to July 21, 1970—to be continued in the \u003ca href=\"\/products\/private-book-10\"\u003ePrivate Book #10\u003c\/a\u003e…\u003c\/p\u003e","brand":"Karma","offers":[{"title":"Default Title","offer_id":57357055099220,"sku":"A8B-25094","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/LOZANO_Lee_Private_Book_Karma_2017_e49bd7da-3683-4583-8f9b-555f6d1b0d4f.jpg?v=1790811427"},{"product_id":"physical-factors-of-the-historical-process","title":"Physical Factors of the Historical Process","description":"\u003cp\u003eThis volume brings together a reprint of \u003cem\u003ePhysical Factors of the Historical Process\u003c\/em\u003e (1924) by Alexander Chizhevsky (1897-1964), newly output solar cycle graphs from 1750 until 2032 by SILSO (Royal Observatory of Belgium) and an afterword by Robin Watkins. By establishing a statistical parallel between solar activity and collective cycles such as global conflicts and epidemics, this publication functions as a speculative extension of Chizhevsky's theories and work. The book was edited by Laura Preston, and printed as a two-coloured risograph and bound with gauzed \u003cem\u003ered\u003c\/em\u003e glue. [publisher’s note]\u003c\/p\u003e","brand":"Atlas Projectos","offers":[{"title":"Default Title","offer_id":57357057229140,"sku":"A8B-25137","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/watkin.jpg?v=1790811438"},{"product_id":"mechanisms","title":"MECHANISMS","description":"\u003cp\u003eOne of the bext exhibition catalogues made in the 21st century – proposing a very specific, minute, clever \u0026amp; sober, artist-based approach of the possible roles of technologies in the practice of art, in its relation to life, politics, and the body. Each artist conceived one section of the book – each printed on a different paper, the book technology echoing the artist’s take on “mechanics.” The book also comprises an essay by curator Anthony Huberman.\u003c\/p\u003e\n\u003cp\u003eFeat. Zarouhie Abdalian, Terry Atkinson, Lutz Bacher, Eva Barto, Neil Beloufa, Patricia L. 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[publisher’s note]\u003c\/p\u003e","brand":"David Zwirner Books","offers":[{"title":"Default Title","offer_id":57357218152788,"sku":"A8B-26171","price":34.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/notebook_1970_1980_jpeg.jpg?v=1790811717"},{"product_id":"strategie","title":"Stratégie","description":"\u003cp\u003eGuy Debord n’écrivait jamais sur ses livres; mais au cours de ses lectures, il notait scrupuleusement, sur des feuillets volants ou sur des fiches, les passages à retenir. A l’inverse de ses livres dispersés en partie au gré des dons et des déménagements, ces fiches de lecture l'accompagnèrent partout. 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[publisher's note]\u003c\/p\u003e","brand":"Afterall Books,Chimurenga","offers":[{"title":"Default Title","offer_id":57357380518228,"sku":"A8B-27015","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/festac.jpg?v=1790811943"},{"product_id":"changes-notes-on-choreography","title":"Changes: Notes on Choreography","description":"\u003cp\u003eReprint of Merce Cunningham’s presentation of his choreographic ideas, originally published in 1968 by Dick Higgins’ Something Else Press. 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Broaching the fundamental question of representation, the project, initiated by curator Anthony Huberman and artist Paul Pfeiffer, explores the new practice of image subversion and challenges the different practices applied by today’s artists to withstand the control of meanings and the formatting of interpretations. The book gathers ideas in facsimile form.\u003c\/p\u003e\n\u003cp\u003eWhen you stop talking and doing, and close your eyes, what comes to mind? Voices? Images? Feelings? Like landscape seen from a plane, these phenomena hover on a sublime verge between fascinating and boring. Well, that might be true of anything viewed from a distance: the stars, the sea, mountains, the horizon. And what of social phenomena? Same. On any forgotten record, it's in the filler songs that you find the blank, thoughtless strivings laid bare, production patterns of another day, secrets of the ornaments.\u003c\/p\u003e\n\u003cp\u003eLook farther back, to a time when age 25 was referred to as \"the mid-point of life\", when cattle were the only capital. One senses something of the mesh of fear and regimentation and suffering and bloody sacrifice from which civilization was meant to escape. This is the coin of the realm. Consider megaliths, dolmen, tumuli - all the brooding architecture of early man. It may be that this is not properly architecture at all, but faith embodied, which is to say, magic. Magic is a process that always uses the most advanced technologies at hand. In the Stone Age that meant fire, fur, bone, and blood; in the Middle Ages, the crucible, the alembic, and the chalk circle. 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But there's no such thing as culture, it won't be still for the picture, there's no \"stand back, let me get a look at you!\" And here lies the reason religion was invented by man: a system of photography. You have only to recall one thing, and know that there is a power that manages the rest in your stead. Do not mistake this for a throwback, a revival, or a regression; what is proposed here is every bit as modern as global capitalism and the information economy. A Utopia that stands abreast, yet apart.\u003c\/p\u003e\n\u003cp\u003eIs man so perverse that he would continue to eat acorns after the discovery of grain? Like most liberals, I prefer questions to solutions. To those who decry Utopia as a futile project, or worse, one whose failures brought us the horrors of the last century, consider that we are in a Utopian moment, that each moment is a golden image. Much current public sentiment is based on an outraged sense that there has been committed a horrible, criminal insult, but surely the entire bohemian twentieth century is itself the insult. Bohemianism thrives under a capitalism that aligns itself with nature; hence the well known, post-war Californian variety. But we have entered a new kind of nature, a nature composed of images. And there can be no criticism of nature; it is always taken just as it is.\u003c\/p\u003e\n\u003cp\u003eRemember that most of your body lies on the inside, in utter darkness from birth to death, at least if your luck holds. It would be a death of sorts if, at some point in our future, we were to lose this idea of center and heart; if networks expanded to dissolve every community and tradition. The last day of all time would then be strangely comforting: finally, an end to all this. A calm whisper in parting: \"Goodbye, Doctor\", a pulsing, regular rhythm, the time-lapse image of decay turning into birth. 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