{"title":"Correspondence","description":null,"products":[{"product_id":"correspondence-course-an-epistolary-history-of-carolee-schneemann-and-her-circle","title":"Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle","description":"","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":57356362088788,"sku":"A8B-22262","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/SCHNEEMANN_Carolee_STILES_Kristine_Correspondence_20Course_0.jpg?v=1790810601"},{"product_id":"i-m-very-into-you-correspondence-1995-1996","title":"I’m very into you. Correspondence 1995-1996","description":"\u003cp\u003eAfter Kathy Acker met McKenzie Wark on a trip to Australia in 1995, they had a brief fling and immediately began a heated two-week email correspondence. Their emails shimmer with insight, gossip, sex, and cultural commentary. 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I hope to coe to NY in November and I’ll phone to you. \u003cbr\u003eBien amicalement,\u003cbr\u003eRoland Barthes”\u003cbr\u003e— letter sent Oct. 29, c. 1967, as O’Doherty has commissionned Barthes the essay, “The Death of the Author” for the magazine \u003cem\u003eAspen\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003eThis letter and many many many others—from and to Brian O’Doherty aka Patrick Ireland can be found in this unexpected and energizing collection, deftly edited by Brenda Moore-McCann.\u003c\/p\u003e","brand":"Sirius Art Centre","offers":[{"title":"Default Title","offer_id":57357216317780,"sku":"A8B-26174","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_2014_05f020db-08f1-48f3-9f4f-4202139ffa75.jpg?v=1790811711"},{"product_id":"selected-poems-and-letters","title":"Selected Poems and Letters","description":"\u003cp\u003e\u003cem\u003eWhen I was a boy\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA god rescued me often\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFrom shouts and whips of men,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was then that I played\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSafely and well with woodland flowers\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnd the winds of heaven\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePlayed with me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBilingual volume of translations of thirty-one poems and fourteen letters, introduced, annotated and commented by poet and translator Christopher Middleton.\u003c\/p\u003e","brand":"The Last Books","offers":[{"title":"Default Title","offer_id":57357251903828,"sku":"A8B-26449","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/FH_SPaL.jpg?v=1790811785"},{"product_id":"carringtons-letters","title":"Carrington’s Letters","description":"\u003cp\u003e\"His apparence was too wonderful! 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God to planet, like to like, and so forth.\" That is the spirit out of which these letters are offered.”\u003cbr\u003e—Benjamin Hollander\u003c\/p\u003e\n\u003cp\u003eContributions by Etel Adnan, Ammiel Alcalay, Charles Alexander, Peter Anastas, Carla, the letter b., Amiri Baraka, Michael Boughn, Ricardo Cázares, Tom Cheetham, Joshua Corey\/Hannah Arendt, Jeff Gardiner, Cole Heinowitz, Yorio Hirano, Jack Hirschman, Basil King, Ruth Lepson, Claudia Moreno Parsons, Murat Nemet-Nejat, David Rich, Joe Safdie, Ed Sanders, Alana Siegel, Dale Smith, John Stilgoe, Susan Thackrey, Kenneth Warren, Tyrone Williams. \u003c\/p\u003e","brand":"Spuyten Duyvil","offers":[{"title":"Default Title","offer_id":57357870661972,"sku":"A8B-31580","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20221221_140526_001.jpg?v=1790813221"},{"product_id":"jean-luc-godard-ecrits-politiques-sur-le-cinema-et-autres-arts-filmiques-tome-2","title":"Jean-Luc Godard. 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Elle a publié un recueil de poèmes et de collages (\u003cem\u003eDesiderata\u003c\/em\u003e), elle se produit sur scène, dessine et prend des photographies, suivant librement le programme qu’elle a imaginé en 1976 : « CRÉER UN GRAND MOUVEMENT D’ÉNERGIE affolante à New York. »\u003cbr\u003eDepuis les États-Unis, elle écrit constamment à son amie Christine à Paris. Les lettres qu’elle lui envoie propagent les bruits de la ville, esquissent les silhouettes proches de Patti Smith et de Richard Hell, les nuits du CBGB, les jours dévoués à la musique, à la littérature, au cinéma – tout ce qui nourrit son désir de créer dans la débâcle. Elle convoque Lautréamont et Isadora Duncan, applique autant que possible la fulgurance de Rimbaud et invente une langue fracturée, faite d’inventions verbales, de changements de registres, de raccourcis, de collisions surréalistes et d’ellipses.\u003cbr\u003eTranscrites intégralement, ces 78 lettres rédigées entre 1974 et 1983 sont accompagnées de collages, de photographies et de dessins prolongeant visuellement les éclats musicaux de Lizzy Mercier Descloux. Elles forment un journal singulier, foisonnant, dans lequel les saisies sensibles priment sur le sens, portées par le rythme hâtif d’un cœur impatient. 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Their works over the following decades exhibit frequent shifts in form and style, from Prynne’s radical transformation and dispersal of the lyric tradition to Oliver’s adaptation of dream visions and medieval-inspired verse satires. Their letters are a record of both the high stakes and playful experiments that constitute the writing lives of two singular poets determined not just to engage with modern political and social life during decades of crisis and upheaval, but to contribute through the circulation and publication of poetry to what Oliver calls “a community of political ethic.” Over the course of more than thirty years of friendship and mutual appreciation, the motivations for, and consequences of, their poems are constantly worked through, tested out, evaluated, and contradicted, always with a view to what the poetry means for the other, for the poetical communities they inhabit, and for the life of poetry itself.\u003cbr\u003e      This volume collects for the first time the majority of Oliver and Prynne’s correspondence, allowing new insights into the literary, political, and historical contexts of their lives and writing. 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The letters were born with the idea to cultivate design writing culture and connect with the community at home and abroad. The publishing project dedicated itself to covering ideas, events, and more in design and visual culture in a letter format bringing together various authors. The edition was in the beginning 100 to later 200 letters each month, which were riso-printed and hand-folded in a collaborative manner. Half of the edition was distributed locally and another half globally, traveling to design institutions, schools, and professionals.\u003c\/p\u003e\n\u003cp\u003eThe publication edited by Sandra Nuut \u0026amp; Ott Kagovere features all the letters from 2019–2022. The book includes contributions by Singapore-based design writer Justin Zhuang, designer and writer Else Lagerspetz, and artist Lieven Lahaye. 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His art drew on the everyday and popular culture, exuding a sense of amiability, wit, and generosity.\u003c\/p\u003e\n\u003cp\u003eLove, Joe presents a selection of Brainard’s letters stretching from 1959 to 1993, offering an intimate view of his personal and artistic life. They allow readers to witness an extraordinarily fertile moment in New York’s history, when literary and visual arts intersected with happenings, proto-punk and psychedelic rock concerts, and experimental music and dance performances. Brainard’s letters to his partner, Kenward Elmslie, and others also open a window onto the transformations of queer life during this period. His correspondents include poet and artist friends such as John Ashbery, Anne Waldman, Ted Berrigan, Alice Notley, Fairfield Porter, Ron Padgett, Bernadette Mayer, James Schuyler, Alex Katz, and Andy Warhol, as well as lovers, patrons, high school friends, and fans. At once an insider’s view of the art and literary worlds and a revelation of Brainard’s creative process, these letters invite readers to share in his radical but gentle candor, his open-mindedness, and a sophisticated naiveté that helped him erase the conventional barriers between art and life. 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Oh, pas saine d’esprit pour autant, certainement pas normale, ni même belle (certainement pas belle), mais puissante, secrète, sagace. Et bon sang, j’adore ça. »\u003c\/p\u003e\n\u003cp\u003eSix lettres retrouvées, échangées au début des années 1980 entre Dorothy Allison et Joan Nestle. Dans le langage intime d’une amitié sincère, elles parlent d’écriture, de sexualité, d’activisme, de vulnérabilité, de concurrence, de réparation et d’amour. Emplie de moiteur et d’estime, leur complicité affectueuse vient éclairer la vie personnelle, l’engagement militant et l’œuvre littéraire de ces deux autrices lesbiennes et féministes emblématiques de leur génération. 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In avoiding one book, Fox and Lane-McKinley came to write another through their conversation as it unfolded amidst Californian wildfires, the pandemic, the George Floyd uprising, and the fascistic flares of white nationalism. And, of course, grief. Remembering Chitty became a way for the two friends to make sense of the sexual politics of the long 1990s, that interminable decade in which they both came of age, both became imprinted by intimacy and its prohibition. The fag\/hag emerges in their letters as a relation, at once a promise of love outside the privatised family unit and something vulnerable to capture when made to sequester anxieties about sex, gender, and the future. Before and after the letters, there are two essays, one by each author, which chart the prehistory of their friendship and their respective entries into the fag\/hag relation. Together the three pieces speak to each other, as Fox and Lane-McKinley do in their epistolary register, and as they both speak to Chitty, the beloved and staunch subject of the book’s apostrophic address.\u003c\/p\u003e\n\u003cp\u003e[publisher's note]\u003c\/p\u003e","brand":"Rosa Press","offers":[{"title":"Default Title","offer_id":57358191526228,"sku":"A8B-35989","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/faghag.jpg?v=1790814445"},{"product_id":"correspondence-the-foundation-of-the-situationist-international-june-1957-august-1960","title":"Correspondence. The Foundation of the Situationist International (June 1957–August 1960)","description":"\u003cp\u003eLetters by writer, filmmaker, and cultural revolutionary Guy Debord conjure a vivid picture of the dynamic first years of the Situationist International movement.\u003cbr\u003e\u003cbr\u003e\"Yesterday, the police interrogated me at length about the journal and other Situationist organizations. It was only a beginning. This is, I think, one of the principal threats that came up quickly during the discussion: the police want to consider the S.I. as an association to bring about the destruction of France.\"\u003cbr\u003e—from \u003cem\u003eCorrespondence\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis volume traces the dynamic first years of the Situationist International movement—a cultural avant-garde that continues to inspire new generations of artists, theorists, and writers more than half a century later. Debord's letters—published here for the first time in English—provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Circumstances, personalities, and ambitions all come into play as the group develops its strategy of anarchic, conceptual, but highly political “intervention.” Brilliantly conceived, this collection of letters offers the best available introduction to the Situationist International movement by detailing, through original documents, how the group formed and defined its cultural mission: to bring about, “by any means possible, even artistic,” a complete transformation of personal life within the Society of the Spectacle. [publisher's note]\u003c\/p\u003e\n\u003cp\u003eIntroduction by McKenzie Wark; translated by Stuart Kendall and John McHale.\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":57358288519508,"sku":"A8B-37010","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/correspo.jpg?v=1790814730"},{"product_id":"sister-love","title":"Sister Love","description":"\u003cp\u003eÀ la fin des années 1960, les deux poétesses Pat Parker et Audre Lorde se rencontrent. Lorde, âgée d'une dizaine d'années de plus que Parker, connaît déjà une certaine reconnaissance dans le milieu littéraire, tandis que Parker débute sa carrière. Une amitié profonde se noue entre elles, reposant sur l'admiration réciproque de leur travail mais aussi sur leur identité commune de femmes noires et lesbiennes. Les lettres qu'elles s'échangent, de 1974 et 1989, témoignent du lien fort qui les unit et de l'affection qu'elles se portent, mais laissent également entrevoir leurs quotidiens, leurs difficultés à vivre de leur art, à simplement exister dans une Amérique raciste, sexiste et homophobe. Une correspondance intime et politique qui frappe par sa modernité. [note de la maison d’édition]\u003c\/p\u003e","brand":"Points","offers":[{"title":"Default Title","offer_id":57358317617492,"sku":"A8B-37262","price":7.9,"currency_code":"EUR","in_stock":false}]},{"product_id":"magic-episodes-and-other-synchronicities-the-transhemispheric-correspondence-of-scott-burton-and-eduardo-costa-1970-1980","title":"Magic Episodes and Other Synchronicities. 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[publisher's note]\u003c\/p\u003e","brand":"Ugly Duckling Presse","offers":[{"title":"Default Title","offer_id":57358355956052,"sku":"A8B-37646","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/episode.jpg?v=1790814911"}],"url":"https:\/\/after8books.com\/collections\/correspondence.oembed","provider":"After 8 Books","version":"1.0","type":"link"}