{"title":"All Books","description":null,"products":[{"product_id":"real-life-magazine-selected-writings-and-projects-1979-1994","title":"REALLIFE Magazine. Selected Writings and Projects 1979-1994","description":"\u003cp\u003eA selection of writings and artists’ projects from \u003cem\u003eREALLIFE magazine\u003c\/em\u003e, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, \u003cem\u003eREALLIFE\u003c\/em\u003e featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s. 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She is one of the most brilliant, incisive, immediate writers living today.\u003c\/p\u003e\n\u003cp\u003e[publisher's note.]\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":57356345114964,"sku":"A8B-25067","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_204.jpg?v=1790810520"},{"product_id":"son-et-corps","title":"Son et corps","description":"","brand":"Les Presses du Réel","offers":[{"title":"Default Title","offer_id":57356345147732,"sku":"A8B-24231","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Dieter_20Schnebel._20Son_20et_20corps.jpg?v=1790810520"},{"product_id":"between-artists-john-miller-maria-eichhorn","title":"Between Artists: John Miller \/ Maria Eichhorn","description":"","brand":"A.R.T. 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The tension between the two, occasionally perceptible, is the theoretical subtext of the issue. Upping the ante on gender distinctions, \u003cem\u003ePolysexuality\u003c\/em\u003e started by blowing wide open all sexual classifications, inventing unheard-of categories, regrouping singular features into often original configurations, like Corporate Sex, Alimentary Sex, Soft or Violent Sex, Discursive Sex, Self- Sex, Animal Sex, Child Sex, Morbid Sex, or Sex of the Gaze. Mixing documents, interviews, fiction, theory, poetry, psychiatry and anthropology, \u003cem\u003ePolysexuality\u003c\/em\u003e became the encyclopedia sexualis of a continent that is still emerging. What it displayed in all its forms could be called, broadly speaking, the Sexuality of Capital. (Actually the issue being rather hot, it was decided to cool it off somewhat by only using “capitals” throughout the issue. 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She designed a modernist monument, the encyclopedic volume \u003cem\u003eThe Bauhaus\u003c\/em\u003e (1969), and the graphically dazzling and controversial first edition of \u003cem\u003eLearning from Las Vegas\u003c\/em\u003e (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT’s Media Lab, where she developed software interfaces and taught a new generation of designers. She began her four-decade career at MIT by designing vibrant printed flyers for the Office of Publications; her final projects were digital. This lavishly illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.\u003cbr\u003e\u003cbr\u003eA humanist among scientists, Cooper embraced dynamism, simultaneity, transparency, and expressiveness across all the media she worked in. More than two decades after her career came to a premature end, Muriel Cooper’s legacy is still unfolding. This beautiful slip-cased volume, designed by Yausyo Iguchi, looks back at a body of work that is as contemporary now as it was when Cooper was experimenting with IBM Selectric typewriters. She designed design’s future.\"\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":57356345311572,"sku":"A8B-25074","price":60.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"frankenstein","title":"Frankenstein. 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In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of \u003cem\u003eFrankenstein\u003c\/em\u003e will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. \u003cbr\u003e\u003cbr\u003eThis edition of Frankenstein pairs the original 1818 version of the manuscript—meticulously line-edited and amended by Charles E. Robinson, one of the world’s preeminent authorities on the text—with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written. [publisher's note.]\u003cbr\u003e\u003cbr\u003eEssays by\u003cstrong\u003e \u003c\/strong\u003eElizabeth Bear, Cory Doctorow, Heather E. 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(...)\u003c\/p\u003e","brand":"Karma","offers":[{"title":"Default Title","offer_id":57356345377108,"sku":"A8B-25096","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/OBRIEN_Glenn_Like_Art_Karma_2016.jpg?v=1790810521"},{"product_id":"documentary-across-disciplines","title":"Documentary Across Disciplines","description":"\u003ch2 class=\"pane-title\"\u003e \u003c\/h2\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"field field-main-description\"\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item odd\"\u003e\n\u003cp\u003e\"Contemporary engagements with documentary are multifaceted and complex, reaching across disciplines to explore the intersections of politics and aesthetics, representation and reality, truth and illusion. Discarding the old notions of “fly on the wall” immediacy or quasi-scientific aspirations to objectivity, critics now understand documentary not as the neutral picturing of reality but as a way of coming to terms with reality through images and narrative. This book collects writings by artists, filmmakers, art historians, poets, literary critics, anthropologists, theorists, and others, to investigate one of the most vital areas of cultural practice: documentary. Their investigations take many forms—essays, personal memoirs, interviews, poetry. \u003cbr\u003e\u003cbr\u003eContemporary art turned away from the medium and toward the world, using photography and the moving image to take up global perspectives. Documentary filmmakers, meanwhile, began to work in the gallery context. The contributors consider the hybridization of art and film, and the “documentary turn” of contemporary art. They discuss digital technology and the “crisis of faith” caused by manipulation and generation of images, and the fading of the progressive social mandate that has historically characterized documentary. They consider invisible data and visible evidence; problems of archiving; and surveillance and biometric control, forms of documentation that call for “informatic opacity” as a means of evasion.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContributors\u003cbr\u003e\u003c\/strong\u003eAriella Azoulay, Zach Blas, Christa Blümlinger, Stella Bruzzi, Lucien Castaing-Taylor, Kris Fallon, Evgenia Giannouri, Ben Lerner, SylveÌre Lotringer, Antonia Majaca, Sohrab Mohebbi, Volker Pantenburg, Veìreìna Paravel, Christopher Pinney, Ben Rivers, and Eyal Sivan \"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MIT Press,Haus der Kulturen der Welt","offers":[{"title":"Default Title","offer_id":57356345409876,"sku":"A8B-25073","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Erika_Balsom_Hila_Peleg_Documentary_Across_Disciplines.jpg?v=1790810521"},{"product_id":"envelope-poems","title":"Envelope Poems","description":"\u003cp\u003e\"96 pages hardcover, a full color selection from the \u003cem\u003eThe Gorgeous Nothings\u003c\/em\u003e of Emily Dickinson’s envelope and envelope fragment manuscripts.\"\u003c\/p\u003e","brand":"Christine Burgin","offers":[{"title":"Default Title","offer_id":57356345442644,"sku":"A8B-25113","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/DICKINSON_Emily_Envelope_Poems.jpg?v=1790810521"},{"product_id":"and-writings","title":"and Writing","description":"\u003cp\u003e\u003cem\u003eand Writing \u003c\/em\u003epresents a selection of Ruppersberg’s drawings and other works as texts to be read—with an introduction by Bill Berkson. 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Sometimes these were works by his brother, Karl Walser, a celebrated stage set designer and painter, sometimes works by those in his brother's circle but often the work of old masters who Walser greatly admired. The pieces in this collection include some of his earliest prose as well as work from the final years of his career. Some of them are fluid meditations on art that touch only tangentially on the paintings that are their ostensible subjects. Others are meticulous descriptions of works down to their most minute details. Walser's way of seeing is eminently his own. Something special happens when he is contemplating a work of art. \"A camera,\" the photographer Dorothea Lange once said, \"is a tool for learning how to see without a camera.\" We can say something silmilar about Walser's writings on art. 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Moving from Southern California to central and southern Europe, crossing geographies and genres, her texts record specters and realities of culture, migration, and displacement, compounding the vagaries of rhetoric and poetics with those of personal history and criticism. \u003cbr\u003e\u003cbr\u003eComposed in the space between the page and live performance, Latimer’s recent essays and poems collected here examine issues of genealogy and influence, the poverty and privilege of place, architecture’s relationship to language, and feminist economies of writing, reading, and art making. Shifting between written language and live address, between the needs of the internal and the external voice, \u003cem\u003eLike a Woman\u003c\/em\u003e retrieves the refrain, the litany, and the chorus, exploring their serial ecstasies and political possibilities. \u003c\/span\u003e[publisher’s note]\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":57356345704788,"sku":"A8B-25139","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Like_A_Woman.jpg?v=1790810523"},{"product_id":"exhibition-histories-anti-shows-aptart-1982-84","title":"Exhibition Histories: Anti-Shows APTART 1982-84","description":"\u003cp\u003eA collective of artists, a gallery and a movement, APTART was a series of self-organised “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represent a collective attempt to rethink the politics of exhibition-making and the practice of making public in the absence of a public sphere. The first comprehensive publication on APTART, this book presents extensive photographic documentation of their activities alongside archival texts from contributing artists and documents from the time.\u003c\/p\u003e\n\u003cp\u003eMain essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement’s history and guiding concepts; and further contexts and analysis are provided through contributions by Manuel Alcayde, Alexandra Danilova and Elena Kuprina-Lyakhovich, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith. [publishers’ note]\u003c\/p\u003e","brand":"Afterall Books","offers":[{"title":"Default Title","offer_id":57356345672020,"sku":"A8B-25158","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/aptart.jpg?v=1790810523"},{"product_id":"idoine-stephane-deplan-by-friend-request","title":"IDOINE - Stéphane Déplan by Friend Request","description":"\u003cp\u003e\u003cspan class=\"idoine2\"\u003eStéphane Déplan, grenoblois exilé à Bruxelles depuis quelques années, regroupe ses activités sous le nom de Life as Art as Attitude.\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"idoine2retrait\"\u003eIl pratique une manière de faire art, par le protocole et l'accumulation. Ses gestes et projets ancrés dans le quotidien se pensent et s'activent sur un temps long, peut-être à l'échelle d'une vie, rythmant une routine personnelle. Le processus de la collection, l'identification d'objets, la recherche, la trouvaille, la composition puis la séparation, l'organisation forment un ensemble de gestes sans autre but que d'entretenir le processus artistique. 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The publication depicts a collection of book pages, printed over with photographs, bitmap files, and screen captures from websites, piled onto his studio's kitchen floor. For this version, Guyton covered the floor in black tiles.\"\u003c\/p\u003e","brand":"Verlag der Buchhandlung Walther König","offers":[{"title":"Default Title","offer_id":57356345868628,"sku":"A8B-25160","price":30.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"wad-al-hayara","title":"Wad al-hayara","description":"\u003cp\u003e\"This exhibition catalogue includes essays by Magalí Arriola, Francesco Pellizi, Tom McDonough, between others, to analyze Danh Vo´s practice. The works included in the exhibition refer to precise chapters in history like the Christian evangelization in South-East Asia, the spread of the Vietnam War and the artist?s family?s exile. But they also embody phenomena like cultural cross-contamination and the difficulties of reconciling two different contexts; the (more or less) failed attempts at resisting dominant ideologies, and the severe consequences of expansionism and industrialization. By tackling issues such as migration and displacements, the consequent multiplication of presents and the ensuing need for negotiation with the past come about, echoing the dismembering and disarticulation of bodies, and death as a means of expression that might end up signifying all of our actions.\"\u003c\/p\u003e","brand":"Fundacion Jumex","offers":[{"title":"Default Title","offer_id":57356345901396,"sku":"A8B-25164","price":44.0,"currency_code":"EUR","in_stock":false}]},{"product_id":"yeah","title":"YEAH","description":"\u003cp\u003eFacsimile edition. 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