{"title":"After 8 Editions","description":null,"products":[{"product_id":"unintended-experience-a-job-in-amsterdam","title":"Unintended Experience. A Job in Amsterdam","description":"\u003cp\u003e\u003cem\u003eShe had a lot of siblings she told me, so she wouldn’t get any pretty clothes until she had a likely match—but since she didn’t have anything pretty to wear, she couldn’t get a match. She was trapped in a vicious circle, doomed to spend her blooming years in wistful longing: no young woman, no matter how clever, could break her way out of a dress like that.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe book is composed of a collection of diary entries previously published by the artist on her Facebook page, relating to her aesthetic, intellectual and sentimental experiences as an undercover transgender masseuse in an Asian parlour in Amsterdam. A series of watercolours accompanies the texts. Inaccuracies of language are an integral part of the narrative.\u003c\/p\u003e\n\u003cp\u003eJanuary 2017 - celebrating our 1rst title ! \u003cbr\u003e ♡☯\u003c\/p\u003e\n\u003cp\u003ePublished in collaboration with Frans Hals Museum – De Hallen Haarlem, Galerie Fons Welters, and with the support of the Mondriaan Fonds\u003cbr\u003e36 pages, color, open-spine sewn, with dustjacket, 20 × 28 cm\u003cbr\u003eEdition of 500\u003cbr\u003eISBN: 978-2-9559486-0-6 \u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57356346753364,"sku":"A8B-25079","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Capture_20d_E2_80_99e_CC_81cran_202017-12-15_20a_CC_80_2013.31.59.png?v=1790810529"},{"product_id":"time-piece","title":"Time Piece","description":"\u003cp\u003eSOLD OUT !\u003cbr\u003eExperimental Jetset’s \u003cem\u003eTime Piece\u003c\/em\u003e continues their experiences in “turning language into objects.\" Conceived in close collaboration with the artists, these editions are devised to support the activities of After 8 Books.\u003c\/p\u003e\n\u003cp\u003eTime Piece, conçu par Experimental Jetset, prolonge leurs recherches dans la transformation du langage en objets. La vente de ces éditions, élaborées en collaboration étroite avec les artistes, permet de soutenir les activités de After 8 Books.\u003c\/p\u003e\n\u003cp\u003eSilkscreen on cardboard \u0026amp; clock mechanism\u003cbr\u003eSérigraphie sur carton, mécanisme d’horloge\u003cbr\u003e ∅ 26 cm. \/ Ed. of 30\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57356346786132,"sku":"A8B-25053","price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/experimental_jetset_after8books_small_18151bac-3d29-43cd-bfd8-6e5193c61d17.jpg?v=1790810529"},{"product_id":"block-the-light-and-preserve-yourself","title":"Block the Light and Preserve Yourself","description":"\u003cp\u003eStéphane Barbier-Bouvet and Camilla Wills’ collaboration on\u003cspan class=\"m_-1795689713977828205Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eBlock the Light and Preserve Yourself\u003c\/em\u003e\u003cspan class=\"m_-1795689713977828205Apple-converted-space\"\u003e \u003c\/span\u003esuggests a new approach to bedtime stories. The editions could be described as transformative tools; turning light into text and image, turning daily appliances into mercurial presences.  Conceived in close collaboration with the artists, these editions are devised to support the activities of After 8 Books.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eBlock the Light and Preserve Yourself\u003c\/em\u003e, une collaboration entre Stéphane Barbier-Bouvet et Camilla Wills, suggère pour sa part une autre approche du livre de chevet. Les éditions sont des formes d’outils de transformation: le langage devient temps, la lumière texte et image, des objets du quotidien des présences versatiles.  La vente de ces éditions, élaborées en collaboration étroite avec les artistes, permet de soutenir les activités de la librairie \/ maison d’édition After 8 Books.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eMetal, light, laser cut fabric \/ Métal, lampe, tissu découpé\u003cbr\u003e54 × 40 × 7 cm\u003cbr\u003e Ed. of 16\u003c\/div\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57356346818900,"sku":"A8B-25058","price":200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/DSC_8171_s.jpg?v=1790810529"},{"product_id":"de-la-couleur","title":"De la Couleur","description":"\u003cp\u003e\u003cem\u003eSouvent, quand je suis dans mon atelier, entourée de seaux et de Sopalin, je me demande quelle erreur freudienne a fait de moi une peintre.\u003c\/em\u003e\u003cbr\u003eAmy Sillman, “On Color”\u003c\/p\u003e\n\u003cp\u003e“On Color”, dans sa version française, anticipe une anthologie de textes de Amy Sillman, co-éditée par After 8 Books et The Cheapest University, à paraître en 2018.\u003cbr\u003e \u003cbr\u003eDans sa pratique de la peinture comme dans ses écrits, son enseignement à la Städelschule ou son zine The O.G., Amy Sillman développe une approche singulière, ancrée dans le féminisme et imprégnée d’humour.\u003cbr\u003eOn Color, conférence qu’elle a prononcée pour la première fois en 2013 à l'Université Harvard, ambitionne de reconsidérer la théorie de la couleur du point de vue de l’artiste et de ses conditions de travail, entre atelier, magasin de fournitures et écran de smartphone. La couleur y est traitée comme un problème complexe, renvoyant à la physique et à l’industrie, à l’économie libidinale et aux circuits financiers, à la psychanalyse, peut-être, mais aussi – sans doute – à la cocaïne.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"After 8 Books,The Cheapest University","offers":[{"title":"Default Title","offer_id":57356346851668,"sku":"A8B-25063","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/SILLMAN_Amy_de_la_couleur_white.jpg?v=1790810529"},{"product_id":"le-large","title":"Le Large","description":"\u003cp\u003eOut of stock\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWow, we made it ! This light, pocketbook format new publication by After 8 Books gathers works by French artist Julie Beaufils, and three short stories commissioned for the occasion, dealing altogether with social tensions and emotional explosions.\u003cbr\u003eThe ink drawings by Julie Beaufils that form the core of the book, follow a logic of editing, accumulation and narrative incompleteness: the figures come from memories of films or TV series, as sediments of mass culture, or sometimes from personal observations and experiences crystallized in images. Shapes and figures develop as an ambivalent collection, informed by the weight and the vibration of lines and strokes.\u003cbr\u003eThis book aims at triggering the interpretation of these works, and at making their “reading” more complex, more playful too. Graphic designer Scott Ponik composed a visual story close to a manga, part abstraction, part emotion. The narrative and affective potential of the drawings is further activated by their free association with three short stories by Michael Van den Abeele, Buck Ellison, and Reba Maybury. Van den Abeele tells about the inner thoughts of a donor at the sperm bank; Buck Ellison’s story follows a few hours in the life of some girls in the San Francisco area, dealing with the cruelty and the naïvety of their relationships; while Reba Maybury proposes an erotic analysis of the connection between desire and capitalism.\u003c\/p\u003e\n\u003cp\u003e+++\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLe Large\u003c\/em\u003e rassemble une série de dessins de Julie Beaufils, et trois nouvelles écrites par Michael Van den Abeele, Buck Ellison, et Reba Maybury. Les dessins à l’encre noire suivent une logique de montage, d’accumulation et de suspension narrative: ils ont pour origine des souvenirs de films ou de séries TV, des sédiments d’une culture de masse, ou bien parfois des observations et des moments vécus, cristallisés dans des images. Le designer Scott Ponik a composé avec eux un récit proche du manga, entre abstraction et montage d’attractions. La charge narrative et affective des dessins est encore activée par les trois fictions qui les accompagnent: le texte de Michael Van den Abeele suit les pensées d’un donateur à une banque du sperme; la nouvelle de Buck Ellison raconte quelques heures de la vie d’un groupe d’adolescentes californiennes, leurs relations entre naïveté et cruauté; enfin, le texte de Reba Maybury analyse de manière érotique les liens entre désir et capital. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eTexts in English and French \/ Textes en anglais et en français\u003cbr\u003eEdited by \/ Direction éditoriale: Benjamin Thorel\u003cbr\u003ePublished in collaboration with \/ Publié avec l'aide de Balice Hertling; and with the support of the \/ et le soutien du Centre National des Arts Plastiques (CNAP)\u003cbr\u003eB\/W, open-spine sewn, with dustjacket \/ N\u0026amp;B, dos cousu, jaquette\u003cbr\u003e208 pages, 12,5 × 19 cm. Edition of \/ Tirage: 500\u003cbr\u003eISBN: 978-2-9559486-1-3 \u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357135348052,"sku":"A8B-25614","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Julie_Beaufils_Le_Large_985b47d2-2430-4549-bf96-3f345ca1f79b.jpg?v=1790811574"},{"product_id":"version-n-0005","title":"Version n°0005, July 2018, “May 2018 SPECIAL”","description":"\u003cp\u003eGuillaume Maraud started in 2016 the publication series \u003cem\u003eVersions\u003c\/em\u003e: he had already self-published \u003cem\u003e\u003ca href=\"\/products\/version-1\"\u003en°0001 − n°0002\u003c\/a\u003e\u003c\/em\u003e, \u003cem\u003e\u003ca href=\"\/products\/version-2\"\u003en°0003\u003c\/a\u003e\u003c\/em\u003e, and \u003cem\u003e\u003ca href=\"\/products\/version-n-0004-04-2018\"\u003en°0004\u003c\/a\u003e\u003c\/em\u003e, when he seeked the expertise and collaboration of After 8 Books, close observer and early supporter of the project, for a new \u003cem\u003eVersion\u003c\/em\u003e to come\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVersions\u003c\/em\u003e is a dynamic and complex medium for Maraud: magazine \u003cem\u003een trompe-l’œil\u003c\/em\u003e, it is both a record to keep track of his artistic practice in an ever-accelerating time, and a tool to critically address its\/his own conditions of existence and action. Each new \u003cem\u003eVersion\u003c\/em\u003e follows and cancels the previous one through deleting, addition and rewriting, in a way evocative of a palimpsest or agenda. Each publication organises the artist’s material with texts and images from the culture industry, according to what he refers to as a ‘chronopolitical’ approach.\u003c\/p\u003e\n\u003cp\u003eProduced by After 8 Books, \u003cem\u003eVersion n°0005\u003c\/em\u003e is the first non self-published \u003cem\u003eVersion\u003c\/em\u003e to date. A decision full of meaning, implying further questioning about autonomy, belonging and legitimacy. This “special edition” gives also an insight into the ongoing celebration of the 50th anniversary of May 68 in France, the institutionalization of counter-culture and the appropriation of the struggles for emancipation within contemporary art. Its print run remains the same as the previous \u003cem\u003eVersions\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e82 pages, color, perfect binding, 21 × 27 cm\u003cbr\u003eEdition of 40\u003cbr\u003eISBN: 978-2-9559486-2-0 \u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357136527700,"sku":"A8B-25657","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/version_n0005.jpg?v=1790811577"},{"product_id":"traductions","title":"Traductions","description":"\u003cp\u003eCes traductions ont été publiées à l’occasion de \u003cem\u003eL’histoire est pleine de gens qui n’ont juste pas\u003c\/em\u003e, conversation entre Anne Boyer et The Cheapest University à Bétonsalon, le 17 novembre 2018. La publication est co-éditée par After 8 Books et Donna Quixote.\u003c\/p\u003e\n\u003cp\u003eTextes originellement publiés dans \u003cem\u003eGarments Against Women\u003c\/em\u003e édité par Ahsahta Press, 2015 et Mute, 2016 et \u003cem\u003eA Handbook of Disappointed Fate\u003c\/em\u003e édité par Ugly Ducking Press, 2018. Traduit en français par Maxime Bichon, Charlotte Houette, Théo Robine-Langlois, Julie Sas, sabrina soyer. Imprimé à Paris.\u003c\/p\u003e","brand":"After 8 Books,DQ Press","offers":[{"title":"Default Title","offer_id":57357159203156,"sku":"A8B-25908","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/boyer_traductions.jpg?v=1790811656"},{"product_id":"door-handle","title":"Door Handles","description":"\u003cp\u003eNous avons produit une nouvelle édition avec Marie Lund. Il s'agit d'une pièce composée de deux pièces, unies par une troisième. Ces trois pièces permettent l'ouverture et la fermeture d'une pièce, l'union ou la séparation de deux espaces.\u003c\/p\u003e\n\u003cp\u003ePoignées de porte, 2019\u003cbr\u003edeux pièces spéculaires, moulage en bronze. \u003cbr\u003e400 euros\u003cbr\u003eédition de 20 (+3 e.a.)\u003c\/p\u003e\n\u003cp\u003eOh, here comes a new edition, made for us by danish and beloved artist Marie Lund. It is a piece composed by two pieces, connected by a third. Those three pieces enable the opening and\/or closing of a space, the junction or the partition of two areas.\u003c\/p\u003e\n\u003cp\u003eDoor Handles, 2019\u003cbr\u003etwo mirroring pieces, bronze cast.\u003cbr\u003e400 euros \u003cbr\u003eedition of 20 (+3 a.p.)\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357210976596,"sku":"A8B-26086","price":400.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/marie_Lund_After8_Books_2.jpg?v=1790811694"},{"product_id":"fade-the-lure","title":"Fade The Lure","description":"\u003cp\u003eHello there. So very happy to hold this new publication today. \u003cbr\u003e\u003cem\u003eFade the Lure\u003c\/em\u003e is a collection of poems and photographs created between 2014 and 2017, during Dena Yago’s experience working and living alongside emotional support dogs in Los Angeles. In Yago’s words, poetry is sometimes “a form of communication created out of the desire to avoid, and an inability to engage in other forms of direct communication” with animals or humans. Fade the Lure explores the possibility for the poem to account for relationships that materialize and live beyond words, while being embedded in a consumerist society’s confined structures.\u003cbr\u003e\u003cbr\u003eDena Yago (born 1988, lives \u0026amp; works in NYC) is an artist, a writer and a poet. She was one of the founding members of K-HOLE, a trend forecasting group active from 2010 to 2016. Recent publications include Ambergris (Bodega) and Esprit Reprise (Pork Salad Press). Her work has been exhibited worldwide, including at the Museum of Modern Art in Warsaw and at Bodega in New York.\u003c\/p\u003e\n\u003cp\u003ePublished in collaboration with \/ Publié avec l'aide de High Art, Paris\u003cbr\u003eB\/W, open-spine sewn, with dustjacket \/ N\u0026amp;B, dos cousu, jaquette\u003cbr\u003e52 pages, 11 x 22 cm cm. Edition of \/ Tirage: 600\u003cbr\u003eISBN: 978-2-9559486-3-7\u003c\/p\u003e\n\u003cp\u003eSOLD OUT!\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357336609108,"sku":"A8B-26829","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Capture_20d_E2_80_99e_CC_81cran_202019-09-16_20a_CC_80_2011.12.17.png?v=1790811896"},{"product_id":"pisti-80-rue-de-belleville","title":"Pisti, 80 rue de Belleville","description":"\u003cp\u003e_ _ R E R E R E R E P R I N T I N G _ _ \\ \\ °°0°° \/ \/\u003c\/p\u003e\n\u003cp\u003eElke is a young academic with a troubled past that keeps spilling onto her present. Just as she is about to leave town for a writing retreat, she meets Pisti, a charismatic, hard-boiled but luscious Hungarian left activist, who runs an anarchist collective in Paris. Over one night in a Belleville apartment, old friends and new lovers discuss–and act–polyamory, politics, and the art of conversation.\u003c\/p\u003e\n\u003cp\u003eA wry exploration of the seductive allure of tropes and cliché in the art world and politics, \u003cem\u003ePisti\u003c\/em\u003e is also an experiment in writing, shamelessly flirting with namedropping and détournement. The character of Pisti was appropriated from Chris Kraus’ novel \u003cem\u003eTorpor\u003c\/em\u003e.  \u2028\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePisti \u003c\/em\u003e\u003cem\u003eand it's blasphemy against the left and art world is not apostasy, but rather a stepping away from a teleological view of politics and instead, a radical reimagining of the role of incompatibilities, partial identities, cliché and perhaps ultimately, the unresolvedness of hypocrisy. Which is to say, not taking things too seriously, in order to take them seriously.\u2028 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e*Reviews:\u003cbr\u003e\u003cbr\u003e“Estelle Hoy's brilliant novel is a deja vu.....similar to Jean-Jacques Schul’s novel \u003cem\u003eDusty Rose\u003c\/em\u003e, a story of the 60s composed entirely of phrases that he lifted from magazine copy; a bricolage of cultural detritus. Whole phrases are lifted from other texts and woven seamlessly into the narrative. Which is to say, Hoy’s book is completely original.” \u003cbr\u003e—Chris Kraus, author of \u003cem\u003eI Love Dick\u003c\/em\u003e, \u003cem\u003eTorpor\u003c\/em\u003e, Los Angeles\u003c\/p\u003e\n\u003cp\u003e“This book is zany and provocative and really makes you feel like you’re in the mix with a bunch of queer Parisian anarcho-hipsters, downing lemon hummus and radishes, oysters and anchovies, and plotting to overthrow capitalism.” \u003cbr\u003e—Lauren Elkin, writer, London\u003cbr\u003e\u003cbr\u003e“It is about time that someone want to pick up Michelle Bernstein’s habit of writing thinly veiled marxist horoscopes for horses. \u003cem\u003ePisti, 80 Rue de Belleville\u003c\/em\u003e is a wild ride through the passionate yet caustic escapades of a new, yet already exhausted left, plotting the ultimate revolutionary gesture. An utterly brilliant attack on the pieties of the liberal life-style. En route to cult classic.” \u003cbr\u003e—Anna Gritz, head curator, KW Institute for Contemporary Art, Berlin\u003c\/p\u003e\n\u003cp\u003e“Fairy dusted in the narrative beliefs of a Chris Kraus-generation, Estelle Hoy’s Pisti takes flight to a place beyond the moon that all Baudelaire-loving revolutionary teens dreamed of: Paris(!)—or, a version of it clouded in cigarette smoke and loud complaints, where desire, dissociation, partial-psychosis, day-drinking, endless idling and ennui are all implied, because, quite simply, they’re chic as hell and come with the kind of cultural clout that’s bound to get you hella laid. Hoy’s is a Paris collaged of dreamy pleasures that meet their bathetic end in run-down flats and disappointing fucks. It's a Never-Never Land for the leftist cultural imaginary that refuses to let go of its dilettantish, devil-may-care love for discourse, radical action, and, bien sûr, rosé o’clock.” \u003cbr\u003e—Sabrina Tarasoff, art critic, Paris \/ Los Angeles\u003cbr\u003e\u003cbr\u003e“If life and politics are humiliating, what then? Pisti’s characters debate this question, while Hoy pursues its formal counterpart: should a novel of the now be a play, a series of tightly curated scenes, or a character-driven exploration? The answer to both questions is yes, maybe, but, and…plus a tart rebuttal that to ask them is to already expose yourself as having surrendered your authenticity (at least, that is what Pisti will say to you, should you be lucky enough to sit on her floor).  Estelle Hoy’s genius novel-cum-petition is a precocious meditation, that needs to be read more than once.” \u003cbr\u003e—Prof. Dr. Anna Poletti, dept. of Languages, Literature and Communication, Utrecht University\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357484130644,"sku":"A8B-27373","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/AD_starship_PISTI.jpg?v=1790812100"},{"product_id":"faux-pas-selected-writings-and-drawings","title":"Faux Pas. Selected Writings and Drawings","description":"\u003cp\u003eSOLD OUT \/\/ SEE ABOVE FOR EXPANDED EDITION ; )\u003c\/p\u003e\n\u003cp\u003eA key figure in the New York art scene, Amy Sillman is renowned for her singular approach to painting and drawing. Her writings extend a practice that challenges traditions and theoretical frameworks with criticality and humor, and advocates subjectivity: she reevaluates Abstract Expressionism with a queer eye, explores the meanings of color and shape, and discusses in depth the work of other artists—from Delacroix to Maria Lassnig to Laura Owens. In \u003cem\u003eFaux Pas\u003c\/em\u003e, a collection of her most recent essays, alongside her cartoons and original drawings, art—as personal as it is political—is a practice that responds to today’s struggles.\u003cbr\u003e\u003cbr\u003e“In these seventeen scintillating essays Amy Sillman excites, provokes ideas, plunders and aggravates language, detonates words with innovation, the way she does paint, pencil, color, line, stroke, mark, etc. She uniquely renders words to foreground pictures and picture-making, and builds avenues, pathways to lead to other ways of apprehending art.”\u003cbr\u003e—from the foreword by Lynne Tillman\u003c\/p\u003e\n\u003cp\u003eSOME PRAISE:\u003c\/p\u003e\n\u003cp\u003eAmy Sillman's richness of personality and world view shines so beautifully throughout \"Faux Pas,\" that it becomes a kind of illumination, lighting the reader's way through a world of ideas and language and images no one but Sillman, in all her brilliance, could have produced. A generous triumph.\u003cbr\u003e— Hilton Als, writer\u003c\/p\u003e\n\u003cp\u003eThese essays together are a wonderful mental embrace. Sillman’s voice is cool, patient, incessant, vulnerable, nostalgic, hilarious; actually what's the word for when someone is kind, clear, sharp and opaque all at once?\u003cbr\u003eSomeone who speaks straight from the shoulder? Or maybe the elbow: I think Sillman is speaking from the hand in that the ligaments joining feeling and action are lovingly prodded. She is explicit, she’s serious in that she isn’t always that serious, but she’s serious, she’s plain, direct, I mean, I hung on her words.\u003cbr\u003e— Rindon Johnson, artist \u0026amp; poet\u003c\/p\u003e\n\u003cp\u003eThese dispatches from a decidedly un-straight thinker – a mind that IS an artist’s studio with a sustained curiosity as her main medium – is an exuberant, massively heterogeneous, exhilarating bundle of texts, diagrams, drawings, that document, activate and irritate. With a never-ending love for time space complications Amy Sillman insists on an informed openness, and shows us her tools.\u003cbr\u003e— Jutta Koether, artist\u003c\/p\u003e\n\u003cp\u003eAmy Sillman tells us that a tube of cadmium red has a different weight than say cobalt violet and that all painters know this and art historians mostly don’t. Sillman is shocked to think about someone who beholds paint but has never held it and she stands in the doorway of that thought, bleeding back and forth and she writes in it \u0026amp; it’s a rare rare place she’s standing in. Pick up her Faux Pas. You’ll be dazzled as I am by this knowledge, her rarity.\u003cbr\u003e— Eileen Myles, writer\u003c\/p\u003e\n\u003cp\u003eEdited by Charlotte Houette, François Lancien-Guilberteau, and Benjamin Thorel.\u003cbr\u003eForeword by Lynne Tillman. Extra drawings on the life of John Chamberlain by Michael Smith.\u003c\/p\u003e\n\u003cp\u003ePublished in collaboration with Gladstone Gallery and galerie Campoli Presti, and the support of the Centre National des Arts Plastiques.\u003cbr\u003e\u003cbr\u003e12 x 18.5 cm \/ 4.75 x 7.25 in\u003cbr\u003e256 pages; softcover; with 50 b\/w illustrations\u003cbr\u003eISBN: 9782955948651\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357504250196,"sku":"A8B-27863","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20200918_110742.jpg?v=1790812180"},{"product_id":"trompette","title":"Trompette – Presage Pamphlet Series","description":"\u003cp\u003e\u003cem\u003eYesterday as they smoked, a cigarette butt leaked and burned\u003cbr\u003etheir delicately stitched summertime pyjamas. A round hole\u003cbr\u003eon their torso reminded the holes drilled in the wall the day\u003cbr\u003ebefore to ventilate their room.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrompette\u003c\/em\u003e gathers three short texts by Soto Labor, along with their beautiful drawings, that tell about magnificient animals who observe and eat the world. \u003cbr\u003eBilingual, French \u0026amp; English.\u003c\/p\u003e\n\u003cp\u003eTrois courts textes de Soto Labor, accompagnés de ses dessins, où des animaux magnifiques observent et mangent le monde. \u003cbr\u003eBilingue français\/anglais.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Presage Pamphlet Series\u003c\/em\u003e welcomes new, shorter and more portable text formats, printed in-house (it’s cheap \u0026amp; chic!).\u003c\/p\u003e\n\u003cp\u003eAlso:\u003cbr\u003e\u003ca href=\"\/products\/chapter-15-i-lie-on-the-floor\"\u003eChapter 15: I lie on the floor \u003c\/a\u003eby Claire Finch\u003cbr\u003e\u003ca href=\"\/products\/wild-wild-west\"\u003ewild wild west\u003c\/a\u003e by Sherian Mohammed Forster\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357620379988,"sku":"A8B-28801","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20210224_135547_001.jpg?v=1790812448"},{"product_id":"wild-wild-west","title":"wild wild west – Presage Pamphlet Series","description":"\u003cp\u003eIt’s 4:50 am, without an alarm clock ringing, the rage comes out, why ? Sherian Mohammed Forster questions the abstract patterns that get into our heart and hurt, from Instagram trends to planes that take off with or without us.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Presage Pamphlet Series\u003c\/em\u003e welcomes new, shorter and more portable text formats, printed in-house and made available to you in .pdf, audio and paper (it’s cheap \u0026amp; chic!).\u003c\/p\u003e\n\u003cp\u003eAlso:\u003cbr\u003e\u003ca href=\"\/products\/trompette\"\u003eTrompette\u003c\/a\u003e by Sot Labor\u003cbr\u003e\u003ca href=\"\/products\/chapter-15-i-lie-on-the-floor\"\u003eChapter 15: I lie on the floor \u003c\/a\u003eby Claire Finch\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357620674900,"sku":"A8B-28802","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20210224_135547.jpg?v=1790812448"},{"product_id":"chapter-15-i-lie-on-the-floor","title":"Chapter 15: I lie on the floor – Presage Pamphlet Series","description":"\u003cp\u003e\u003cem\u003eThis is a chapter in which nothing happens. (Even more\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eso than usual).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI am taking a day off, to lie on the floor.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMy yoga mat purple corrugated mousse sticks\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eslightly where my skin touches it, sticky soft hug of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ehomebound self-abandonment;\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eAn excerpt from Claire Finch’s upcoming book. An anachronistic epistolary exchange including democratic theory, gender studies, and dildos, where love and the void question each other in action.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Presage Pamphlet Series\u003c\/em\u003e welcomes new, shorter and more portable text formats, printed in-house (it’s cheap \u0026amp; chic!).\u003c\/p\u003e\n\u003cp\u003eAlso:\u003cbr\u003e\u003ca href=\"\/products\/trompette\"\u003eTrompette\u003c\/a\u003e by Sot Labor\u003cbr\u003e\u003ca href=\"\/products\/wild-wild-west\"\u003ewild wild west\u003c\/a\u003e by Sherian Mohammed Forster\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357620805972,"sku":"A8B-28803","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20210224_140108.jpg?v=1790812449"},{"product_id":"le-gabion","title":"Le Gabion","description":"\u003cp\u003eAu départ, une simple anecdote: un gabion de chasse typique des marais normands se détache de son ancrage pour dériver dans l’Océan Atlantique, avec des chasseurs incapables de nager à son bord. Théo Robine-Langlois transpose cette histoire à une échelle interstellaire: le Gabion, vaisseau spatial chasseur d’astéroïdes conçu pour être attaché à la Terre, dérive dans l’espace. À la suite d’Anton, on traverse les différentes communautés qui peuplent le bâtiment, monde en soi où se côtoient et s’affrontent des mœurs, des modèles de société, et surtout des formes de langage. Anton, lui, tente d’échapper à celui qui prétend régir le vaisseau, en récoltant des photocopies éparpillées dans ses méandres, jusqu’à son mystérieux cœur...\u003c\/p\u003e\n\u003cp\u003eEmpruntant au roman d’apprentissage autant qu’à la science-fiction, \u003cem\u003eLe Gabion\u003c\/em\u003e est aussi une chanson de geste: une odyssée symbolique où la langue et la figure de l’auteur sont traités de manière expérimentale, comme faisant partie du récit lui-même. Les langues que parlent les personnages contaminent le livre, qui se construit comme un montage où poésie, philosophie, histoire littéraire, hip hop et échanges SMS se rejoignent. En parcourant le Gabion, les lecteur.trice.s rencontrent différents rapports au langage, qui se concrétisent à la fin du livre par l’élection d’un maire de banlieue parisienne.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLe Gabion\u003c\/em\u003e poursuit le travail entamé par Théo Robine-Langlois dans son premier livre, \u003cem\u003e[...]\u003c\/em\u003e, où le subterfuge typographique des points de suspension entre crochets signifiait à la fois l’existence de trous dans la langue, d’échappatoires dans l’imaginaire, et de nuages dans le ciel. Dans\u003cem\u003e Le Gabion\u003c\/em\u003e, on peut se cacher dans un paragraphe, lire entre les lignes d’un manuel de photocopieuse, se battre avec des missiles-poèmes, rencontrer des enfants sanguinaires et des sororités féministes. On traverse également plusieurs siècles de poésie française, des troubadours à Henri Chopin ou Hélène Bessette.\u003c\/p\u003e\n\u003cp\u003eTexte en Français\u003c\/p\u003e\n\u003cp\u003e302 pages, 11,5 x 18 cm\u003cbr\u003eRéalisé avec l’aide du Centre National du Livre (CNL)\u003cbr\u003eISBN: 978-2-9559486-9-9\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357643678036,"sku":"A8B-29097","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20210510_143716.jpg?v=1790812533"},{"product_id":"neil-beloufa","title":"Neïl Beloufa. People Love War Data \u0026 Travels","description":"\u003cp\u003e\u003cem\u003eEmotional ! We are very proud of this one. It has taken a lot of time and dedication to bring this publication to life – exploring Neil Beloufa's manifold practice and relations has been quite a ride. We hope you will enjoy the dive as much as we did.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003eThis is the first monograph on the internationally acclaimed French Algerian artist Neïl Beloufa (born 1985). Love, hatred, war, technology, social unrest, bodies and words in crisis: this is the material of which Beloufa’s work is made. His films, sculptures and multimedia installations audaciously explore how art can address today’s issues, challenging contemporary representations of social relationships, power games, and political and economic structures. An artist favoring collaborations over authorship, and responsive strategies over predetermined intentions, Beloufa has invented his own work methods, and a particular approach to the studio.The catalog presents the artist’s projects over the past 12 years, including recent experiments with online platforms and NFTs; it takes as its starting point Beloufa’s solo show, \u003cem\u003eDigital Mourning\u003c\/em\u003e, at Pirelli HangarBicocca in Milan, and offers a non-conformist take on the genre of the monograph, thanks to Olivier Lebrun’s playful and inventive book design.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eBeloufa’s work has been exhibited at the ICA, London; Palais de Tokyo, Paris; the Hammer Museum, Los Angeles; MoMA, New York; Schinkel Pavilion, Berlin; Schirn Kunsthalle, Frankfurt. He took part in the Venice Biennale in 2013 and 2019. His work is present in public and private collections including the Centre Pompidou, Paris; Museum of Modern Art, New York; Sammlung Goetz, Munich; and Julia Stoschek Collection, Düsseldorf \u0026amp; Berlin.\u003cbr\u003eHe is represented by François Ghebaly (Los Angeles \/ New York), Mendes Wood DM (Sao Paulo \/ Brussels \/ New York), kamel mennour (Paris \/ London), and Zero… (Milan).\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eFR \/\/\u003c\/div\u003e\n\u003cdiv\u003eCette publication est la première monographie consacrée à l'artiste franco-algérien Neïl Beloufa (1985). L'amour, la haine, la guerre, la technologie, l'agitation sociale, les corps et les mots en crise : voilà la matière dont est faite l'œuvre de Beloufa. Ses films, sculptures et installations multimédias explorent avec audace la manière dont l'art peut aborder les questions d'aujourd'hui, remettant en question les représentations contemporaines des relations sociales, des jeux de pouvoir et des structures politiques et économiques.\u003c\/div\u003e\n\u003cdiv\u003eArtiste privilégiant la collaboration au droit d'auteur et les stratégies réactives aux intentions prédéterminées, Beloufa a inventé ses propres méthodes de travail et une approche particulière de l'atelier.\u003c\/div\u003e\n\u003cdiv\u003eLe catalogue présente les projets de l'artiste au cours des 12 dernières années, y compris ses récentes expériences avec les plateformes en ligne et les NFTs ; il prend comme point de départ l'exposition personnelle de Beloufa, Digital Mourning, au Pirelli HangarBicocca de Milan, et offre une vision non-conformiste du genre de la monographie, grâce à la conception ludique et inventive du livre par Olivier Lebrun.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eEssays by Anahi Alviso-Marino, Negar Azimi, Guillaume Désanges, Yilmaz Dziewior, Ruba Katrib, Jesse McKee\u003c\/div\u003e\n\u003cdiv\u003eAdditional text by Myriam Ben Salah, Enrico Camporesi, Marilou Thiébault, Benjamin Thorel\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e24 x 33 cm \u003cbr\u003e512 pages; softcover; full color illustrations\u003cbr\u003eISBN: 9782955948675\u003c\/div\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357678477652,"sku":"A8B-29423","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/BELOUFA_COVER.jpg?v=1790812636"},{"product_id":"unintended-experience-a-job-in-amsterdam-reprint","title":"Unintended Experience. A Job in Amsterdam (reprint)","description":"\u003cp\u003eA new version of our first publication and bestseller: Evelyn’s adventures as a transgender masseuse in Amsterdam, back when she was a young artist, supporting herself by working in a massage salon. The texts are witty, sharp and thoughtful, reflecting a very specific community of friends and coworkers and its counterpart, the male clientele. The drawings illustrating those texts are dreamlike watercolors, perfect companions to \u003cem\u003eUnintended Experience\u003c\/em\u003e’s diaristic journey.\u003c\/p\u003e\n\u003cp\u003eSOLD OUT —\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357708525908,"sku":"A8B-29581","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20210930_115757_001.jpg?v=1790812675"},{"product_id":"piero-heliczer-poems-and-documents","title":"Piero Heliczer. 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At the crossroads of many underground experiences, Heliczer’s name appears in books dedicated to the artists and poets he collaborated with during his lifetime—names by the likes of Gregory Corso, Barbara Rubin, Andy Warhol, Jack Smith, Ira Cohen, or The Velvet Underground, a band he participated in creating with his friend Angus MacLise.\u003cbr\u003e\u003cbr\u003eThis myth obscures the fact that Piero Heliczer was first and foremost a poet. Today, this part of his work is overlooked; it is all the more difficult to encounter because Heliczer himself never collected it. So it was scattered, or lost, in the course of his wanderings. Heliczer favored the circulation of his works rather than their archiving: he was committed to the production of mobile forms—flyers, broadsides, and other ephemera—disseminated his verses in magazines, and preferred public readings and performances to the finished form of the book.\u003cbr\u003e\u003cbr\u003eThe present volume gathers a significant number of Heliczer’s poetic works through facsimile reproduction of his contributions to more than thirty periodicals—mostly stemming from poets’ presses or universities—published between 1958 and 1979. This collection isn’t “complete”—but it makes available again poems that, in some cases, never circulated after their initial publication. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUn recueil de poèmes de Piero Heliczer (1937–1993), auteur, éditeur et cinéaste, figure de l’underground et de la contre-culture, proche de Andy Warhol, Gerard Malanga, et Jack Smith. Sa poésie, héritière de la Beat Generation, restitue en métaphores et images saisissantes des expériences et des visions personnelles, tout en s’appuyant sur des formes héritées de la tradition anglaise et des partis-pris typographiques originaux. Ce recueil rassemble des facsimilés des publications originales de poèmes de Heliczer – périodiques d’artistes, revues miméographiées, petits magazines… – accompagnées de leurs traductions en français, ainsi que de plusieurs documents, parmi lesquels une reproduction intégrale d’une publication rare de 1961,\u003c\/em\u003e Wednesday Paper\u003cem\u003e, et, en insert, un facsimilé d’un placard de 1975,\u003c\/em\u003e The Handsome Policeman\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTraduction des poèmes: Rachel Valinsky\u003cbr\u003ePublié avec l’aide du CNAP\u003cbr\u003e21,6 x 27,9 cm\u003cbr\u003e256 pages; softcover with fac-simile insert\u003cbr\u003eISBN: 9782492650000\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357734871380,"sku":"A8B-30000","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Capture_20d_E2_80_99e_CC_81cran_202021-12-19_20a_CC_80_2010.20.57.png?v=1790812788"},{"product_id":"the-premise-of-a-better-life","title":"The Premise of a Better Life","description":"\u003cp\u003eSam Pulitzer’s \u003cem\u003eThe Premise of a Better Life\u003c\/em\u003e is an artist book that combines photographs with ethical and existential questions addressed to the viewer, developing as an allegory of the contemporary condition.\u003cbr\u003eThe subject of a 2019–20 exhibition at Kunsthaus Glarus (CH), \u003cem\u003eThe Premise of a Better Life\u003c\/em\u003e gathers photographs of everyday things, ambiguous details, nondescript landscapes, and cityscapes. Most of them were taken in New York – though the city appears as the pale reflection of a model city; a reflection of its own ideals, a “sunken horizon.” Each picture is accompanied by a question: “Can you afford yourself ?” “Are you waiting for a moment that just won’t come?” “If you knew then what you know now, would it make a difference?” “Do you trust happiness?” The montages do not offer a clear narrative, but a complex, personal, at times satirical image of the present age and its promise.\u003cbr\u003ePulitzer wrote for the book an original essay that unfolds the philosophical and political issues that are at the core of the project, in which he questions the notions of homo economicus and that of “frontier.” The artist notably discusses one the key references of the project: Ernst Bloch’s essay, \u003cem\u003eThe Principle of Hope\u003c\/em\u003e. Pulitzer sheds light on the sites pictured in some of the photographs, opening their interpretation and challenging their perception beyond codes and the cliché.\u003c\/p\u003e\n\u003cp\u003eSam Pulitzer (b. 1984 Fremont, NH) works with various media, ranging from photograph to installations. He developed his own writing practice over the years, contributing to catalogues as well as magazines such as Artforum. He had solo shows at Hamburger Banhof, Berlin in 2018, and Artists Space in 2013. He is represented by Francesca Pia, Zurich; Lars Friedrich, Berlin; House of Gaga, Mexico City. 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Seasons pass in spite of this, and Gil endeavours to circumvent inter-species edicts to foster a meaningful audience. Recognition becomes a vocation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Majority\u003c\/em\u003e is a novel that presents entertainment as critical gospel. Seething a trail of cultural debris, \u003cem\u003eMajority\u003c\/em\u003e is the second instalment in Ivan Cheng’s \u003cem\u003eConfidences\u003c\/em\u003e series, which deploys a version of the vampire and performance as sites for transformation and maintenance.\u003c\/p\u003e\n\u003cp\u003eIvan Cheng (b. 1991, Sydney) produces films, objects, paintings and publications as anchors for the staging of complex and precarious spectacles. His background as a performer and musician form the basis for his using performance as a critical medium and questioning publics and accessibility. He holds an MFA in Critical Studies from Sandberg Instituut; his work has recently been presented at Voiture14 (Marseille), La Maison Pop (Montreuil), Les Urbaines (Lausanne), Volksbühne Roter Salon (Berlin), Oude Kerk (Amsterdam), Belvedere21 (Vienna), MuHKA (Antwerp), Carriageworks (Sydney), Federation Square (Melbourne). In 2017 he initiated the project space bologna.cc in Amsterdam.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Majority\u003c\/em\u003e was published simultaneous to Cheng’s solo presentation \u003cem\u003eMilieu\u003c\/em\u003e at Édouard Montassut, Paris, in April 2022.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Majority\u003cbr\u003e\u003c\/em\u003e11 x 18 cm, 208 pages, English\u003cbr\u003eCover illustration: Alina Yanchenko \u003cbr\u003eGraphic design: Sabo Day \u003cbr\u003eISBN: 978-2-492650-05-5\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357761151316,"sku":"A8B-30509","price":13.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20220420_162450_20-_20copie.jpg?v=1790812931"},{"product_id":"cloud-bridge","title":"Cloud Bridge","description":"\u003cp\u003eA combination of a personal memoir with essays on contemporary artists, completed by short pieces of fiction, \u003cem\u003eCloud Bridge\u003c\/em\u003e proposes a subjective approach to the South Korean art scene. In the book, Seyoung Yoon discusses how the generation of South Korean artists born in the 1980s she belongs to – such as Ikjung Cho, Kang Jungsuck, Min Yoon – dealt with social and political issues as well as the notions of self-determination and identity; she connects these concerns with the practices of a wide range of artists, poets, filmmakers, illuminating and reflecting on possible ways to define one’s trajectory. “\u003cem\u003eWhat may define us as a generation, is intrinsically linked to what defines each of us as a person, meaning, what we fought for, what we fought against, what we stood for, what we welcomed and what we rejected, what we had to accept and what we decided to abandon, what was embarrassing and what was fun, what we hated and what we loved.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eSeyoung Yoon (b. 1986, Seoul; lives \u0026amp; works in Berlin) is an artist whose installations may feature paintings as well as words, videos, and objects, forming specific atmospheres and triggering waves of feelings and moods. She has developed projects such as Foundation CdP, VMT (with Joon Yeon Park), and Soon Boon (with Bonny Poon). She has studied at Städelschule, Frankfurt am Main; HEAD, Geneva; École des Beaux-Arts de Nantes; Korean National University of Arts, Seoul. Her work was shown at Galerie der Stadt Schwaz; Lars Friedrich, Berlin; Kunsthalle Bern \u0026amp; Kunsthaus Glarus; Édouard Montassut, Paris; Truth and Consequences, Geneva; Marbriers 4, Geneva.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCloud Bridge\u003c\/em\u003e was initiated at Nida Art Colony of Vilnius Academy of Arts, and developed with the support of the Korea Arts Management Service.\u003c\/p\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCloud Bridge\u003cbr\u003e\u003c\/em\u003e9 x 18 cm, 106 pages, English\u003cbr\u003eCover \u0026amp; illustrations: Seyoung Yoon\u003cbr\u003eISBN: 978-2-492650-03-1\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357788184916,"sku":"A8B-30774","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/cloud.jpg?v=1790813006"},{"product_id":"faux-pas-ecrits-et-dessins","title":"Faux Pas. Écrits et Dessins","description":"\u003cp\u003eFinalement disponible en français ! Traduit – et édité – par Charlotte Houette, François Lancien-Guilberteau et Benjamin Thorel.\u003c\/p\u003e\n\u003cp\u003eCombien pèse une couleur  ? Comment une forme peut-elle être politique  ? Les peintres ont-il·elles besoin de Freud pour analyser leurs achats compulsifs de pots de peinture  ? Est-ce qu’une toile peut avoir de l’humour  ? L’abstraction gestuelle est-elle forcément un truc de machos  ?\u003c\/p\u003e\n\u003cp\u003eFigure essentielle de la scène artistique contemporaine, Amy Sillman est une peintre dont les écrits renouvellent la pensée sur l’art à partir de questions « pratiques ». Sa réflexion met l’accent sur la position de l’artiste – la manière dont il·elle doit composer avec des questions de forme, de matériau, mais aussi avec son corps, avec ses convictions, et avec ce qui se passe dans le monde qui l’entoure.\u003c\/p\u003e\n\u003cp\u003eDans ce recueil d’écrits inédits en français, Amy Sillman revient sur des enjeux-clefs de la peinture et de la sculpture moderne et contemporaine, prenant l’histoire de l’art à revers. Elle bouscule les idées reçues sur l’abstraction, les avant-gardes, et invite à découvrir (ou redécouvrir) l’œuvre de Maria Lassnig, Philip Guston, Laura Owens – mais aussi Delacroix et Cézanne.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFaux Pas \u003c\/em\u003erassemble également des cartoons et des dessins de Amy Sillman, ainsi que des portraits d’artistes réalisés spécialement pour ce livre – et aussi une série de dessins sur John Chamberlain par Michael Smith!\u003c\/p\u003e\n\u003cp\u003e \u003cem\u003eFaux Pas \u003c\/em\u003eest publié avec le soutien de Campoli Presti, Gladstone Gallery, et du Centre National des Arts Plastiques.\u003c\/p\u003e\n\u003cp\u003eC’EST FINI POUR 2025 !\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357814858068,"sku":"A8B-30895","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/AMY_cover_scan.jpg?v=1790813043"},{"product_id":"the-falling","title":"The Falling","description":"\u003cp\u003e\u003cem\u003eThe Falling\u003c\/em\u003e was the title of the exhibition staged at Kunstmuseum St.Gallen in 2021–22 by artist Marie Lund. Following her invitation, artist Frederik Worm documented the project through a series of images, taken at different times over the duration of the exhibition. \u003cbr\u003eAlthough abstract in their forms, and still in their presentation, Marie Lund’s sculptures resonate by their materiality, and are conducive to words. Responding to their specific presence, Frederik Worm developed a suite of photographs as a kinetic\u003cbr\u003etrip through the works; favoring proximity and oblique perspectives, blurring the relation between the sculptures and the spaces they inhabit.\u003cbr\u003eAs a publication, The Falling is both an experience of the space and time of the exhibition and a record of the artists’ intimate conversation through their respective mediums.\u003c\/p\u003e\n\u003cp\u003eFR \/\/ \u003cem\u003eThe Falling\u003c\/em\u003e retranscrit, sous la forme d’une séquence d’images, l’expérience d’une exposition de l’artiste danoise Marie Lund. Élaboré en collaboration étroite avec le photographe Frederik Worm, ce livre fait basculer la photographie d’exposition dans le domaine du subjectif, du poétique et de la sensation.\u003cbr\u003eLe point de départ du livre est une exposition organisée par Marie Lund au Kunstmuseum de St Gall, en Suisse, en 2021–2022.\u003cbr\u003eLa conversation entre les artistes – et le dialogue entre leurs médiums – aboutit à un livre pensé de manière cinétique: \u003cem\u003eThe Falling\u003c\/em\u003e est un précipité de l’expérience de l’exposition, dilaté par le jeu de déplacements et de répétitions d’un cliché à l’autre. Bien qu’elles soient abstraites dans leur forme, et immobiles dans l’exposition, les sculptures de Marie Lund sont mises en mouvement par le rythme de la séquence photographique de Frederik Worm, qui transporte leur poids et leur matérialité dans l’espace et le temps de l’image.\u003c\/p\u003e\n\u003cp\u003e272 pages, EN\u003cbr\u003e14 x 19 cm\u003cbr\u003equadrichromie, 256 photographies\u003cbr\u003eDesign graphique : Åbäke\u003cbr\u003eISBN : 9782492650062\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357829931348,"sku":"A8B-30991","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/MarieLund.jpg?v=1790813065"},{"product_id":"faux-pas-selected-writings-and-drawings-expanded-edition","title":"Faux Pas. Selected Writings and Drawings (Expanded Edition)","description":"\u003cp\u003e* WOW ! * Very proud to annouce our third reprint of Amy Sillman's writings, now in an expanded edition: four new texts and many new drawings. An enhanced experience of the artist's witty, funny and overall amazing reflections on art practice and life.\u003c\/p\u003e\n\u003cp\u003eA key figure in the New York art scene, Amy Sillman is renowned for her singular approach to painting and drawing. Her writings extend a practice that challenges traditions and theoretical frameworks with criticality and humor, and advocates subjectivity: she reevaluates Abstract Expressionism with a queer eye, explores the meanings of color and shape, and discusses in depth the work of other artists—from Delacroix (and Cézanne!) to Maria Lassnig to Carolee Schneemann to Laura Owens. In \u003cem\u003eFaux Pas\u003c\/em\u003e, a collection of her most recent essays, alongside her cartoons and original drawings, art—as personal as it is political—is a practice that responds to today’s struggles.\u003c\/p\u003e\n\u003cp\u003eThis new, updated edition features additional texts—including a previously unpublished essay on drawing that complements Sillman’s views on color and shape—as well as new drawings from 2020-22.\u003c\/p\u003e\n\u003cp\u003e“Amy Sillman’s world view shines so beautifully throughout \u003cem\u003eFaux Pas \u003c\/em\u003ethat it becomes a kind of illumination. A generous triumph.”\u003cbr\u003e—Hilton Als\u003c\/p\u003e\n\u003cp\u003e“An exuberant, massively heterogeneous, exhilarating bundle of texts, diagrams, drawings, that document, activate, and irritate.”\u003cbr\u003e—Jutta Koether\u003c\/p\u003e\n\u003cp\u003e“A wonderful mental embrace.”\u003cbr\u003e—Rindon Johnson\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357841727828,"sku":"A8B-31070","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_2029_1866cab1-cb41-4a12-992a-fe307094bf9d.jpg?v=1790813087"},{"product_id":"a-thing-conducting","title":"A Thing Conducting – Presage Pamphlet Series","description":"\u003cp\u003e\u003cem\u003eMe I have a click with birds\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTwo translations from Rosanna Puyol's upcoming poetry book, \u003cem\u003eD'l'or\u003c\/em\u003e,\u003c\/p\u003e\n\u003cp\u003eIn the first text,\u003cem\u003e a thing conducting\u003c\/em\u003e, Sandar Tun Tun's music is in the air, birds have a big conversation and then transform themselves into stones, like little Brancusis you can collect from Normandie and Dakar beaches.\u003c\/p\u003e\n\u003cp\u003eThe second text, \u003cem\u003eShaker d'ailleurs\u003c\/em\u003e, is the loop you're trapped in when you go to the chicken drive, with Loulou the cat, translating Jill Johnston among other choses légères.\u003c\/p\u003e\n\u003cp\u003ePublished by Publication Studio Paris as part of the Presage Pamphlet Series.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57357877084500,"sku":"A8B-31591","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Num_C3_A9riser_2028_b6686391-deea-40b4-b8a7-397285cd042c.jpg?v=1790813257"},{"product_id":"david-douard-0-thee-lil-0","title":"David Douard: 0´THEE LIL' 0","description":"\u003cp\u003eIntense! Après des mois d’échanges avec David Douard autour de scanners, de boules de plâtre, de zines, de fichiers numériques et de caractères typographiques non conformes, \u003cem\u003e0´THEE LIL' 0 \u003c\/em\u003eest là.\u003c\/p\u003e\n\u003cp\u003eÉlaboré en étroite collaboration avec l’artiste, et soigneusement designé par Laure Giletti, \u003cem\u003e0´THEE LIL' 0 \u003c\/em\u003erevient sur l’ensemble de la pratique de David Douard pour en mettre en relief la singularité et la cohérence. Photographies d’œuvres, d’exposition et d’atelier s’entrelacent au fil des pages, tissant des liens entre sculptures de métal, verre soufflé, sérigraphies, environnements où prolifèrent câbles, masques mélancoliques, bouches grotesques et fragments de plantes. S’insèrent également dans le livre des collages réalisés à la photocopieuse par l’artiste à partir de ses dessins et d’images trouvées. Montage de corps, de mots et de formes, le flux du livre prolonge les expérimentations de DD qui, en matérialisant voix et affects, rendent visibles les énergies qui résistent à la destruction du monde.\u003c\/p\u003e\n\u003cp\u003eLe livre rassemble des essais de Maurin Dietrich (Kunstverein Munich), Rebecca Lamarche-Vadel (Lafayette Anticipations), Romain Noël, et Arnisa Zeqo, qui reviennent sur les liens entre la pratique de David Douard et le langage, les flux d’énergie, la \u003cem\u003emétaphysique de la jeunesse\u003c\/em\u003e, la poésie, le \u003cem\u003edark side\u003c\/em\u003e du digital, la rumeur et \u003cem\u003ela voie du négatif\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e⌱\u003c\/p\u003e\n\u003cp\u003eAn intense, compelling book on the work of David Douard, assembled over the course of err... many years, conceived in close collaboration with the artist himself, and graphic designer Laure Giletti.\u003c\/p\u003e\n\u003cp\u003eDesigned as a visual flux, the (il)logics of which continues the artist’s experiments with words and figures, \u003cem\u003e0´THEE LIL' 0\u003c\/em\u003e gathers collages, Xerox works and pictures from Douard’s personal archive, along with documentation covering his exhibitions and artworks since 2012. Insisting on the very motifs that are at the core of the artist’s work – grinning mouths, faceless masks, blown-glass orbs – the book shows the complexity and eerie coherence of his sculpture work. In Douard’s visceral approach to form, bulging shapes, broken words and found images create a new language, where the body and the machine, poetry and the daily life coalesce.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e0´THEE LIL' 0\u003c\/em\u003e also gathers original texts by Maurin Dietrich (director of Kunstverein München), who discusses the connection between Douard’s aesthetics and the politics of the Darknet;  Rebecca Lamarche-Vadel (director of Lafayette Anticipations, Paris), who unfolds the role of the flow of rumours and energy in the artist’s exhibition methods; writer Romain Noël, whose poetic essay unfolds how Douard’s poetics challenges common notions of the self; and curator and researcher Arnisa Zeqo, who explores the figure of youth in the artist’s work.\u003c\/p\u003e\n\u003cp\u003e⎌\u003c\/p\u003e\n\u003cp\u003e22 × 30,5 cm\u003cbr\u003e256 pages\u003cbr\u003eJaquette américaine \\°+°\/ Folded dustjacket with flaps\u003cbr\u003eISBN : 978-2-9559486-8-2\u003c\/p\u003e\n\u003cp\u003eÉdité avec l’aide du \/ With the support of Centre National des Arts Plastiques (CNAP), Lafayette Anticipations – Fondation Galeries Lafayette, Académie de France à Rome – Villa Médicis; et aussi \/ and also Galerie Chantal Crousel, Paris, Rodeo, London \/ Piraeus.\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357916668244,"sku":"A8B-32301","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/DOU-dust-front-single_20-_20web.jpg?v=1790813426"},{"product_id":"eraser","title":"Eraser","description":"\u003cp\u003eWelcome to the world, \u003cem\u003eEraser\u003c\/em\u003e! We are proudly annoucing the release of Angharad Williams’ book, which concludes a two-year process of writing and has existed in the form of an exhibition, a performance, and a book. \u003cem\u003eEraser\u003c\/em\u003e is as much about the categorical boundaries of our consensual reality—between self and other, human and non-human, waking and dreaming consciousness—as it is about an urge to overcome them. The book’s main protagonist undergoes multiple transformations via psychic and physical transferences with elementary forces—involving a trout and a magpie, among other things—that unsettle the idea of the “stable” self. \u003cem\u003eEraser\u003c\/em\u003e proposes a perspective in which the categorical distinctions between individual self, others, and non-human life slowly begin to dissolve. Other worlds of consciousness—of animals, plants, and organic matter—here embody a form of social organization free from the hierarchies of tradition and liberal progress.\u003c\/p\u003e\n\u003cp\u003eThis publication is copublished with the Kunstverein für die Rheinlande und Westfalen, Düsseldorf. Angharad Williams, born 1984 in Ynys Môn, Wales, lives and works in Berlin.\u003c\/p\u003e\n\u003cp\u003e! O O P !\u003c\/p\u003e\n\u003cp\u003e11 x 18 cm\u003cbr\u003e80 pages\u003cbr\u003eEnglish, b\u0026amp;w images\u003cbr\u003eISBN: 9782492650079\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357967425876,"sku":"A8B-32752","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20230913_124253.jpg?v=1790813545"},{"product_id":"nanoparticles","title":"Nanoparticles. One situation, some scenes – Presage Pamphlet Series","description":"\u003cp\u003eIn this theater play, Aodhan explores what happens between bodies, stones, painkillers, bread, and nanoparticles.\u003c\/p\u003e\n\u003cp\u003eSome men are trapped in a four-sided nowhere, a seemingly closed and eternal system, and they try to escape or at least understand where they are. Mary appears and disappears, giving instructions to a baker and a pharmacist.\u003c\/p\u003e\n\u003cp\u003ePublished by Publication Studio Paris as part of the Presage Pamphlet Series.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003ca class=\"tl-tag\" href=\"\/pages\/publishers\"\u003ePublication Studio\u003c\/a\u003e, 2023\u003cbr\u003e \u003ca class=\"tl-tag\" href=\"\/pages\/categories\"\u003eLiterature\u003c\/a\u003e\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57357969752404,"sku":"A8B-32818","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/aodhan.jpg?v=1790813564"},{"product_id":"badass-book-bandanas","title":"Badass Book Bandanas","description":"\u003cp\u003eYES they are back in fashion. Hand silkscreened by truly yours, with hidden messages - only a few pieces.\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357973193044,"sku":"A8B-32905","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20231013_170928_002.jpg?v=1790813587"},{"product_id":"les-voies-du-paradis","title":"Les Voies du Paradis","description":"\u003cp\u003e\u003cem\u003eLes Voies du Paradis\u003c\/em\u003e rassemble ce qui subsiste d’une œuvre perdue : les seules notes de bas de page d’un texte manquant, laissées par un chercheur après sa disparition et éditées par Peter Cornell. Ces notes et leurs illustrations forment un ensemble incomplet, qui se donne ici à lire à travers ses manques. Un fil – d’Ariane ? – se tisse entre les diagrammes, les figures de spirales et de labyrinthes – de Cesare Ripa à Ernst Josephson et Robert Smithson, des Templiers aux spirites et aux surréalistes – qui parcourent le texte et se font écho, comme les éléments d’une énigme ou des figures ésotériques. Le « Paradis » dont il est question ici, c’est le rêve de la connaissance absolue, la saisie de l’ordre caché des choses, à laquelle aspirent autant poètes et artistes que mystiques et scientifiques…\u003c\/p\u003e\n\u003cp\u003eParu en Suède en 1987, \u003cem\u003eLes Voies du Paradis\u003c\/em\u003e y a acquis la réputation d’un livre culte. Peter Cornell y propose une perspective inédite sur les liens entre art, littérature, spiritualité et occultisme, dans un texte à mi-chemin de l’essai et de la fiction, de l’érudition et de la mystification. La volonté de savoir y est mise en scène comme une quête prise au piège de l’irrationnel ; les notes s’assemblent par logique associative, programme éclectique qui tente encore de retrouver un centre perdu – comme les algorithmes auxquels est confiée aujourd’hui la tâche fantasmée de mettre en ordre les connaissances humaines.\u003c\/p\u003e\n\u003cp\u003e• Né en 1942 à Stockholm, Peter Cornell est écrivain, historien et critique d’art. Auteur de plusieurs livres sur l’art, la littérature et la philosophie, il a contribué à de nombreuses publications sur l’art contemporain – notamment sur le travail de l’artiste suédoise Ulla Wiggen – et a co-curaté avec Daniel Birnbaum l‘exposition \u003cem\u003eSwedish Ecstasy \u003c\/em\u003eà Bozar, Bruxelles, en 2023. Il est décédé à Stockholm le 1er mars 2025.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSome more words in English about Peter by Joachim Hamou \u003ca href=\"https:\/\/fitzcarraldoeditions.com\/2025\/03\/peter-cornell-1942-2025\/\"\u003ehere\u003c\/a\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e‣ Traduit du suédois par Jacques Mangold. Co-édité par Joachim Hamou et Benjamin Thorel.\u003c\/p\u003e\n\u003cp\u003e∗ Publié avec le soutien du Centre national des arts plastiques, du Kulturrådet (aide à la traduction), et de l’Académie Royale des Beaux-Arts de Suède.\u003c\/p\u003e\n\u003cp\u003e* Publié en parallèle \u003ca href=\"\/products\/the-ways-of-paradise\"\u003een anglais\u003c\/a\u003e, dans une traduction de Saskia Vogel, aux éditions Fitzcarraldo.\u003c\/p\u003e\n\u003cp\u003e11,6 x 18 cm\u003cbr\u003e172 pages, couverture cartonnée, 3 bleus différents\u003cbr\u003eIllustrations en noir et blanc\u003cbr\u003eISBN: 978-2-492650-08-6\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57357977551188,"sku":"A8B-33014","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/lesvoiesduparadis2.jpg?v=1790813616"},{"product_id":"ten-illustrations-for-the-fall-of-the-house-of-usher-by-e-a-poe","title":"Ten Illustrations for “The Fall of the House of Usher” by E. A. Poe","description":"\u003cp\u003e\u003cem\u003eThe guest sits on his brown mare with his back to us so we look through his eyes at the blind windows and rank sedges and the coming on of twilight and season. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of Robert Glück’s exhibition,\u003cem\u003e I’d Like to Tell Time What to Do\u003c\/em\u003e, at \u003ca href=\"http:\/\/treize.site\/\"\u003eTreize\u003c\/a\u003e, Paris, in January 2024, this chapbook proposes ten “illustrations” for Poe’s famous novella. Glück proceeds to freeze-frame specific sentences and moments in Usher, zooming on details, letting sounds be heard, throwing the reader into a new scene of ideas and sensations. Each page is framed by a b\u0026amp;w photograph by Chris Komater: a close-up of a body, of flesh, that seems to be coming from the original House of Usher, “of the feeling that Poe creates of oppressive confinement … The edges of the pages have to be touched by fingers to turn each page, hands touching sensitive and unknown areas of skin, recalling Roderick’s sensual hypersensitivity” (Komater).\u003c\/p\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDerrière la porte Roderick se tasse tant ses sens convulsent. Cette expérience se répand dans sa chair. La SENSATION parcourt L’ÉVÈNEMENT comme un boulet de démolition dans des toiles d’araignée […]\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublié à l’occasion de l’exposition de Robert Glück\u003cem\u003e I’d Like to Tell Time What to Do\u003c\/em\u003e à \u003ca href=\"http:\/\/treize.site\/\"\u003eTreize\u003c\/a\u003e, Paris, en janvier 2024, ce livret bilingue rassemble dix « illustrations » de \u003cem\u003eLa Chute de la Maison Usher\u003c\/em\u003e de Edgar Allan Poe: soit dix courts textes qui ouvrent et déploient dix moments du texte de Poe, des « arrêts sur phrase » où des détails se révèlent, des sons se font entendre, de nouveaux affects affleurent. Des photographies de Chris Komater – détails de corps en gros plan, en noir et blanc – « encadrent » le texte de Glück, la logique du texte et de l’illustration s’inversant de sorte que les doigts dæs lecteurix s’attardent sur ces peaux inconnues en tournant les pages du livre – livre double, anglais\/français, comme la gémellité des deux personnages de Poe, Roderick et Madeline.\u003c\/p\u003e\n\u003cp\u003eRobert Glück est traduit par Vincent Broqua; les citations du texte de E. A. Poe sont reprises de la traduction de Charles Baudelaire.\u003c\/p\u003e\n\u003cp\u003e*\u003c\/p\u003e\n\u003cp\u003e14 x 20 cm\u003cbr\u003e28 pgs, stapled \/ agrafé, b\u0026amp;w \/ n\u0026amp;b\u003cbr\u003eISBN: 978-2-492650-12-3\u003c\/p\u003e","brand":"After 8 Books,Publication Studio","offers":[{"title":"Default Title","offer_id":57357990560084,"sku":"A8B-33324","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ushergluck.jpg?v=1790813702"},{"product_id":"few-recipes-for-tired-people","title":"Few Recipes For Tired People","description":"\u003cp\u003e\u003cem\u003eFew Recipes For Tired People\u003c\/em\u003e is the first volume of a cookbook series, organized by Monika Janulevičiūtė and Noah Brehmer. This booklet contains 10 tried and tested meal and snack ideas that are easy to shop for, unpretentious to prepare, and simple to customize for people tired and bored of their go-to comfort food. The first edition was produced as a quick print experiment during a workshop at the CAC Reading Room, Vinius, as a Publication Studio Vilnius project.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57357994885460,"sku":"A8B-33439","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/recipes-1.1000x0.jpg?v=1790813733"},{"product_id":"je-suis-jessica-dis-je","title":"Je suis Jessica, dis-je | I say, I am Jessica","description":"\u003cp\u003eLes poèmes qui composent ce livre forment un portrait prismatique qui renvoie vers l’extérieur un faisceau d’apparences, les traits d’un visage changeant, saisis dans une forme d’écriture brève et instantanée.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJe suis Jessica, dis-je\u003c\/em\u003e a d’abord donné lieu à une installation présentée à l’occasion de l’exposition \u003cem\u003eLa fugitive\u003c\/em\u003e (Crédac, Ivry-sur-Seine, 2022), sur une proposition d’Ana Mendoza Aldana et Claire Le Restif.\u003c\/p\u003e\n\u003cp\u003eCe livre bilingue est une collaboration entre Three Dice et Publication Studio Paris.\u003c\/p\u003e\n\u003cp\u003e||\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe poems that compose the collection \u003c\/em\u003eI say, I am Jessica\u003cem\u003e form a prismatic portrait that reflects outwards a beam of appearances, the features of a changing face, captured in a brief, instantaneous form of writing.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMarcel Devillers (b. 1991) works at the intersection of visual arts (sculpture, painting, collage) and sound, poetry, and performance. \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTranslated from English by Rachel Valinsky.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e|||\u003c\/p\u003e\n\u003cp\u003e12,3 x 17 cm\u003cbr\u003e28 pages\u003cbr\u003eISBN: 978-2-492179-03-7\u003c\/p\u003e","brand":"Publication Studio,Three Dice","offers":[{"title":"Default Title","offer_id":57358012481876,"sku":"A8B-33620","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/jesuisjessica.jpg?v=1790813787"},{"product_id":"kaspar-new-address-2","title":"New Address II. Stereotypical Artist","description":"\u003cp\u003eWhat is an artists’ life made of? From the home to the studio, from the studio to the gallery, from one exhibition to the next, from one place to another – a suite of moves and a list of addresses. Tobias Kaspar’s work sheds light on the ambivalent position of the artist, taken in a web of social and economic relations: in the second volume of \u003cem\u003eNew Address\u003c\/em\u003e, he uses the tone of the diary, combined with the code of the moodboard, to document the side aspects of the life of a “stereotypical artist.”\u003c\/p\u003e\n\u003cp\u003eThe book gathers black \u0026amp; white photographs taken between 2018 and 2024, during the installation or the opening of exhibitions; at performances, dinners, parties; in different homes and rooms Kaspar has been living in; and in the course of daily activities. Contrary to an exhibition catalogue, projects by the artist such as his line of jeans, or his series of bronze sculptures made from disposable packaging, are thus shown “in the middle of affairs.”\u003c\/p\u003e\n\u003cp\u003eAn additional booklet opens with a short essay by artist Mikael Brkic, reflecting on the “behind the scenes” logics, followed by a letter penned by writer Leif Randt, and a text in which curator Kari Rittenbach discusses Tobias Kaspar’s work in relation to the economics and aesthetics of display and fashion. It concludes with a list of artworks in the order as they appear in the main book.\u003c\/p\u003e\n\u003cp\u003e***LAST COPIES***\u003c\/p\u003e\n\u003cp\u003ePublished with the support of Erna und Curt Burgauer Stiftung, Pro Helvetia, Kultur Stadt Zürich.\u003c\/p\u003e\n\u003cp\u003e14,5 x 20,5 cm\u003cbr\u003eMain book: 272 pgs, softcover; more than 400 b\/w pictures\u003cbr\u003eInsert: 32 pgs, no cover; 87 color thumbnails\u003cbr\u003eISBN: 978-2-492650-15-4\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358048919892,"sku":"A8B-33639","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/naii.jpg?v=1790813846"},{"product_id":"howdoisurvive","title":"How do I survive?","description":"\u003cp\u003eAfter 8 Books is pleased to present a new publication\u003cem\u003e: How do I survive?\u003c\/em\u003e, an artists’ book by Cooper Jacoby!\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eHow do I survive?\u003c\/em\u003e was written with machines over the course of a year. I say ‘with,’ not ‘by,’ since the text was generated using a series of customized Al models trained on collections of fiction that I have arranged and tuned by trial and error. These large language models are embodied in twelve artworks. Each work has a thermostat that reads the room’s temperature and humidity.\u003cbr\u003eEach asks itself: How do I survive? Changes in the surrounding heat and moisture shape their responses.\u003cbr\u003eThis book gathers bodies of text that were produced by the works as they asked themselves this question over and over again.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHow do I survive?\u003c\/em\u003e concludes with an essay by French art critic Ingrid Luquet-Gad, who analyzes the logics and dynamics of Jacoby’s experiment with large language models, and further discusses how such programs challenge preconceptions of subjectivity and the self.\u003c\/p\u003e\n\u003cp\u003ePublished in collaboration with High Art and Fitzpatrick Gallery.\u003c\/p\u003e\n\u003cp\u003e16.5 x 22 cm \/ 6.5 x 8.75 in\u003cbr\u003e232 pages; softcover; illustrations in color\u003cbr\u003eISBN 978-2-492650-10-9\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358064615764,"sku":"A8B-34059","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/cooper8-2_20copie.jpg?v=1790813924"},{"product_id":"dlor","title":"D’l’or","description":"\u003cp\u003e\u003cem\u003eD’l’or\u003c\/em\u003e est une suite de poèmes, le premier livre de Rosanna Puyol Boralevi, également fondatrice de la maison d’édition Brook. Un texte qui parle de la traduction comme d’un aller-retour plutôt que comme d'un aller simple, une oscillation, un espace social aux prises avec le quotidien, les discussions qu’on a, les chansons qu’on écoute, les gestes qu’on observe.\u003c\/p\u003e\n\u003cp\u003eDans \u003cem\u003eD’l’or\u003c\/em\u003e, le langage est mouvant à la façon d’un atelier de traduction collective où chacun*e projette dans les mots un sens différent. La langue se construit à plusieurs, à l’intérieur d'une communauté aux intérêts artistiques et politiques partagés, dont Rosanna consigne les propos pour mieux saisir comment se construit un langage commun. Elle invente, « agrandit l’espace commun du langage » – pour reprendre le terme de Nanni Balestrini dans\u003cem\u003e Les invisibles\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eL’autrice décrit des corps ; des corps dans un espace commun qui vaquent à différentes activités. Elle attrape avec des mots les images qui se créent et s’évanouissent sous nos yeux, comme dans la pratique du modèle vivant en dessin. Elle ose des néologismes, croisant le français et l’anglais. Rosanna parle de questions de genre de façon explicite, décrivant des scènes de sexe où l’inégalité des rapports est questionnée. C’est aussi un livre de rupture, où l'amour et l'amitié permettent une réinvention relationnelle et formelle.\u003c\/p\u003e\n\u003cp\u003eDans\u003cem\u003e D’l’or\u003c\/em\u003e, la matière précieuse se trouve dans un brouhaha de voix et d’échanges. L’écriture navigue entre des retours à la ligne rapide et des blocs, selon l’expérience qu’il s’agit de saisir. Des motifs reviennent : les oiseaux, l’eau, la musique. Des citations viennent interrompre les propos et mettre à distance le réel – en même temps qu’elles incitent à plonger dans le flux du texte.\u003cbr\u003e\u003cbr\u003e• Rosanna Puyol Boralevi (née à Paris, 1991) est poétesse, traductrice, et éditrice. Co-fondatrice des éditions Brook, elle a publié des traductions de textes engagés et nourris par des luttes féministes et antiracistes, une littérature tant poétique que chercheuse qui prend la forme d’essais, manifestes, poèmes, romans et~ou critique d’art. Elle collabore avec des artistes sur des projets d’expositions, de programmes de vidéo et de performance, et organise, souvent avec des ami*es, des groupes de lecture, ateliers d’écriture et de traduction.\u003c\/p\u003e\n\u003cp\u003eDessin de couverture : Aminata Labor\u003c\/p\u003e\n\u003cp\u003e164 pages, 13 x 20 cm\u003cbr\u003eISBN: 978-2-24926501-1-6\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358072447316,"sku":"A8B-34249","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/dlor1.jpg?v=1790813978"},{"product_id":"sake-blue-selected-writings","title":"saké blue. Selected Writings","description":"\u003cp\u003eCan critical thinking spring from both a fortune cookie and Jacques Lacan’s most obscure seminar footnote? Estelle Hoy says yes. In \u003cem\u003esaké\u003c\/em\u003e \u003cem\u003eblue\u003c\/em\u003e, overpriced cheesecakes are the starting point for an essay on art writing; shoplifting in Berlin opens to a reflection on the economies of activist practices; fiction allows us to discuss the legacy of institutional critique, queer mélanges, or quiet melancholy. To her, the story of art becomes more nuanced in light of lyrics by Arthur Russell, the posthumous sorrow of Sylvia Plath, or a poem by Yvonne Rainer.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003esaké blue\u003c\/em\u003e gathers critical essays, art reviews, and poetic fiction. Written in dialogue with the work of Martine Syms, Marlene Dumas, Hervé Guibert, or Camille Henrot, these texts combine the subjective and analytic, addressing power relations and the force of affect. Hoy spares nothing—and no one, exposing cultural clichés and urgent political issues through fast-paced acerbity. She advocates the work of women artists, mocks stereotypes, questions myths, and champions desire, sadness, and boredom. Simultaneously beautiful, lyrical, and cutthroat, her writing echoes to the reader like l’esprit d’escalier—we think of the perfect reply just a little too late.\u003c\/p\u003e\n\u003cp\u003e“Estelle Hoy practises philosophy as an unsettled but deeply committed query into existing together. She reads, she looks, she writes, to find out something essential about the future and living for it.”\u003cbr\u003e—Lisa Robertson, author of \u003cem\u003eThe Baudelaire Fractal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Estelle Hoy's prose slap and bite, \u003cem\u003esaké blue\u003c\/em\u003e is a sharp pleasure to read.”\u003cbr\u003e—Calla Henkel, author of \u003cem\u003eScrap\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Hoy’s renditions of all-too familiar scenes are made more visceral than life with sparkling prose and a sly attention to life’s many shifting values that feels more than appropriate for anyone truly interested in art.”\u003cbr\u003e—Natasha Stagg, author of \u003cem\u003eArtless\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“I love \u003cem\u003esaké blue\u003c\/em\u003e. It makes me smile. Sometimes I don’t understand it. Language or brain? But then I hop in and catch bits. Of Hoy’s thoughts or mine. It’s all very curly-wurly on a straight line. Cool!!!”\u003cbr\u003e—Camille Bidault Waddington\u003c\/p\u003e\n\u003cp\u003eEdited by Antonia Carrara\u003cbr\u003eWith an introduction by Lisa Robertson\u003cbr\u003eCover art: Camille Henrot\u003c\/p\u003e\n\u003cp\u003e12 x 18.5 cm \/ 4.75 x 7.25 in\u003cbr\u003e216 pages; softcover; b\/w illustrations\u003cbr\u003eISBN 978-2-492650-14-7\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358072480084,"sku":"A8B-33801","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/sake_blue_front.jpg?v=1790813979"},{"product_id":"nick-mauss-writings","title":"Dispersed Events. Selected Writings","description":"\u003cp\u003e\u003cem\u003eDispersed Events\u003c\/em\u003e brings together for the first time Nick Mauss’ essays from the last fifteen years. Shimmering with the urgency of a new generation of queer thinkers, Mauss’ writing refracts contemporary art through histories of decorative art, film, theater, and dance.\u003c\/p\u003e\n\u003cp\u003eAn artist renowned for critically and poetically reconfiguring inherited genealogies and hierarchies of visual culture and art history, Mauss engages writing as a space for relentlessly activating counter-histories, repositioning the voice of the artist and the readers along the way. Whether he considers the practice of artist Lorraine O’Grady, the radical fashion of Susan Cianciolo, the anarcho-vaudevillian theater of Reza Abdoh, or the potential for textiles to disclose a different way of thinking, Mauss insists on the intense power of forms and feelings in their actual rather than enforced prehistories. Reevaluating experiments in fashion, dance, and the decorative arts on the same plane as painting, sculpture and cinema, he locates art as taking shape in the middle of conversations—“between art history and any afternoon.”\u003c\/p\u003e\n\u003cp\u003e“Among what might initially appear, following Mauss, ‘a wildly inscrutable web of lineages,’ the reader quickly perceives unexpected, unheralded, conjunctions: affiliations, alignments, and affinities. . . . It generates a conviction that, in the best sense, is partisan. Singular, independent, illuminating.”\u003cbr\u003e—from the foreword by Lynne Cooke\u003c\/p\u003e\n\u003cp\u003e* * *\u003c\/p\u003e\n\u003cp\u003e“What I adore in this book is first that it doesn’t abide by any category, nor proposes any definition for what queer art or culture could be or for what research in art history should be, even expanded to certain comforting genealogies or influences.\u003cbr\u003eOn the contrary, the actual disparity of “events” is at the core of the book, and shapes its narrative. It allows Nick Mauss to associate, affiliate, link and weave a “widely inscrutable web,” in which the author and the reader shift their positions and points of view, constantly redirecting the conversation. What I adore in this book is that Nick Mauss tells what art, whatever it is, does to him.”\u003cbr\u003e—Elisabeth Lebovici\u003c\/p\u003e\n\u003cp\u003e“In these cruel times, when too many operate as if ignorance, popularity, and money set the metronome of meaning, Nick Mauss, beneficent as Mother Ginger, lifts a flounce to release his polichinelles of untimely thinking. Easy to imagine Tina Chow and Edwin Denby, critical representatives of the knowing hereafter, nodding their approval at these keen syncopations to now’s drab, monocultural rhythm.”\u003cbr\u003e—Bruce Hainley\u003c\/p\u003e\n\u003cp\u003e“These pages are written through a sensuous eye; encounters with art are laid bare and made tactile. With an insistent curiosity that is generous and imagistic, Mauss makes contemporaries of predecessors, creating connective tendrils and textures that generatively rupture the past. I cannot help but feel that the artworks and practices written about here love and revel in being witnessed and revisited by Mauss. They are seen-touched and responded to without closure or fixity; in the artist’s words, they ‘'cast long shadows forward.”\u003cbr\u003e— Lotus L. Kang\u003c\/p\u003e\n\u003cp\u003e“This is the book I want to be reading right now.”\u003cbr\u003e—Josephine Pryde\u003c\/p\u003e\n\u003cp\u003e* * *\u003c\/p\u003e\n\u003cp\u003eEdited by Antonia Carrara and Benjamin Thorel.\u003cbr\u003eForeword by Lynne Cooke.\u003c\/p\u003e\n\u003cp\u003ePublished with the support of 303 Gallery, Galerie Chantal Crousel, and Shelley Fox Aarons and Philip Aarons.\u003c\/p\u003e\n\u003cp\u003e12 x 18.5 cm \/ 4.75 x 7.25 in\u003cbr\u003e296 pages; softcover; with exciting b\/w illustrations by Nick Mauss and other artists as well\u003cbr\u003eISBN: 978-2-492650-09-3\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358072709460,"sku":"A8B-33638","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/dispersed_events_front.jpg?v=1790813981"},{"product_id":"confidences-production","title":"Confidences \/ Production","description":"\u003cp\u003e\u003cem\u003eActing like an academic endpoint, cuneiform everything.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eConlan Eliseu is a vampire and an out-of-vogue fashion stylist who takes a job as an advisor at the Gatlin Finishing School, a three-year vocational program for talented teens in a theatre town. Human teen Doeke Schreyer wants to be a star and isn’t afraid of hard work. He just can’t seem to get it. Will his corporeal charms help him exceed the curse on his name, inherited from his adoptive parents?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Production\u003c\/em\u003e deals with the process of keeping the past alive, whether as image or restaging. It is the fourth instalment in Ivan Cheng’s Confidences series, which uses the figure of the vampire as shorthand for cultural movement. Following \u003ca href=\"\/products\/ivan-cheng-confidences-baseline\"\u003eConfidences \/ Baseline\u003c\/a\u003e, \u003ca href=\"\/products\/confidences-majority\"\u003eConfidences \/ Majority\u003c\/a\u003e, and \u003ca href=\"\/products\/confidences-oracle\"\u003eConfidences \/ Oracle\u003c\/a\u003e, this new episode contains excerpts or elements from scripts by the artist, as well as documents and reflections on the tradition and transmission of theatre. \u003c\/p\u003e\n\u003cp\u003eIvan Cheng (b. 1991, Sydney) produces films, objects, paintings and publications as anchors for the staging of complex and precarious spectacles. His background as a performer and musician form the basis for his using performance as a critical medium and questioning publics and accessibility. He holds an MFA in Critical Studies from Sandberg Instituut. His performances, works and writings have been recently presented at Hartwig Art Foundation, Amsterdam; Lafayette Anticipations, Paris; galerie Édouard Montassut, Paris; Villa Imperiale, Pesaro; OCTO, Marseille; Volksbühne Roter Salon, Berlin; gta Exhibitions, Zurich; and Mind Eater Festival, Oslo. In 2017 he initiated the project space bologna.cc in Amsterdam.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Production\u003c\/em\u003e is published in collaboration with Monash University Museum of Art | MUMA, Naarm\/Melbourne, in conjunction with the presentation of the project, \u003ca href=\"https:\/\/www.monash.edu\/muma\/exhibitions\/upcoming\/upcoming\/ivan-cheng,-np\"\u003eIvan Cheng: NP\u003c\/a\u003e in September 2024.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConfidences \/ Production\u003cbr\u003e\u003c\/em\u003e13 x 18 cm, 360 pages, English\u003cbr\u003eCover illustration: Jaakko Pallasvuo \u003cbr\u003eISBN: 978-2-492650-13-0\u003c\/p\u003e","brand":"After 8 Books,MUMA","offers":[{"title":"Default Title","offer_id":57358074282324,"sku":"A8B-34369","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/ivan4-1b.jpg?v=1790813987"},{"product_id":"de-la-musique-dans-leurs-yeux-music-in-their-eyes","title":"De la musique dans leurs yeux \/ Music in their eyes","description":"\u003cp\u003eLa découverte de sirènes vivant au fond d’un lac attise la curiosité de scientifiques – tandis qu’un couple vivant à proximité tente de s’en rapprocher.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e« Elle s’est réveillée ! », s’écrie le blond en reniflant. Les scientifiques sont rivés à l’écran rectangulaire. Le bouton de la bouilloire d’eau bouillante clique. La seconde sirène, celle qui dormait en serrant le morceau de bois, marche maintenant sur les mains, la tête en bas. Peut-être qu’elle veut ainsi étirer ses muscles tendus ou qu’elle pratique un rituel matinal spécifique, encore inconnu des scientifiques. Sa queue argentée ressemble à un drapeau ; de temps en temps, elle remue sa forte nageoire caudale. Soudain, la sirène lève la tête, se tourne vers la droite et regarde droit dans l’objectif de la caméra.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCette nouvelle est extraite du recueil de Jurga Tumasonytė \u003cem\u003eUndinės\u003c\/em\u003e, paru en 2019. Traduit du Lituanien par Caroline Paliulis.\u003c\/p\u003e\n\u003cp\u003eCe livret est publié dans le cadre du projet « Mi-Monstre Mi-Livre », organisé par After 8 Books, Ariel Ink, Publication Studio Paris et Six Chairs Books, lors d’une résidence à Aperto, Paris, dans le cadre de la Saison de la Lituanie en France.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e•••\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMermaids are discovered in a lake, drawing the attention of a scientific expedition and of a couple living nearby.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe white-hulled expedition yacht rocks on the water; on board, four scientists are waiting for the coffee to boil. It’s early morning, and the fog is starting to lift. On the deck the blond one with the snub nose breathes in the damp air deeply and gazes around: soon the shore will no longer be in view, and it will look as though they’re in the middle of someone’s dream. The man darts into the cabin again. We can only guess how they will behave in the fog. This is why the scientists all have hearing protectors slung around their necks, ready to use them immediately if there is even the slightest sign of danger. The camera they’ve lowered down to the bottom of the lake shows a static image: the first one is asleep, her tail tucked into the soft bed of the lake. The second is stretched out on her stomach, embracing a piece of wooden debris. It’s not clear where the others are or what they are doing. The camera only found those two. …\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis short story  isexcerpted from the 2019 short stories collection, \u003cem\u003eUndinės\u003c\/em\u003e, by Jurga Tumasonytė. Translated from the Lithuanian by Medeinė Tribinevičius for the Vilnius Review.\u003c\/p\u003e\n\u003cp\u003eThis chapbook is published as part of the project “Mi-Monstre Mi-Livre,” organised by After 8 Books, Ariel Ink, Publication Studio Paris and Six Chairs Books, during a residency at Aperto, Paris, in the framework of the Lithuanian Season in France.\u003c\/p\u003e\n\u003cp\u003e|||\u003c\/p\u003e\n\u003cp\u003e50 ex. Risographie. 24 pages.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358085423444,"sku":"A8B-34653","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/mimi-jurga.jpg?v=1790814064"},{"product_id":"mother-issues-and-the-birth-of-an-image-complexes-de-mere-et-la-naissance-dune-image","title":"Mother issues and the birth of an image \/ Complexes de mère et la naissance d'une image","description":"\u003cp\u003eUn texte dans lequel l’artiste lituanienne Anastasia Sosunova revient sur l’histoire de l’impression, des eaux-fortes de Daniel Hopfer aux imprimeurs clandestins de l’époque soviétique, et met en relation le rôle de la « matrice » dans la réalisation d’imprimés avec la figure de la mère, citant Ocean Vuong et Guadalupe Nettel.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJ’ai vu l’autre jour sur un site de recyclage des tonnes de plaques offset en aluminium mises au rebut, prêtes à devenir autre chose. Elles ne servaient plus à rien, et on allait avoir besoin d’autres matrices d’impression pour continuer à produire des objets imprimés. Où sont leurs enfants ? Y a-t-il un lien à faire ici avec les fichiers numériques qu’on peut copier-coller à l’infini ? Pauvres images, tellement brûlées et floues qu’on dirait qu’elles ont été frites. Ont-elles des mères ? Trouveront-elles la mort ?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCe livret est publié dans le cadre du projet « Mi-Monstre Mi-Livre », organisé par After 8 Books, Ariel Ink, Publication Studio Paris et Six Chairs Books, lors d’une résidence à Aperto, Paris, dans le cadre de la Saison de la Lituanie en France.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e•••\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn this essay, Vilnius-based artist Anastasia Sosunova unfolds her research on the history of printing, from Daniel Hopfer’s etchings to underground printers from the Soviet era, and connected the printing “matrix” to the mother figure, referencing Ocean Vuong and Guadalupe Nettel.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOcean Vuong writes, “I’m not a monster. I’m a mother”; Jeanette Winterson: “She was a monster but she was my monster.” And thus, the monster I refer to is the one that gives birth to the prints that shape the tongues, fears, and beliefs of vast groups of people. Books of marvels and beasts, now considered emblems of a dark age of ignorance and superstition, proliferated in the 15th and 16th centuries thanks to emergent printing technologies and the influential naturalists they helped create. In the illustrations of scientific explorations by Fortunio Liceti, Athanasius Kircher, or Ulisse Aldrovandi, the lines between fact and fiction were irrelevant as they were impossible to discern.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis chapbook is published as part of the project “Mi-Monstre Mi-Livre,” organised by After 8 Books, Ariel Ink, Publication Studio Paris and Six Chairs Books, during a residency at Aperto, Paris, in the framework of the Lithuanian Season in France.\u003c\/p\u003e\n\u003cp\u003e|||\u003c\/p\u003e\n\u003cp\u003e50 ex. Risographie. 24 pages.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358085456212,"sku":"A8B-34654","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/mimi-sosunova.jpg?v=1790814065"},{"product_id":"reflections-of-a-snail-meditations-dun-escargot","title":"Reflections of a Snail \/ Méditations d'un Escargot","description":"\u003cp\u003eLe travail de Žygimantas Julijus Bėrontas se déploie comme un monde souterrain dans lequel des Êtres habituellement ignorés ou incompris – comme ici l’Escargot – trouvent une voix ou un espace pour raconter leur histoire.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLes souvenirs se brisent comme des vagues sur les rivages de mon esprit, me rappelant des moments du passé. Parfois elles respirent doucement, comme si revenaient des moments de joie ; parfois elles se soulèvent en immenses déferlantes et ravivent des souvenirs douloureux, me faisant monter les larmes aux yeux !\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCommençons par célébrer le monde tel que moi, qui suis aussi un Escargot, puis l’observer depuis le fond de ma rivière.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCe livret est publié dans le cadre du projet « Mi-Monstre Mi-Livre », organisé par After 8 Books, Ariel Ink, Publication Studio Paris et Six Chairs Books, lors d’une résidence à Aperto, Paris, dans le cadre de la Saison de la Lituanie en France.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e•••\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe work of Žygimantas Julijus Bėrontas is like an underground world, where usually unnoticed or misunderstood Beings—in this case, a Snail—gain a voice and find a space to tell their story.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMemories crash like waves on the shores of my mind, reminding me of moments from the past. Sometimes they whisper gently, as if they are remembering joy, and sometimes they rise in big wavy shots, opening up painful memories that make my eyes water!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLet’s start the celebration with the world that I, Snail too, observe from the bottom of the river.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis chapbook is published as part of the project “Mi-Monstre Mi-Livre,” organised by After 8 Books, Ariel Ink, Publication Studio Paris and Six Chairs Books, during a residency at Aperto, Paris, in the framework of the Lithuanian Season in France.\u003c\/p\u003e\n\u003cp\u003e|||\u003c\/p\u003e\n\u003cp\u003e50 ex. Risographie. 20 pages.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358085554516,"sku":"A8B-34655","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/mimi-zygi.jpg?v=1790814065"},{"product_id":"the-rat","title":"The Rat","description":"\u003cp\u003e\u003cem\u003eWe humans are united in our vulgar, egoistic revisions of ourselves. 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Un lieu peu recommandable.\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358179598676,"sku":"A8B-31088","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Scan_20220921_104324_004.jpg?v=1790814359"},{"product_id":"fuck-me-judith","title":"Fuck Me Judith","description":"\u003cp\u003eHere it is! The 2nd book in our “Scanners” collection is Claire Star Finch’s much expected English debut:\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eFUCK ME JUDITH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e* * *\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #f78fc9;\"\u003eJudith, an academic celebrity, and Wendy, a slightly less famous academic celebrity, fall in love. They break up. In her ensuing grief, Wendy finds herself in a pornographic, epistolary haze that slumps toward the narrative. Fueled by the only things that cut through the pain—sex and democratic theory—Wendy takes us along on her wild ride toward self-actualization. \u003cbr\u003eIn Claire Star Finch’s first novel, love and the void question each other in action. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e* * *\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eClaire Star Finch is a Paris-based experimental writer \u0026amp; performer.\u003cbr\u003eTheir literary performances and hybrid ficto-theories are regularly presented in art spaces, \u003cbr\u003eboth as part of their solo work and with the collective RER Q. \u003cbr\u003eTheir research centers on themes like dildos and vomit, defining these objects as forms of emancipatory literary technologies. \u003cbr\u003eThey published in French the experimental fiction \u003cem\u003eCrache dans ma bouche puis crache dans mon autre bouche\u003c\/em\u003e (Les Petits Matins, 2024).\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cem\u003e* * *\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Star Finch confects a bravura mash-up of theory and epic sex in the bereft, permanently aroused Wendy, \u003cem\u003esuccessful public figure\u003c\/em\u003e. Finch’s sumptuous and depraved fan fiction is a site of discovery: what is love, how is the body a social text and something more, what is power? They set desire on its head and in every other position. This \u003cem\u003ehopeless yearning in an ontological void\u003c\/em\u003e is right up my alley. Even though FUCK ME JUDITH thrives in its brilliant language, I confess I’m lookingforward to the film.”\u003cbr\u003e—Robert Glück\u003c\/p\u003e\n\u003cp\u003e\"This book swallowed me. Reading it, I even said to myself that sex with an author is something that everyone should experience before they die. I adore the humor and the intellect that are as voraciously deep as Wendy's holes.\" \u003cbr\u003e —Rébecca Chaillon\u003c\/p\u003e\n\u003cp\u003e\"After her breakup with Judith, Wendy does a lot of thinking. Thinking can't really explain anything. Fucking proliferates but as soon as it's described, it becomes past. Desire is always in the present tense. Narrated through bigger and bigger dildos and academic texts it becomes clear real desire is to know nothing at all. Fuck Me Judith is the best book I have read in years. It is explicit to be known and erotic to feel. Put this book in my coffin!\"\u003cbr\u003e—LA Warman\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eFUCK ME JUDITH\u003cbr\u003e11 x 18 cm, 168 pages, English\u003cbr\u003eISBN: 978-2-492650-16-1\u003c\/p\u003e","brand":"After 8 Books","offers":[{"title":"Default Title","offer_id":57358187200852,"sku":"A8B-35873","price":16.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/9782492650161.jpg?v=1790814412"},{"product_id":"everyone-is-layered","title":"Everyone is layered","description":"\u003cp\u003e\u003cem\u003eLayering is a great way to play with cowgirls-gone-wild.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThey're perky, edgy pretty with a tank peeking out under a sense of humour\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003etheir thongs hanging out\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eafter a few hours something\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ejust feel silly floaty, jus-past-your-waist\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eshapes are miserable,\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eshapeless ones hourglassy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWHERE’S HER BUTT?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEveryone is layered \u003c\/em\u003eis\u003cem\u003e \u003c\/em\u003ea scrapbook zine and a collection of poems made of the do’s and don’ts sections of a fashion magazine.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358199914836,"sku":"A8B-36017","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/Everyone_20is_20layered.jpg?v=1790814461"},{"product_id":"more-recipes-for-tired-people","title":"More Recipes For Tired People","description":"\u003cp\u003e\u003cem\u003eMore Recipes For Tired People\u003c\/em\u003e is the second volume of the cookbook series imagined in Vilnius by Monika (Janulevičiūtė) and Noah (Brehmer). The booklet will cheer up those who can’t stand pretentious, hardback cookbooks filled with perfect photos… but who have kept room in their kitchens for spicy experiments! \u003c\/p\u003e\n\u003cp\u003eThis booklet gathers recipes for tzatziki, ba’dounsiyeh, and other delicious mezze.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358244610388,"sku":"A8B-36096","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/morerecipes.jpg?v=1790814517"},{"product_id":"new-recipes-for-tired-people","title":"New Recipes For Tired People","description":"\u003cp\u003e\u003cem\u003eNew Recipes For Tired People\u003c\/em\u003e is the third volume of the cookbook series concocted in Vilnius by Monika (Janulevičiūtė) and Noah (Brehmer). No, you won’t cover your smartphone with oil and sugar, and risk dropping it in hot soup! Rejoice. And prepare some great Middle East and Asian (mostly vegan) dishes. Pre-Halloween alert: there’s a witch pie recipe in this book. \u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358245167444,"sku":"A8B-36097","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/newrecipes.jpg?v=1790814519"},{"product_id":"lutte-and-poesie","title":"Lutte \u0026 Poésie","description":"\u003cp\u003e\u003cem\u003e\u003cspan class=\"il\"\u003e\u003cspan class=\"il\"\u003eNous avons passé\u003c\/span\u003e du temps ensemble pendant trois après-midi, dans la mezzanine de la Maison des Métallos, et aussi un peu dans la cour, pour se présenter, fumer une cigarette ou boire un verre. Des textes imprimés et posés sur une table ont été lus, d’abord intérieurement, puis à voix haute pour en partager les sons, car le sens nous échappait souvent, d’une langue à l'autre. À partir de ce moment nous avons fait une sélection des textes que nous souhaitions traduire et nous nous sommes réunis en duo ou en trio, et à travers nos différentes langues, avons tenté d'en comprendre le sens et le restituer.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e[…]\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"adL\"\u003e\n\u003cdiv\u003e\u003cem\u003eSur trois après-midi \u003cspan class=\"il\"\u003e\u003cspan class=\"il\"\u003enous\u003c\/span\u003e\u003c\/span\u003e en \u003cspan class=\"il\"\u003e\u003cspan class=\"il\"\u003eavons\u003c\/span\u003e\u003c\/span\u003e \u003cspan class=\"il\"\u003e\u003cspan class=\"il\"\u003epassé\u003c\/span\u003e\u003c\/span\u003e une à accompagner une manifestation organisée à l'appel des principaux syndicats français, les messages écrits à la main sur des pancartes ou sur les murs par les manifestantxs ont aussi été traduits, et sont présents parmi les textes.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eZine réalisé collectivement entre les 17 et 26 septembre lors d’un atelier de traduction proposé par Slant Éditions (FR), Parquinho Gráfico (BR) et After 8 Books (FR), avec la participation de Maylis Achard, Véo Boisset, Laura Daviña, Juliet Georgiou, Gabriel Márquez, Miguel Martins, Camille Morin, Shiyoon Myoung, Joséphine Domingues, Mariana Félix, Léa Guillon, Anna Reymond, Théo Robine-Langlois, Barbara Salmon, Livia Viganó et Marina Zilbersztejn. 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Au même moment, l'ancien président du Brésil, Jair Bolsonoaro, a été condamné, le 11 septembre 2025, à 27 ans et trois mois de prison, pour tentative de coup d'État en 2023.\u003c\/p\u003e","brand":"Publication Studio","offers":[{"title":"Default Title","offer_id":57358259716436,"sku":"A8B-36586","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1072\/9609\/6596\/files\/mutirao.jpg?v=1790814565"}],"url":"https:\/\/after8books.com\/collections\/after-8-editions.oembed?page=2","provider":"After 8 Books","version":"1.0","type":"link"}